| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2914 |
| Prevalence of Second Most Common Vertical Interval |
0.1909 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6552 |
| Vertical Unisons |
0.08444 |
| Vertical Minor Seconds |
0.002759 |
| Vertical Thirds |
0.2614 |
| Vertical Tritones |
0.002644 |
| Vertical Perfect Fourths |
0.1076 |
| Vertical Perfect Fifths |
0.1909 |
| Vertical Sixths |
0.1139 |
| Vertical Sevenths |
0.01135 |
| Vertical Octaves |
0.2069 |
| Perfect Vertical Intervals |
0.5899 |
| Vertical Dissonance Ratio |
0.03603 |
| Vertical Minor Third Prevalence |
0.7415 |
| Vertical Major Third Prevalence |
0.7553 |
| Chord Duration |
2.041 |
| Partial Chords |
0.1207 |
| Standard Triads |
0.6983 |
| Diminished and Augmented Triads |
0.0194 |
| Dominant Seventh Chords |
0.00431 |
| Seventh Chords |
0.01078 |
| Non-Standard Chords |
0.1703 |
| Complex Chords |
0.0194 |
| Minor Major Triad Ratio |
0.1697 |
| Average Number of Simultaneous Pitch Classes |
2.953 |
| Variability of Number of Simultaneous Pitch Classes |
0.573 |
| Average Number of Simultaneous Pitches |
4.989 |
| Variability of Number of Simultaneous Pitches |
2.036 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1238 |
| Stepwise Motion |
0.3911 |
| Melodic Thirds |
0.1146 |
| Melodic Perfect Fourths |
0.08566 |
| Melodic Tritones |
0.001032 |
| Melodic Perfect Fifths |
0.05676 |
| Melodic Sixths |
0.002064 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01342 |
| Melodic Large Intervals |
0.001032 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.469 |
| Melodic Embellishments |
0.01529 |
| Direction of Melodic Motion |
0.4605 |
| Average Length of Melodic Arcs |
1.675 |
| Average Interval Spanned by Melodic Arcs |
5.01 |
| Melodic Pitch Variety |
3.986 |
| Mean Melodic Interval |
2.062 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3344 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7994 |
| Amount of Arpeggiation |
0.5201 |
| Repeated Notes |
0.3344 |
| Importance of Middle Register |
0.7492 |
| Importance of High Register |
0.105 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.06 |
| Mean Pitch Class |
5.839 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.104 |
| Prevalence of Most Common Pitch Class |
0.2304 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.8451 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.012 |
| Pitch Class Variability |
3.425 |
| Pitch Class Variability After Folding |
1.841 |
| Pitch Skewness |
-0.5298 |
| Pitch Class Skewness |
-1.017 |
| Pitch Class Skewness After Folding |
-0.07808 |
| Pitch Kurtosis |
5.605 |
| Pitch Class Kurtosis |
4.793 |
| Pitch Class Kurtosis After Folding |
5.355 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1458 |
| Note Density per Quarter Note |
2.078 |
| Note Density per Quarter Note per Voice |
0.1732 |
| Note Density per Quarter Note Variability |
1.601 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002039 |
| Prevalence of Medium Rhythmic Values |
0.6177 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8287 |
| Prevalence of Very Long Rhythmic Values |
0.09888 |
| Prevalence of Dotted Notes |
0.09276 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.999 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4465 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5091 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.223 |
| Rhythmic Value Skewness |
1.348 |
| Rhythmic Value Kurtosis |
11.15 |
| Mean Rhythmic Value Run Length |
1.627 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.185 |
| Mean Rhythmic Value Offset |
0.1957 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.374 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7119 |
| Average Rest Fraction Across Voices |
0.4467 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
202.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
22.59 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
48.62 |
| Variability Across Voices of Combined Rests |
68.31 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6474 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1762 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.675 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8235 |
| Rhythmic Variability - Tempo Standardized |
0.05444 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
981.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.716 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.597 |
| Variability of Note Durations |
1.609 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6474 |
| Strength of Second Strongest Rhythmic Pulse |
0.1762 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.675 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8235 |
| Rhythmic Variability |
0.05444 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
236.0 |
| Note Density |
4.157 |
| Note Density Variability |
3.364 |
| Average Time Between Attacks |
0.8187 |
| Average Time Between Attacks for Each Voice |
2.918 |
| Variability of Time Between Attacks |
0.5007 |
| Maximum Number of Independent Voices |
12.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.8685 |
| Relative Note Durations of Lowest Line |
1.271 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7059 |
| Voice Overlap |
0.998 |
| Voice Separation |
2.091 |
| Variability of Voice Separation |
1.868 |
| Parallel Motion |
0.04863 |
| Average Number of Independent Voices |
6.64 |
| Similar Motion |
0.1976 |
| Contrary Motion |
0.1596 |
| Oblique Motion |
0.5942 |
| Parallel Fifths |
0.004559 |
| Parallel Octaves |
0.0152 |
| Variability of Number of Independent Voices |
3.825 |
| Voice Equality - Number of Notes |
24.53 |
| Voice Equality - Note Duration |
34.15 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.793 |
| Voice Equality - Range |
1.621 |
| Importance of Loudest Voice |
0.0 |