| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2429 |
| Prevalence of Second Most Common Vertical Interval |
0.1901 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7828 |
| Vertical Unisons |
0.05747 |
| Vertical Minor Seconds |
0.005169 |
| Vertical Thirds |
0.2722 |
| Vertical Tritones |
0.01105 |
| Vertical Perfect Fourths |
0.1081 |
| Vertical Perfect Fifths |
0.1901 |
| Vertical Sixths |
0.1207 |
| Vertical Sevenths |
0.02103 |
| Vertical Octaves |
0.1854 |
| Perfect Vertical Intervals |
0.5411 |
| Vertical Dissonance Ratio |
0.0707 |
| Vertical Minor Third Prevalence |
0.6783 |
| Vertical Major Third Prevalence |
0.6967 |
| Chord Duration |
1.556 |
| Partial Chords |
0.08673 |
| Standard Triads |
0.6437 |
| Diminished and Augmented Triads |
0.05016 |
| Dominant Seventh Chords |
0.008359 |
| Seventh Chords |
0.02821 |
| Non-Standard Chords |
0.2414 |
| Complex Chords |
0.03135 |
| Minor Major Triad Ratio |
0.1846 |
| Average Number of Simultaneous Pitch Classes |
3.032 |
| Variability of Number of Simultaneous Pitch Classes |
0.6157 |
| Average Number of Simultaneous Pitches |
4.361 |
| Variability of Number of Simultaneous Pitches |
1.428 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1737 |
| Stepwise Motion |
0.5623 |
| Melodic Thirds |
0.1063 |
| Melodic Perfect Fourths |
0.09943 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03771 |
| Melodic Sixths |
0.002286 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.016 |
| Melodic Large Intervals |
0.001143 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.325 |
| Melodic Embellishments |
0.006795 |
| Direction of Melodic Motion |
0.4709 |
| Average Length of Melodic Arcs |
1.994 |
| Average Interval Spanned by Melodic Arcs |
5.483 |
| Melodic Pitch Variety |
4.916 |
| Mean Melodic Interval |
2.309 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3886 |
| Relative Prevalence of Most Common Melodic Intervals |
0.45 |
| Amount of Arpeggiation |
0.3349 |
| Repeated Notes |
0.1749 |
| Importance of Middle Register |
0.6682 |
| Importance of High Register |
0.06229 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.29 |
| Mean Pitch Class |
5.639 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1087 |
| Prevalence of Most Common Pitch Class |
0.2242 |
| Relative Prevalence of Top Pitches |
0.9479 |
| Relative Prevalence of Top Pitch Classes |
0.8788 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.812 |
| Pitch Class Variability |
3.339 |
| Pitch Class Variability After Folding |
1.923 |
| Pitch Skewness |
-0.08916 |
| Pitch Class Skewness |
-0.3246 |
| Pitch Class Skewness After Folding |
0.9471 |
| Pitch Kurtosis |
5.378 |
| Pitch Class Kurtosis |
4.701 |
| Pitch Class Kurtosis After Folding |
5.141 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.2695 |
| Note Density per Quarter Note |
1.809 |
| Note Density per Quarter Note per Voice |
0.2262 |
| Note Density per Quarter Note Variability |
0.8985 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02492 |
| Prevalence of Medium Rhythmic Values |
0.6161 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7248 |
| Prevalence of Very Long Rhythmic Values |
0.08267 |
| Prevalence of Dotted Notes |
0.1087 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.711 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3409 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7342 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.927 |
| Rhythmic Value Skewness |
1.107 |
| Rhythmic Value Kurtosis |
9.816 |
| Mean Rhythmic Value Run Length |
1.698 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.129 |
| Mean Rhythmic Value Offset |
0.02718 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4658 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7959 |
| Average Rest Fraction Across Voices |
0.3811 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
215.1 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
20.38 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.976 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
42.35 |
| Variability Across Voices of Combined Rests |
90.77 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5235 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2343 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.234 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7578 |
| Rhythmic Variability - Tempo Standardized |
0.04828 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
883.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.091 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.648 |
| Variability of Note Durations |
1.263 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
99.8 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.671 |
| Strength of Second Strongest Rhythmic Pulse |
0.2867 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.341 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9577 |
| Rhythmic Variability |
0.05738 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
3.194 |
| Duration in Seconds |
294.0 |
| Note Density |
3.003 |
| Note Density Variability |
1.574 |
| Average Time Between Attacks |
0.818 |
| Average Time Between Attacks for Each Voice |
2.162 |
| Variability of Time Between Attacks |
0.3875 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3684 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3684 |
| Relative Note Density of Highest Line |
0.6433 |
| Relative Note Durations of Lowest Line |
0.9924 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5333 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.143 |
| Variability of Voice Separation |
2.795 |
| Parallel Motion |
0.0394 |
| Average Number of Independent Voices |
4.955 |
| Similar Motion |
0.139 |
| Contrary Motion |
0.1078 |
| Oblique Motion |
0.7138 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.006952 |
| Variability of Number of Independent Voices |
1.88 |
| Voice Equality - Number of Notes |
38.73 |
| Voice Equality - Note Duration |
54.69 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6409 |
| Voice Equality - Range |
2.375 |
| Importance of Loudest Voice |
0.0 |