| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2277 |
| Prevalence of Second Most Common Vertical Interval |
0.2105 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9242 |
| Vertical Unisons |
0.02645 |
| Vertical Minor Seconds |
0.001518 |
| Vertical Thirds |
0.2745 |
| Vertical Tritones |
0.00763 |
| Vertical Perfect Fourths |
0.1381 |
| Vertical Perfect Fifths |
0.2105 |
| Vertical Sixths |
0.1189 |
| Vertical Sevenths |
0.009188 |
| Vertical Octaves |
0.2013 |
| Perfect Vertical Intervals |
0.5764 |
| Vertical Dissonance Ratio |
0.03118 |
| Vertical Minor Third Prevalence |
0.706 |
| Vertical Major Third Prevalence |
0.7856 |
| Chord Duration |
2.736 |
| Partial Chords |
0.04779 |
| Standard Triads |
0.8124 |
| Diminished and Augmented Triads |
0.03092 |
| Dominant Seventh Chords |
0.006325 |
| Seventh Chords |
0.01124 |
| Non-Standard Chords |
0.1286 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.182 |
| Average Number of Simultaneous Pitch Classes |
2.971 |
| Variability of Number of Simultaneous Pitch Classes |
0.3201 |
| Average Number of Simultaneous Pitches |
4.392 |
| Variability of Number of Simultaneous Pitches |
1.175 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1693 |
| Stepwise Motion |
0.46 |
| Melodic Thirds |
0.08749 |
| Melodic Perfect Fourths |
0.0555 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05174 |
| Melodic Sixths |
0.0009407 |
| Melodic Sevenths |
0.002822 |
| Melodic Octaves |
0.01505 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.735 |
| Melodic Embellishments |
0.008419 |
| Direction of Melodic Motion |
0.493 |
| Average Length of Melodic Arcs |
1.764 |
| Average Interval Spanned by Melodic Arcs |
4.931 |
| Melodic Pitch Variety |
4.151 |
| Mean Melodic Interval |
1.901 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3264 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8905 |
| Amount of Arpeggiation |
0.4835 |
| Repeated Notes |
0.3264 |
| Importance of Middle Register |
0.7587 |
| Importance of High Register |
0.1338 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.15 |
| Mean Pitch Class |
5.155 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1123 |
| Prevalence of Most Common Pitch Class |
0.2114 |
| Relative Prevalence of Top Pitches |
0.775 |
| Relative Prevalence of Top Pitch Classes |
0.8451 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.506 |
| Pitch Class Variability |
3.541 |
| Pitch Class Variability After Folding |
4.535 |
| Pitch Skewness |
-0.1219 |
| Pitch Class Skewness |
0.1315 |
| Pitch Class Skewness After Folding |
1.065 |
| Pitch Kurtosis |
5.479 |
| Pitch Class Kurtosis |
4.733 |
| Pitch Class Kurtosis After Folding |
4.203 |
| Major or Minor |
0.0 |
| First Pitch |
72.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1076 |
| Note Density per Quarter Note |
1.493 |
| Note Density per Quarter Note per Voice |
0.2488 |
| Note Density per Quarter Note Variability |
0.7131 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02432 |
| Prevalence of Medium Rhythmic Values |
0.5491 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.855 |
| Prevalence of Very Long Rhythmic Values |
0.09542 |
| Prevalence of Dotted Notes |
0.1048 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.036 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4041 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6944 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.941 |
| Rhythmic Value Skewness |
1.602 |
| Rhythmic Value Kurtosis |
9.646 |
| Mean Rhythmic Value Run Length |
1.64 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.144 |
| Mean Rhythmic Value Offset |
0.05987 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.223 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6044 |
| Average Rest Fraction Across Voices |
0.2302 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
65.84 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
14.76 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
14.4 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.03 |
| Variability Across Voices of Combined Rests |
46.34 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6201 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2061 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.009 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8263 |
| Rhythmic Variability - Tempo Standardized |
0.05274 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
1069.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.196 |
| Minimum Note Duration |
0.2 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
1.804 |
| Variability of Note Durations |
1.477 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
104.5 |
| Strongest Rhythmic Pulse |
52.0 |
| Second Strongest Rhythmic Pulse |
103.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.981 |
| Strength of Strongest Rhythmic Pulse |
0.7812 |
| Strength of Second Strongest Rhythmic Pulse |
0.1952 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.002 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9764 |
| Rhythmic Variability |
0.06336 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
14.75 |
| Duration in Seconds |
417.6 |
| Note Density |
2.56 |
| Note Density Variability |
1.15 |
| Average Time Between Attacks |
1.162 |
| Average Time Between Attacks for Each Voice |
2.267 |
| Variability of Time Between Attacks |
0.6801 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.4041 |
| Relative Note Durations of Lowest Line |
1.002 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.9626 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.114 |
| Parallel Motion |
0.04797 |
| Average Number of Independent Voices |
4.623 |
| Similar Motion |
0.1697 |
| Contrary Motion |
0.1747 |
| Oblique Motion |
0.6076 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.00369 |
| Variability of Number of Independent Voices |
1.233 |
| Voice Equality - Number of Notes |
20.05 |
| Voice Equality - Note Duration |
27.03 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.229 |
| Importance of Loudest Voice |
0.0 |