| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2401 |
| Prevalence of Second Most Common Vertical Interval |
0.1796 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.748 |
| Vertical Unisons |
0.1327 |
| Vertical Minor Seconds |
0.009135 |
| Vertical Thirds |
0.3098 |
| Vertical Tritones |
0.007237 |
| Vertical Perfect Fourths |
0.104 |
| Vertical Perfect Fifths |
0.1796 |
| Vertical Sixths |
0.1055 |
| Vertical Sevenths |
0.01478 |
| Vertical Octaves |
0.1075 |
| Perfect Vertical Intervals |
0.5237 |
| Vertical Dissonance Ratio |
0.06495 |
| Vertical Minor Third Prevalence |
0.5472 |
| Vertical Major Third Prevalence |
0.5955 |
| Chord Duration |
1.164 |
| Partial Chords |
0.2384 |
| Standard Triads |
0.5629 |
| Diminished and Augmented Triads |
0.01878 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02765 |
| Non-Standard Chords |
0.1711 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6226 |
| Average Number of Simultaneous Pitch Classes |
2.723 |
| Variability of Number of Simultaneous Pitch Classes |
0.66 |
| Average Number of Simultaneous Pitches |
3.218 |
| Variability of Number of Simultaneous Pitches |
0.8906 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2115 |
| Stepwise Motion |
0.6125 |
| Melodic Thirds |
0.09929 |
| Melodic Perfect Fourths |
0.06383 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03095 |
| Melodic Sixths |
0.001934 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01805 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.655 |
| Melodic Embellishments |
0.01093 |
| Direction of Melodic Motion |
0.4836 |
| Average Length of Melodic Arcs |
2.006 |
| Average Interval Spanned by Melodic Arcs |
5.113 |
| Melodic Pitch Variety |
4.648 |
| Mean Melodic Interval |
2.117 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.401 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5273 |
| Amount of Arpeggiation |
0.3217 |
| Repeated Notes |
0.1734 |
| Importance of Middle Register |
0.626 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.16 |
| Mean Pitch Class |
4.913 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1472 |
| Prevalence of Most Common Pitch Class |
0.1883 |
| Relative Prevalence of Top Pitches |
0.9127 |
| Relative Prevalence of Top Pitch Classes |
0.9352 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.533 |
| Pitch Class Variability |
3.473 |
| Pitch Class Variability After Folding |
4.16 |
| Pitch Skewness |
-0.6649 |
| Pitch Class Skewness |
-0.0755 |
| Pitch Class Skewness After Folding |
1.085 |
| Pitch Kurtosis |
5.821 |
| Pitch Class Kurtosis |
4.705 |
| Pitch Class Kurtosis After Folding |
4.762 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.374 |
| Note Density per Quarter Note |
1.531 |
| Note Density per Quarter Note per Voice |
0.3063 |
| Note Density per Quarter Note Variability |
0.7236 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01671 |
| Prevalence of Medium Rhythmic Values |
0.6967 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7333 |
| Prevalence of Very Long Rhythmic Values |
0.07005 |
| Prevalence of Dotted Notes |
0.07326 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.55 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4299 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5815 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.824 |
| Rhythmic Value Skewness |
0.9049 |
| Rhythmic Value Kurtosis |
11.21 |
| Mean Rhythmic Value Run Length |
1.891 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.393 |
| Mean Rhythmic Value Offset |
0.05398 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.018 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4922 |
| Average Rest Fraction Across Voices |
0.1812 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
127.3 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.937 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.979 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.22 |
| Variability Across Voices of Combined Rests |
70.65 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5526 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2218 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.491 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7744 |
| Rhythmic Variability - Tempo Standardized |
0.04968 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1556.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.587 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
40.0 |
| Average Note Duration |
2.015 |
| Variability of Note Durations |
2.18 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.53 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7073 |
| Strength of Second Strongest Rhythmic Pulse |
0.2758 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.565 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9831 |
| Rhythmic Variability |
0.0597 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
766.0 |
| Note Density |
2.031 |
| Note Density Variability |
1.259 |
| Average Time Between Attacks |
1.156 |
| Average Time Between Attacks for Each Voice |
2.438 |
| Variability of Time Between Attacks |
0.7419 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.6538 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.6538 |
| Relative Note Density of Highest Line |
0.1928 |
| Relative Note Durations of Lowest Line |
0.9403 |
| Relative Size of Melodic Intervals in Lowest Line |
1.429 |
| Voice Overlap |
0.9254 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
3.559 |
| Parallel Motion |
0.04449 |
| Average Number of Independent Voices |
3.988 |
| Similar Motion |
0.1158 |
| Contrary Motion |
0.1297 |
| Oblique Motion |
0.7099 |
| Parallel Fifths |
0.004634 |
| Parallel Octaves |
0.0009268 |
| Variability of Number of Independent Voices |
1.152 |
| Voice Equality - Number of Notes |
39.17 |
| Voice Equality - Note Duration |
53.27 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.517 |
| Importance of Loudest Voice |
0.0 |