| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.19 |
| Prevalence of Second Most Common Vertical Interval |
0.1851 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9741 |
| Vertical Unisons |
0.01711 |
| Vertical Minor Seconds |
0.001967 |
| Vertical Thirds |
0.3163 |
| Vertical Tritones |
0.01062 |
| Vertical Perfect Fourths |
0.1235 |
| Vertical Perfect Fifths |
0.19 |
| Vertical Sixths |
0.1245 |
| Vertical Sevenths |
0.02183 |
| Vertical Octaves |
0.168 |
| Perfect Vertical Intervals |
0.4986 |
| Vertical Dissonance Ratio |
0.06449 |
| Vertical Minor Third Prevalence |
0.5179 |
| Vertical Major Third Prevalence |
0.5375 |
| Chord Duration |
1.906 |
| Partial Chords |
0.2521 |
| Standard Triads |
0.559 |
| Diminished and Augmented Triads |
0.02833 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.003777 |
| Non-Standard Chords |
0.1851 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9221 |
| Average Number of Simultaneous Pitch Classes |
2.688 |
| Variability of Number of Simultaneous Pitch Classes |
0.6284 |
| Average Number of Simultaneous Pitches |
3.397 |
| Variability of Number of Simultaneous Pitches |
0.8019 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2439 |
| Stepwise Motion |
0.5982 |
| Melodic Thirds |
0.1053 |
| Melodic Perfect Fourths |
0.0475 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05648 |
| Melodic Sixths |
0.002567 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01669 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.037 |
| Melodic Embellishments |
0.0166 |
| Direction of Melodic Motion |
0.4829 |
| Average Length of Melodic Arcs |
1.905 |
| Average Interval Spanned by Melodic Arcs |
4.947 |
| Melodic Pitch Variety |
4.69 |
| Mean Melodic Interval |
2.158 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3543 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6884 |
| Amount of Arpeggiation |
0.3517 |
| Repeated Notes |
0.1733 |
| Importance of Middle Register |
0.8148 |
| Importance of High Register |
0.03576 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.78 |
| Mean Pitch Class |
5.829 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1481 |
| Prevalence of Most Common Pitch Class |
0.2222 |
| Relative Prevalence of Top Pitches |
0.5862 |
| Relative Prevalence of Top Pitch Classes |
0.8678 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.141 |
| Pitch Class Variability |
3.538 |
| Pitch Class Variability After Folding |
2.413 |
| Pitch Skewness |
-0.7897 |
| Pitch Class Skewness |
-0.1451 |
| Pitch Class Skewness After Folding |
-0.5462 |
| Pitch Kurtosis |
5.629 |
| Pitch Class Kurtosis |
4.865 |
| Pitch Class Kurtosis After Folding |
7.146 |
| Major or Minor |
0.0 |
| First Pitch |
71.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1494 |
| Note Density per Quarter Note |
1.388 |
| Note Density per Quarter Note per Voice |
0.3471 |
| Note Density per Quarter Note Variability |
0.5801 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01277 |
| Prevalence of Medium Rhythmic Values |
0.6782 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7356 |
| Prevalence of Very Long Rhythmic Values |
0.04725 |
| Prevalence of Dotted Notes |
0.1124 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.455 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4138 |
| Relative Prevalence of Most Common Rhythmic Values |
0.608 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.592 |
| Rhythmic Value Skewness |
0.8568 |
| Rhythmic Value Kurtosis |
13.79 |
| Mean Rhythmic Value Run Length |
1.652 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.184 |
| Mean Rhythmic Value Offset |
0.03065 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7287 |
| Complete Rests Fraction |
0.007273 |
| Partial Rests Fraction |
0.3685 |
| Average Rest Fraction Across Voices |
0.1364 |
| Longest Complete Rest |
4.102 |
| Longest Partial Rest |
73.83 |
| Mean Complete Rest Duration |
4.102 |
| Mean Partial Rest Duration |
9.924 |
| Median Complete Rest Duration |
4.102 |
| Median Partial Rest Duration |
4.102 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.48 |
| Variability Across Voices of Combined Rests |
51.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5308 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2464 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.154 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7773 |
| Rhythmic Variability - Tempo Standardized |
0.0489 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
783.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.345 |
| Minimum Note Duration |
0.2 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
1.456 |
| Variability of Note Durations |
1.148 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
103.7 |
| Strongest Rhythmic Pulse |
52.0 |
| Second Strongest Rhythmic Pulse |
103.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.981 |
| Strength of Strongest Rhythmic Pulse |
0.7045 |
| Strength of Second Strongest Rhythmic Pulse |
0.2852 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.47 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9897 |
| Rhythmic Variability |
0.05976 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
13.13 |
| Duration in Seconds |
330.0 |
| Note Density |
2.373 |
| Note Density Variability |
1.013 |
| Average Time Between Attacks |
0.9842 |
| Average Time Between Attacks for Each Voice |
1.556 |
| Variability of Time Between Attacks |
0.6234 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.3048 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.3576 |
| Relative Note Durations of Lowest Line |
1.097 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8697 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06579 |
| Average Number of Independent Voices |
3.475 |
| Similar Motion |
0.128 |
| Contrary Motion |
0.2033 |
| Oblique Motion |
0.6029 |
| Parallel Fifths |
0.001196 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7834 |
| Voice Equality - Number of Notes |
30.02 |
| Voice Equality - Note Duration |
30.37 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
1.893 |
| Importance of Loudest Voice |
0.0 |