| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2729 |
| Prevalence of Second Most Common Vertical Interval |
0.2047 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7501 |
| Vertical Unisons |
0.06201 |
| Vertical Minor Seconds |
0.001329 |
| Vertical Thirds |
0.2624 |
| Vertical Tritones |
0.004455 |
| Vertical Perfect Fourths |
0.1181 |
| Vertical Perfect Fifths |
0.2047 |
| Vertical Sixths |
0.1152 |
| Vertical Sevenths |
0.01141 |
| Vertical Octaves |
0.2109 |
| Perfect Vertical Intervals |
0.5956 |
| Vertical Dissonance Ratio |
0.02756 |
| Vertical Minor Third Prevalence |
0.7306 |
| Vertical Major Third Prevalence |
0.7575 |
| Chord Duration |
2.299 |
| Partial Chords |
0.04101 |
| Standard Triads |
0.7919 |
| Diminished and Augmented Triads |
0.01984 |
| Dominant Seventh Chords |
0.0008818 |
| Seventh Chords |
0.02734 |
| Non-Standard Chords |
0.1398 |
| Complex Chords |
0.002646 |
| Minor Major Triad Ratio |
1.268 |
| Average Number of Simultaneous Pitch Classes |
3.027 |
| Variability of Number of Simultaneous Pitch Classes |
0.3519 |
| Average Number of Simultaneous Pitches |
4.774 |
| Variability of Number of Simultaneous Pitches |
1.159 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1567 |
| Stepwise Motion |
0.4038 |
| Melodic Thirds |
0.09543 |
| Melodic Perfect Fourths |
0.07936 |
| Melodic Tritones |
0.001507 |
| Melodic Perfect Fifths |
0.05525 |
| Melodic Sixths |
0.003014 |
| Melodic Sevenths |
0.001507 |
| Melodic Octaves |
0.01507 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.167 |
| Melodic Embellishments |
0.02201 |
| Direction of Melodic Motion |
0.4762 |
| Average Length of Melodic Arcs |
1.7 |
| Average Interval Spanned by Melodic Arcs |
5.087 |
| Melodic Pitch Variety |
3.883 |
| Mean Melodic Interval |
1.982 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3451 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7162 |
| Amount of Arpeggiation |
0.5123 |
| Repeated Notes |
0.3451 |
| Importance of Middle Register |
0.6938 |
| Importance of High Register |
0.06503 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.47 |
| Mean Pitch Class |
6.535 |
| Most Common Pitch |
59.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.1136 |
| Prevalence of Most Common Pitch Class |
0.2626 |
| Relative Prevalence of Top Pitches |
0.8943 |
| Relative Prevalence of Top Pitch Classes |
0.7619 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.876 |
| Pitch Class Variability |
3.388 |
| Pitch Class Variability After Folding |
2.005 |
| Pitch Skewness |
-0.2826 |
| Pitch Class Skewness |
0.4735 |
| Pitch Class Skewness After Folding |
-1.059 |
| Pitch Kurtosis |
5.273 |
| Pitch Class Kurtosis |
4.738 |
| Pitch Class Kurtosis After Folding |
6.128 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
32.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2411 |
| Note Density per Quarter Note |
1.757 |
| Note Density per Quarter Note per Voice |
0.2196 |
| Note Density per Quarter Note Variability |
0.6894 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006003 |
| Prevalence of Medium Rhythmic Values |
0.5928 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8714 |
| Prevalence of Very Long Rhythmic Values |
0.1361 |
| Prevalence of Dotted Notes |
0.1186 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.127 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4642 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4709 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.133 |
| Rhythmic Value Skewness |
1.584 |
| Rhythmic Value Kurtosis |
9.477 |
| Mean Rhythmic Value Run Length |
1.616 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.092 |
| Mean Rhythmic Value Offset |
0.04802 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4358 |
| Complete Rests Fraction |
0.001787 |
| Partial Rests Fraction |
0.6646 |
| Average Rest Fraction Across Voices |
0.3018 |
| Longest Complete Rest |
2.034 |
| Longest Partial Rest |
67.12 |
| Mean Complete Rest Duration |
2.034 |
| Mean Partial Rest Duration |
16.96 |
| Median Complete Rest Duration |
2.034 |
| Median Partial Rest Duration |
14.24 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.95 |
| Variability Across Voices of Combined Rests |
21.71 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7104 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1518 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.681 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8622 |
| Rhythmic Variability - Tempo Standardized |
0.05806 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1999.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.578 |
| Minimum Note Duration |
0.2 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
1.876 |
| Variability of Note Durations |
1.4 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
102.5 |
| Strongest Rhythmic Pulse |
51.0 |
| Second Strongest Rhythmic Pulse |
102.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8375 |
| Strength of Second Strongest Rhythmic Pulse |
0.1578 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
5.307 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9953 |
| Rhythmic Variability |
0.06709 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
10.91 |
| Duration in Seconds |
671.4 |
| Note Density |
2.977 |
| Note Density Variability |
1.207 |
| Average Time Between Attacks |
0.9705 |
| Average Time Between Attacks for Each Voice |
2.622 |
| Variability of Time Between Attacks |
0.3921 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3611 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3611 |
| Relative Note Density of Highest Line |
0.2801 |
| Relative Note Durations of Lowest Line |
1.081 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.989 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
2.38 |
| Parallel Motion |
0.04617 |
| Average Number of Independent Voices |
5.586 |
| Similar Motion |
0.1304 |
| Contrary Motion |
0.1554 |
| Oblique Motion |
0.6681 |
| Parallel Fifths |
0.002173 |
| Parallel Octaves |
0.003802 |
| Variability of Number of Independent Voices |
1.876 |
| Voice Equality - Number of Notes |
14.74 |
| Voice Equality - Note Duration |
12.81 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9258 |
| Voice Equality - Range |
1.959 |
| Importance of Loudest Voice |
0.0 |