| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2675 |
| Prevalence of Second Most Common Vertical Interval |
0.2055 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7682 |
| Vertical Unisons |
0.05539 |
| Vertical Minor Seconds |
0.001487 |
| Vertical Thirds |
0.2683 |
| Vertical Tritones |
0.004015 |
| Vertical Perfect Fourths |
0.1097 |
| Vertical Perfect Fifths |
0.2055 |
| Vertical Sixths |
0.1216 |
| Vertical Sevenths |
0.01134 |
| Vertical Octaves |
0.2121 |
| Perfect Vertical Intervals |
0.5828 |
| Vertical Dissonance Ratio |
0.02809 |
| Vertical Minor Third Prevalence |
0.6801 |
| Vertical Major Third Prevalence |
0.7063 |
| Chord Duration |
2.092 |
| Partial Chords |
0.09397 |
| Standard Triads |
0.7606 |
| Diminished and Augmented Triads |
0.008865 |
| Dominant Seventh Chords |
0.007092 |
| Seventh Chords |
0.01596 |
| Non-Standard Chords |
0.1294 |
| Complex Chords |
0.003546 |
| Minor Major Triad Ratio |
0.6189 |
| Average Number of Simultaneous Pitch Classes |
2.949 |
| Variability of Number of Simultaneous Pitch Classes |
0.4722 |
| Average Number of Simultaneous Pitches |
4.612 |
| Variability of Number of Simultaneous Pitches |
1.603 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1737 |
| Stepwise Motion |
0.4093 |
| Melodic Thirds |
0.1371 |
| Melodic Perfect Fourths |
0.08494 |
| Melodic Tritones |
0.001931 |
| Melodic Perfect Fifths |
0.06371 |
| Melodic Sixths |
0.003861 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01737 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.021 |
| Melodic Embellishments |
0.01533 |
| Direction of Melodic Motion |
0.4852 |
| Average Length of Melodic Arcs |
1.646 |
| Average Interval Spanned by Melodic Arcs |
5.04 |
| Melodic Pitch Variety |
4.299 |
| Mean Melodic Interval |
2.225 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2819 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8356 |
| Amount of Arpeggiation |
0.5 |
| Repeated Notes |
0.2819 |
| Importance of Middle Register |
0.7059 |
| Importance of High Register |
0.04885 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.4 |
| Mean Pitch Class |
5.264 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1293 |
| Prevalence of Most Common Pitch Class |
0.251 |
| Relative Prevalence of Top Pitches |
0.9259 |
| Relative Prevalence of Top Pitch Classes |
0.8321 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.097 |
| Pitch Class Variability |
3.367 |
| Pitch Class Variability After Folding |
3.795 |
| Pitch Skewness |
-0.0511 |
| Pitch Class Skewness |
0.2356 |
| Pitch Class Skewness After Folding |
1.535 |
| Pitch Kurtosis |
5.193 |
| Pitch Class Kurtosis |
4.706 |
| Pitch Class Kurtosis After Folding |
5.234 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2452 |
| Note Density per Quarter Note |
1.812 |
| Note Density per Quarter Note per Voice |
0.2266 |
| Note Density per Quarter Note Variability |
1.054 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005747 |
| Prevalence of Medium Rhythmic Values |
0.5987 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8841 |
| Prevalence of Very Long Rhythmic Values |
0.07854 |
| Prevalence of Dotted Notes |
0.09387 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.893 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4828 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5694 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.693 |
| Rhythmic Value Skewness |
1.582 |
| Rhythmic Value Kurtosis |
11.31 |
| Mean Rhythmic Value Run Length |
1.642 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.02 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.007194 |
| Partial Rests Fraction |
0.6727 |
| Average Rest Fraction Across Voices |
0.3386 |
| Longest Complete Rest |
4.144 |
| Longest Partial Rest |
87.02 |
| Mean Complete Rest Duration |
4.144 |
| Mean Partial Rest Duration |
16.6 |
| Median Complete Rest Duration |
4.144 |
| Median Partial Rest Duration |
14.5 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
17.51 |
| Variability Across Voices of Combined Rests |
17.96 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7153 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1498 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.775 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.865 |
| Rhythmic Variability - Tempo Standardized |
0.05838 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1044.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.622 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.409 |
| Variability of Note Durations |
0.8431 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
126.2 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.7153 |
| Strength of Second Strongest Rhythmic Pulse |
0.1498 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.775 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.865 |
| Rhythmic Variability |
0.05838 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
18.33 |
| Duration in Seconds |
278.0 |
| Note Density |
3.755 |
| Note Density Variability |
1.889 |
| Average Time Between Attacks |
0.8025 |
| Average Time Between Attacks for Each Voice |
1.921 |
| Variability of Time Between Attacks |
0.3882 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3824 |
| Relative Range Isolation of Loudest Voice |
0.007194 |
| Relative Range of Highest Line |
0.3824 |
| Relative Note Density of Highest Line |
0.5364 |
| Relative Note Durations of Lowest Line |
1.072 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.999 |
| Voice Separation |
2.857 |
| Variability of Voice Separation |
3.288 |
| Parallel Motion |
0.03614 |
| Average Number of Independent Voices |
5.28 |
| Similar Motion |
0.1073 |
| Contrary Motion |
0.1446 |
| Oblique Motion |
0.7119 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.007667 |
| Variability of Number of Independent Voices |
2.107 |
| Voice Equality - Number of Notes |
10.98 |
| Voice Equality - Note Duration |
8.667 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8864 |
| Voice Equality - Range |
1.959 |
| Importance of Loudest Voice |
0.0 |