| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2431 |
| Prevalence of Second Most Common Vertical Interval |
0.187 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7692 |
| Vertical Unisons |
0.03049 |
| Vertical Minor Seconds |
0.001438 |
| Vertical Thirds |
0.2804 |
| Vertical Tritones |
0.01064 |
| Vertical Perfect Fourths |
0.08257 |
| Vertical Perfect Fifths |
0.2431 |
| Vertical Sixths |
0.169 |
| Vertical Sevenths |
0.01467 |
| Vertical Octaves |
0.1565 |
| Perfect Vertical Intervals |
0.5127 |
| Vertical Dissonance Ratio |
0.03947 |
| Vertical Minor Third Prevalence |
0.3628 |
| Vertical Major Third Prevalence |
0.5548 |
| Chord Duration |
2.401 |
| Partial Chords |
0.1949 |
| Standard Triads |
0.6577 |
| Diminished and Augmented Triads |
0.02976 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01786 |
| Non-Standard Chords |
0.1295 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2593 |
| Average Number of Simultaneous Pitch Classes |
2.531 |
| Variability of Number of Simultaneous Pitch Classes |
0.801 |
| Average Number of Simultaneous Pitches |
3.165 |
| Variability of Number of Simultaneous Pitches |
1.115 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1971 |
| Stepwise Motion |
0.5531 |
| Melodic Thirds |
0.1476 |
| Melodic Perfect Fourths |
0.07018 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03509 |
| Melodic Sixths |
0.001032 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008256 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.75 |
| Melodic Embellishments |
0.007194 |
| Direction of Melodic Motion |
0.5025 |
| Average Length of Melodic Arcs |
1.513 |
| Average Interval Spanned by Melodic Arcs |
3.887 |
| Melodic Pitch Variety |
4.147 |
| Mean Melodic Interval |
2.11 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.356 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5536 |
| Amount of Arpeggiation |
0.3756 |
| Repeated Notes |
0.1847 |
| Importance of Middle Register |
0.7184 |
| Importance of High Register |
0.002055 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.0 |
| Mean Pitch Class |
5.235 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1223 |
| Prevalence of Most Common Pitch Class |
0.2025 |
| Relative Prevalence of Top Pitches |
0.9748 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.515 |
| Pitch Class Variability |
3.506 |
| Pitch Class Variability After Folding |
2.074 |
| Pitch Skewness |
-0.1793 |
| Pitch Class Skewness |
-0.6542 |
| Pitch Class Skewness After Folding |
1.094 |
| Pitch Kurtosis |
5.241 |
| Pitch Class Kurtosis |
4.839 |
| Pitch Class Kurtosis After Folding |
7.299 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2795 |
| Note Density per Quarter Note |
1.192 |
| Note Density per Quarter Note per Voice |
0.2981 |
| Note Density per Quarter Note Variability |
0.6145 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.667 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9435 |
| Prevalence of Very Long Rhythmic Values |
0.05755 |
| Prevalence of Dotted Notes |
0.06783 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.735 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6105 |
| Relative Prevalence of Most Common Rhythmic Values |
0.404 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.358 |
| Rhythmic Value Skewness |
1.625 |
| Rhythmic Value Kurtosis |
9.124 |
| Mean Rhythmic Value Run Length |
2.284 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.554 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.01035 |
| Partial Rests Fraction |
0.3362 |
| Average Rest Fraction Across Voices |
0.1841 |
| Longest Complete Rest |
1.988 |
| Longest Partial Rest |
51.68 |
| Mean Complete Rest Duration |
1.69 |
| Mean Partial Rest Duration |
11.34 |
| Median Complete Rest Duration |
1.988 |
| Median Partial Rest Duration |
3.976 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6667 |
| Variability of Partial Rest Durations |
14.77 |
| Variability Across Voices of Combined Rests |
69.19 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8357 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.08748 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
9.553 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9232 |
| Rhythmic Variability - Tempo Standardized |
0.06641 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
973.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.183 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
1.377 |
| Variability of Note Durations |
0.6848 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
119.6 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.8357 |
| Strength of Second Strongest Rhythmic Pulse |
0.08748 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
9.553 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9232 |
| Rhythmic Variability |
0.06641 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
4.682 |
| Duration in Seconds |
410.5 |
| Note Density |
2.37 |
| Note Density Variability |
1.161 |
| Average Time Between Attacks |
0.9904 |
| Average Time Between Attacks for Each Voice |
1.653 |
| Variability of Time Between Attacks |
0.3853 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.5571 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.2795 |
| Relative Note Durations of Lowest Line |
0.9958 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8171 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.03792 |
| Average Number of Independent Voices |
3.296 |
| Similar Motion |
0.2124 |
| Contrary Motion |
0.2579 |
| Oblique Motion |
0.4919 |
| Parallel Fifths |
0.002167 |
| Parallel Octaves |
0.002167 |
| Variability of Number of Independent Voices |
1.138 |
| Voice Equality - Number of Notes |
34.9 |
| Voice Equality - Note Duration |
34.81 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
0.0 |