Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1736 |
Prevalence of Second Most Common Vertical Interval |
0.1624 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9354 |
Vertical Unisons |
0.03015 |
Vertical Minor Seconds |
0.008504 |
Vertical Thirds |
0.3104 |
Vertical Tritones |
0.01198 |
Vertical Perfect Fourths |
0.1249 |
Vertical Perfect Fifths |
0.1736 |
Vertical Sixths |
0.1384 |
Vertical Sevenths |
0.03092 |
Vertical Octaves |
0.1322 |
Perfect Vertical Intervals |
0.4608 |
Vertical Dissonance Ratio |
0.09945 |
Vertical Minor Third Prevalence |
0.4475 |
Vertical Major Third Prevalence |
0.3775 |
Chord Duration |
1.507 |
Partial Chords |
0.3753 |
Standard Triads |
0.3989 |
Diminished and Augmented Triads |
0.01524 |
Dominant Seventh Chords |
0.00277 |
Seventh Chords |
0.00554 |
Non-Standard Chords |
0.2202 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.3714 |
Average Number of Simultaneous Pitch Classes |
2.494 |
Variability of Number of Simultaneous Pitch Classes |
0.7071 |
Average Number of Simultaneous Pitches |
2.897 |
Variability of Number of Simultaneous Pitches |
0.8075 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.239 |
Stepwise Motion |
0.6883 |
Melodic Thirds |
0.1185 |
Melodic Perfect Fourths |
0.04971 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03633 |
Melodic Sixths |
0.001912 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.02294 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
4.167 |
Melodic Embellishments |
0.009488 |
Direction of Melodic Motion |
0.4875 |
Average Length of Melodic Arcs |
1.882 |
Average Interval Spanned by Melodic Arcs |
4.682 |
Melodic Pitch Variety |
4.697 |
Mean Melodic Interval |
2.31 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4493 |
Relative Prevalence of Most Common Melodic Intervals |
0.5319 |
Amount of Arpeggiation |
0.26 |
Repeated Notes |
0.08222 |
Importance of Middle Register |
0.8501 |
Importance of High Register |
0.04554 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
61.55 |
Mean Pitch Class |
5.082 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1252 |
Prevalence of Most Common Pitch Class |
0.186 |
Relative Prevalence of Top Pitches |
0.8788 |
Relative Prevalence of Top Pitch Classes |
0.9898 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.482 |
Pitch Class Variability |
3.654 |
Pitch Class Variability After Folding |
3.048 |
Pitch Skewness |
0.04567 |
Pitch Class Skewness |
0.067 |
Pitch Class Skewness After Folding |
1.061 |
Pitch Kurtosis |
5.673 |
Pitch Class Kurtosis |
4.853 |
Pitch Class Kurtosis After Folding |
7.591 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.1044 |
Note Density per Quarter Note |
1.317 |
Note Density per Quarter Note per Voice |
0.3294 |
Note Density per Quarter Note Variability |
0.5253 |
Range of Rhythmic Values |
8.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.00759 |
Prevalence of Medium Rhythmic Values |
0.7476 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.6831 |
Prevalence of Very Long Rhythmic Values |
0.04175 |
Prevalence of Dotted Notes |
0.06641 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
8.0 |
Mean Rhythmic Value |
2.273 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4307 |
Relative Prevalence of Most Common Rhythmic Values |
0.7181 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.486 |
Rhythmic Value Skewness |
0.5516 |
Rhythmic Value Kurtosis |
10.73 |
Mean Rhythmic Value Run Length |
2.134 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.624 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.745 |
Average Rest Fraction Across Voices |
0.2512 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
256.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
16.08 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
50.65 |
Variability Across Voices of Combined Rests |
111.2 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5285 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.236 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.239 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7645 |
Rhythmic Variability - Tempo Standardized |
0.04883 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
527.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
1.029 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
4.0 |
Average Note Duration |
1.137 |
Variability of Note Durations |
0.743 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
120.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.5285 |
Strength of Second Strongest Rhythmic Pulse |
0.236 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.239 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.7645 |
Rhythmic Variability |
0.04883 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0 |
Duration in Seconds |
200.0 |
Note Density |
2.635 |
Note Density Variability |
0.9933 |
Average Time Between Attacks |
0.7276 |
Average Time Between Attacks for Each Voice |
1.227 |
Variability of Time Between Attacks |
0.3836 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.3871 |
Relative Range Isolation of Loudest Voice |
0.4615 |
Relative Range of Highest Line |
0.3871 |
Relative Note Density of Highest Line |
0.5465 |
Relative Note Durations of Lowest Line |
0.9839 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8501 |
Voice Separation |
5.667 |
Variability of Voice Separation |
1.528 |
Parallel Motion |
0.0565 |
Average Number of Independent Voices |
2.995 |
Similar Motion |
0.1111 |
Contrary Motion |
0.1676 |
Oblique Motion |
0.6648 |
Parallel Fifths |
0.001883 |
Parallel Octaves |
0.003766 |
Variability of Number of Independent Voices |
0.7842 |
Voice Equality - Number of Notes |
55.34 |
Voice Equality - Note Duration |
55.61 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.217 |
Importance of Loudest Voice |
0.0 |