| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2047 |
| Prevalence of Second Most Common Vertical Interval |
0.1954 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9548 |
| Vertical Unisons |
0.03984 |
| Vertical Minor Seconds |
0.005051 |
| Vertical Thirds |
0.3389 |
| Vertical Tritones |
0.007295 |
| Vertical Perfect Fourths |
0.1134 |
| Vertical Perfect Fifths |
0.2047 |
| Vertical Sixths |
0.1136 |
| Vertical Sevenths |
0.01122 |
| Vertical Octaves |
0.1382 |
| Perfect Vertical Intervals |
0.4961 |
| Vertical Dissonance Ratio |
0.05413 |
| Vertical Minor Third Prevalence |
0.4894 |
| Vertical Major Third Prevalence |
0.5587 |
| Chord Duration |
2.295 |
| Partial Chords |
0.1717 |
| Standard Triads |
0.6374 |
| Diminished and Augmented Triads |
0.0206 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01648 |
| Non-Standard Chords |
0.1745 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4684 |
| Average Number of Simultaneous Pitch Classes |
2.593 |
| Variability of Number of Simultaneous Pitch Classes |
0.7704 |
| Average Number of Simultaneous Pitches |
3.141 |
| Variability of Number of Simultaneous Pitches |
1.016 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2086 |
| Stepwise Motion |
0.5944 |
| Melodic Thirds |
0.08922 |
| Melodic Perfect Fourths |
0.06605 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04519 |
| Melodic Sixths |
0.003476 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01854 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.5 |
| Melodic Embellishments |
0.02191 |
| Direction of Melodic Motion |
0.4496 |
| Average Length of Melodic Arcs |
1.581 |
| Average Interval Spanned by Melodic Arcs |
4.161 |
| Melodic Pitch Variety |
4.209 |
| Mean Melodic Interval |
2.17 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3859 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5405 |
| Amount of Arpeggiation |
0.336 |
| Repeated Notes |
0.1831 |
| Importance of Middle Register |
0.8258 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.65 |
| Mean Pitch Class |
4.815 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1649 |
| Prevalence of Most Common Pitch Class |
0.248 |
| Relative Prevalence of Top Pitches |
0.7413 |
| Relative Prevalence of Top Pitch Classes |
0.6326 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
5.862 |
| Pitch Class Variability |
3.117 |
| Pitch Class Variability After Folding |
4.233 |
| Pitch Skewness |
-0.4504 |
| Pitch Class Skewness |
-0.1776 |
| Pitch Class Skewness After Folding |
1.262 |
| Pitch Kurtosis |
5.643 |
| Pitch Class Kurtosis |
4.998 |
| Pitch Class Kurtosis After Folding |
4.663 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.1742 |
| Note Density per Quarter Note |
0.9943 |
| Note Density per Quarter Note per Voice |
0.2486 |
| Note Density per Quarter Note Variability |
0.4933 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.519 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8685 |
| Prevalence of Very Long Rhythmic Values |
0.1257 |
| Prevalence of Dotted Notes |
0.08304 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.232 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3875 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8214 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.98 |
| Rhythmic Value Skewness |
1.867 |
| Rhythmic Value Kurtosis |
7.939 |
| Mean Rhythmic Value Run Length |
1.849 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.351 |
| Mean Rhythmic Value Offset |
0.01845 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2712 |
| Complete Rests Fraction |
0.02288 |
| Partial Rests Fraction |
0.4233 |
| Average Rest Fraction Across Voices |
0.1916 |
| Longest Complete Rest |
3.991 |
| Longest Partial Rest |
59.86 |
| Mean Complete Rest Duration |
2.851 |
| Mean Partial Rest Duration |
13.11 |
| Median Complete Rest Duration |
1.995 |
| Median Partial Rest Duration |
5.986 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.067 |
| Variability of Partial Rest Durations |
15.59 |
| Variability Across Voices of Combined Rests |
85.35 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.696 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.155 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.49 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.851 |
| Rhythmic Variability - Tempo Standardized |
0.05725 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
867.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.38 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
1.63 |
| Variability of Note Durations |
1.039 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
119.9 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.696 |
| Strength of Second Strongest Rhythmic Pulse |
0.155 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.49 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.851 |
| Rhythmic Variability |
0.05725 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
2.87 |
| Duration in Seconds |
437.0 |
| Note Density |
1.984 |
| Note Density Variability |
0.9161 |
| Average Time Between Attacks |
0.9898 |
| Average Time Between Attacks for Each Voice |
1.988 |
| Variability of Time Between Attacks |
0.5493 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3704 |
| Relative Range Isolation of Loudest Voice |
0.04712 |
| Relative Range of Highest Line |
0.3704 |
| Relative Note Density of Highest Line |
0.3091 |
| Relative Note Durations of Lowest Line |
1.076 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8985 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.07213 |
| Average Number of Independent Voices |
3.308 |
| Similar Motion |
0.1308 |
| Contrary Motion |
0.1357 |
| Oblique Motion |
0.6614 |
| Parallel Fifths |
0.00489 |
| Parallel Octaves |
0.006112 |
| Variability of Number of Independent Voices |
1.01 |
| Voice Equality - Number of Notes |
46.61 |
| Voice Equality - Note Duration |
42.77 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.754 |
| Importance of Loudest Voice |
0.0 |