| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2734 |
| Prevalence of Second Most Common Vertical Interval |
0.2112 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7726 |
| Vertical Unisons |
0.05057 |
| Vertical Minor Seconds |
0.001521 |
| Vertical Thirds |
0.2548 |
| Vertical Tritones |
0.004563 |
| Vertical Perfect Fourths |
0.1196 |
| Vertical Perfect Fifths |
0.2112 |
| Vertical Sixths |
0.1078 |
| Vertical Sevenths |
0.01654 |
| Vertical Octaves |
0.2228 |
| Perfect Vertical Intervals |
0.6042 |
| Vertical Dissonance Ratio |
0.03441 |
| Vertical Minor Third Prevalence |
0.7448 |
| Vertical Major Third Prevalence |
0.7135 |
| Chord Duration |
1.38 |
| Partial Chords |
0.04255 |
| Standard Triads |
0.7234 |
| Diminished and Augmented Triads |
0.02128 |
| Dominant Seventh Chords |
0.005319 |
| Seventh Chords |
0.0266 |
| Non-Standard Chords |
0.2074 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.1429 |
| Average Number of Simultaneous Pitch Classes |
2.995 |
| Variability of Number of Simultaneous Pitch Classes |
0.4507 |
| Average Number of Simultaneous Pitches |
5.016 |
| Variability of Number of Simultaneous Pitches |
1.543 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1447 |
| Stepwise Motion |
0.4316 |
| Melodic Thirds |
0.1289 |
| Melodic Perfect Fourths |
0.07632 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07105 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.579 |
| Melodic Embellishments |
0.02062 |
| Direction of Melodic Motion |
0.5167 |
| Average Length of Melodic Arcs |
1.855 |
| Average Interval Spanned by Melodic Arcs |
5.11 |
| Melodic Pitch Variety |
3.87 |
| Mean Melodic Interval |
2.034 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2921 |
| Relative Prevalence of Most Common Melodic Intervals |
0.982 |
| Amount of Arpeggiation |
0.4921 |
| Repeated Notes |
0.2921 |
| Importance of Middle Register |
0.6572 |
| Importance of High Register |
0.03866 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.72 |
| Mean Pitch Class |
4.696 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1005 |
| Prevalence of Most Common Pitch Class |
0.2165 |
| Relative Prevalence of Top Pitches |
0.9487 |
| Relative Prevalence of Top Pitch Classes |
0.9881 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.515 |
| Pitch Class Variability |
3.445 |
| Pitch Class Variability After Folding |
4.319 |
| Pitch Skewness |
-0.2742 |
| Pitch Class Skewness |
-0.2649 |
| Pitch Class Skewness After Folding |
0.9632 |
| Pitch Kurtosis |
5.223 |
| Pitch Class Kurtosis |
4.818 |
| Pitch Class Kurtosis After Folding |
4.758 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3041 |
| Note Density per Quarter Note |
2.021 |
| Note Density per Quarter Note per Voice |
0.2526 |
| Note Density per Quarter Note Variability |
1.217 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6366 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7552 |
| Prevalence of Very Long Rhythmic Values |
0.1005 |
| Prevalence of Dotted Notes |
0.04639 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.835 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3918 |
| Relative Prevalence of Most Common Rhythmic Values |
0.625 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.0 |
| Rhythmic Value Skewness |
1.253 |
| Rhythmic Value Kurtosis |
8.235 |
| Mean Rhythmic Value Run Length |
1.772 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
0.9687 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.469 |
| Average Rest Fraction Across Voices |
0.231 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
31.78 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.591 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.621 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.037 |
| Variability Across Voices of Combined Rests |
3.877 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.576 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2251 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.559 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8011 |
| Rhythmic Variability - Tempo Standardized |
0.05098 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
388.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.918 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
2.299 |
| Variability of Note Durations |
1.81 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.37 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.719 |
| Strength of Second Strongest Rhythmic Pulse |
0.281 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.559 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.06071 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
29.99 |
| Duration in Seconds |
145.0 |
| Note Density |
2.676 |
| Note Density Variability |
1.079 |
| Average Time Between Attacks |
1.145 |
| Average Time Between Attacks for Each Voice |
2.633 |
| Variability of Time Between Attacks |
0.4512 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
1.443 |
| Relative Note Durations of Lowest Line |
0.9967 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6154 |
| Voice Overlap |
1.0 |
| Voice Separation |
3.429 |
| Variability of Voice Separation |
1.902 |
| Parallel Motion |
0.05247 |
| Average Number of Independent Voices |
5.729 |
| Similar Motion |
0.1327 |
| Contrary Motion |
0.1698 |
| Oblique Motion |
0.6451 |
| Parallel Fifths |
0.006173 |
| Parallel Octaves |
0.009259 |
| Variability of Number of Independent Voices |
2.119 |
| Voice Equality - Number of Notes |
2.976 |
| Voice Equality - Note Duration |
2.928 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.744 |
| Voice Equality - Range |
3.196 |
| Importance of Loudest Voice |
0.0 |