| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2648 |
| Prevalence of Second Most Common Vertical Interval |
0.2061 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7783 |
| Vertical Unisons |
0.08169 |
| Vertical Minor Seconds |
0.003205 |
| Vertical Thirds |
0.2399 |
| Vertical Tritones |
0.005707 |
| Vertical Perfect Fourths |
0.1162 |
| Vertical Perfect Fifths |
0.2061 |
| Vertical Sixths |
0.1247 |
| Vertical Sevenths |
0.01415 |
| Vertical Octaves |
0.1831 |
| Perfect Vertical Intervals |
0.587 |
| Vertical Dissonance Ratio |
0.05085 |
| Vertical Minor Third Prevalence |
0.7449 |
| Vertical Major Third Prevalence |
0.6438 |
| Chord Duration |
1.789 |
| Partial Chords |
0.03697 |
| Standard Triads |
0.7324 |
| Diminished and Augmented Triads |
0.01937 |
| Dominant Seventh Chords |
0.01232 |
| Seventh Chords |
0.04401 |
| Non-Standard Chords |
0.1866 |
| Complex Chords |
0.01232 |
| Minor Major Triad Ratio |
1.364 |
| Average Number of Simultaneous Pitch Classes |
3.034 |
| Variability of Number of Simultaneous Pitch Classes |
0.5416 |
| Average Number of Simultaneous Pitches |
4.45 |
| Variability of Number of Simultaneous Pitches |
1.236 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2462 |
| Stepwise Motion |
0.5786 |
| Melodic Thirds |
0.08909 |
| Melodic Perfect Fourths |
0.09409 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08108 |
| Melodic Sixths |
0.003003 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01301 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.238 |
| Melodic Embellishments |
0.01491 |
| Direction of Melodic Motion |
0.4779 |
| Average Length of Melodic Arcs |
1.686 |
| Average Interval Spanned by Melodic Arcs |
4.703 |
| Melodic Pitch Variety |
4.536 |
| Mean Melodic Interval |
2.419 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3323 |
| Relative Prevalence of Most Common Melodic Intervals |
0.741 |
| Amount of Arpeggiation |
0.3243 |
| Repeated Notes |
0.1411 |
| Importance of Middle Register |
0.7575 |
| Importance of High Register |
0.164 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.13 |
| Mean Pitch Class |
5.229 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1163 |
| Prevalence of Most Common Pitch Class |
0.2336 |
| Relative Prevalence of Top Pitches |
0.9316 |
| Relative Prevalence of Top Pitch Classes |
0.9064 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.466 |
| Pitch Class Variability |
3.392 |
| Pitch Class Variability After Folding |
3.66 |
| Pitch Skewness |
-0.9035 |
| Pitch Class Skewness |
-0.6822 |
| Pitch Class Skewness After Folding |
1.414 |
| Pitch Kurtosis |
5.309 |
| Pitch Class Kurtosis |
4.646 |
| Pitch Class Kurtosis After Folding |
5.494 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.07853 |
| Note Density per Quarter Note |
1.723 |
| Note Density per Quarter Note per Voice |
0.2461 |
| Note Density per Quarter Note Variability |
0.6759 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001988 |
| Prevalence of Medium Rhythmic Values |
0.5586 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.838 |
| Prevalence of Very Long Rhythmic Values |
0.09642 |
| Prevalence of Dotted Notes |
0.1064 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.048 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3966 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7043 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.04 |
| Rhythmic Value Skewness |
1.541 |
| Rhythmic Value Kurtosis |
10.84 |
| Mean Rhythmic Value Run Length |
1.699 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.089 |
| Mean Rhythmic Value Offset |
0.07157 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8146 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6621 |
| Average Rest Fraction Across Voices |
0.2331 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
51.82 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.7 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.98 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.57 |
| Variability Across Voices of Combined Rests |
37.05 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6555 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1795 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.651 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.835 |
| Rhythmic Variability - Tempo Standardized |
0.0549 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1006.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.623 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.564 |
| Variability of Note Durations |
1.243 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
119.8 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6555 |
| Strength of Second Strongest Rhythmic Pulse |
0.1795 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.651 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.835 |
| Rhythmic Variability |
0.0549 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
3.505 |
| Duration in Seconds |
293.0 |
| Note Density |
3.433 |
| Note Density Variability |
1.285 |
| Average Time Between Attacks |
0.7995 |
| Average Time Between Attacks for Each Voice |
1.96 |
| Variability of Time Between Attacks |
0.3837 |
| Maximum Number of Independent Voices |
7.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.501 |
| Relative Note Durations of Lowest Line |
1.085 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5385 |
| Voice Overlap |
0.9443 |
| Voice Separation |
3.333 |
| Variability of Voice Separation |
3.67 |
| Parallel Motion |
0.05556 |
| Average Number of Independent Voices |
5.373 |
| Similar Motion |
0.1509 |
| Contrary Motion |
0.1153 |
| Oblique Motion |
0.6782 |
| Parallel Fifths |
0.005241 |
| Parallel Octaves |
0.01048 |
| Variability of Number of Independent Voices |
1.553 |
| Voice Equality - Number of Notes |
12.75 |
| Voice Equality - Note Duration |
18.59 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6901 |
| Voice Equality - Range |
1.604 |
| Importance of Loudest Voice |
0.0 |