| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1803 |
| Prevalence of Second Most Common Vertical Interval |
0.1796 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9959 |
| Vertical Unisons |
0.02768 |
| Vertical Minor Seconds |
0.002993 |
| Vertical Thirds |
0.2866 |
| Vertical Tritones |
0.02319 |
| Vertical Perfect Fourths |
0.1347 |
| Vertical Perfect Fifths |
0.1803 |
| Vertical Sixths |
0.141 |
| Vertical Sevenths |
0.03217 |
| Vertical Octaves |
0.1519 |
| Perfect Vertical Intervals |
0.4946 |
| Vertical Dissonance Ratio |
0.08438 |
| Vertical Minor Third Prevalence |
0.4561 |
| Vertical Major Third Prevalence |
0.4662 |
| Chord Duration |
1.791 |
| Partial Chords |
0.2376 |
| Standard Triads |
0.4858 |
| Diminished and Augmented Triads |
0.05674 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.03901 |
| Non-Standard Chords |
0.2376 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3173 |
| Average Number of Simultaneous Pitch Classes |
2.733 |
| Variability of Number of Simultaneous Pitch Classes |
0.6312 |
| Average Number of Simultaneous Pitches |
3.355 |
| Variability of Number of Simultaneous Pitches |
0.8174 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2486 |
| Stepwise Motion |
0.7186 |
| Melodic Thirds |
0.0765 |
| Melodic Perfect Fourths |
0.07377 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02732 |
| Melodic Sixths |
0.002732 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02459 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.667 |
| Melodic Embellishments |
0.04324 |
| Direction of Melodic Motion |
0.4112 |
| Average Length of Melodic Arcs |
2.238 |
| Average Interval Spanned by Melodic Arcs |
5.49 |
| Melodic Pitch Variety |
5.834 |
| Mean Melodic Interval |
2.311 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4699 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5291 |
| Amount of Arpeggiation |
0.2049 |
| Repeated Notes |
0.0765 |
| Importance of Middle Register |
0.7324 |
| Importance of High Register |
0.01351 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.54 |
| Mean Pitch Class |
5.019 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1162 |
| Prevalence of Most Common Pitch Class |
0.2108 |
| Relative Prevalence of Top Pitches |
0.907 |
| Relative Prevalence of Top Pitch Classes |
0.8333 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.269 |
| Pitch Class Variability |
3.564 |
| Pitch Class Variability After Folding |
2.88 |
| Pitch Skewness |
-0.4718 |
| Pitch Class Skewness |
0.01593 |
| Pitch Class Skewness After Folding |
0.9656 |
| Pitch Kurtosis |
5.445 |
| Pitch Class Kurtosis |
4.897 |
| Pitch Class Kurtosis After Folding |
7.962 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2541 |
| Note Density per Quarter Note |
1.25 |
| Note Density per Quarter Note per Voice |
0.3125 |
| Note Density per Quarter Note Variability |
0.4366 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5919 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8405 |
| Prevalence of Very Long Rhythmic Values |
0.05946 |
| Prevalence of Dotted Notes |
0.08649 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.784 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4324 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6625 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.554 |
| Rhythmic Value Skewness |
1.513 |
| Rhythmic Value Kurtosis |
8.45 |
| Mean Rhythmic Value Run Length |
1.652 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.279 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3691 |
| Average Rest Fraction Across Voices |
0.1292 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
23.84 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.953 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.973 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.061 |
| Variability Across Voices of Combined Rests |
17.12 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6494 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1841 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.527 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8335 |
| Rhythmic Variability - Tempo Standardized |
0.05461 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
370.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.685 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.683 |
| Variability of Note Durations |
0.9828 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
99.66 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7959 |
| Strength of Second Strongest Rhythmic Pulse |
0.2041 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.899 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.06466 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
4.096 |
| Duration in Seconds |
178.8 |
| Note Density |
2.069 |
| Note Density Variability |
0.8103 |
| Average Time Between Attacks |
1.005 |
| Average Time Between Attacks for Each Voice |
1.859 |
| Variability of Time Between Attacks |
0.5173 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.4066 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.7243 |
| Relative Note Durations of Lowest Line |
1.054 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8432 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.03318 |
| Average Number of Independent Voices |
3.48 |
| Similar Motion |
0.1161 |
| Contrary Motion |
0.1919 |
| Oblique Motion |
0.6588 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7839 |
| Voice Equality - Number of Notes |
8.699 |
| Voice Equality - Note Duration |
10.34 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
0.0 |