| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2102 |
| Prevalence of Second Most Common Vertical Interval |
0.1845 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8776 |
| Vertical Unisons |
0.03042 |
| Vertical Minor Seconds |
0.00624 |
| Vertical Thirds |
0.2746 |
| Vertical Tritones |
0.01794 |
| Vertical Perfect Fourths |
0.1014 |
| Vertical Perfect Fifths |
0.2102 |
| Vertical Sixths |
0.1572 |
| Vertical Sevenths |
0.02243 |
| Vertical Octaves |
0.1541 |
| Perfect Vertical Intervals |
0.4961 |
| Vertical Dissonance Ratio |
0.07776 |
| Vertical Minor Third Prevalence |
0.3522 |
| Vertical Major Third Prevalence |
0.4572 |
| Chord Duration |
1.89 |
| Partial Chords |
0.2313 |
| Standard Triads |
0.5295 |
| Diminished and Augmented Triads |
0.03543 |
| Dominant Seventh Chords |
0.007874 |
| Seventh Chords |
0.03543 |
| Non-Standard Chords |
0.2037 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4385 |
| Average Number of Simultaneous Pitch Classes |
2.516 |
| Variability of Number of Simultaneous Pitch Classes |
0.8589 |
| Average Number of Simultaneous Pitches |
3.1 |
| Variability of Number of Simultaneous Pitches |
1.13 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2469 |
| Stepwise Motion |
0.6187 |
| Melodic Thirds |
0.1004 |
| Melodic Perfect Fourths |
0.07327 |
| Melodic Tritones |
0.001357 |
| Melodic Perfect Fifths |
0.03799 |
| Melodic Sixths |
0.001357 |
| Melodic Sevenths |
0.001357 |
| Melodic Octaves |
0.008141 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.692 |
| Melodic Embellishments |
0.002699 |
| Direction of Melodic Motion |
0.4911 |
| Average Length of Melodic Arcs |
1.899 |
| Average Interval Spanned by Melodic Arcs |
4.633 |
| Melodic Pitch Variety |
4.596 |
| Mean Melodic Interval |
2.073 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3718 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6642 |
| Amount of Arpeggiation |
0.3053 |
| Repeated Notes |
0.1574 |
| Importance of Middle Register |
0.7193 |
| Importance of High Register |
0.01619 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.57 |
| Mean Pitch Class |
5.846 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1282 |
| Prevalence of Most Common Pitch Class |
0.2132 |
| Relative Prevalence of Top Pitches |
0.7789 |
| Relative Prevalence of Top Pitch Classes |
0.8038 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.104 |
| Pitch Class Variability |
3.398 |
| Pitch Class Variability After Folding |
2.169 |
| Pitch Skewness |
-0.02906 |
| Pitch Class Skewness |
-0.1358 |
| Pitch Class Skewness After Folding |
0.6664 |
| Pitch Kurtosis |
5.421 |
| Pitch Class Kurtosis |
4.813 |
| Pitch Class Kurtosis After Folding |
7.244 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2645 |
| Note Density per Quarter Note |
1.188 |
| Note Density per Quarter Note per Voice |
0.2969 |
| Note Density per Quarter Note Variability |
0.6099 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0135 |
| Prevalence of Medium Rhythmic Values |
0.6491 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8151 |
| Prevalence of Very Long Rhythmic Values |
0.07287 |
| Prevalence of Dotted Notes |
0.08097 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.695 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4642 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4942 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.648 |
| Rhythmic Value Skewness |
1.265 |
| Rhythmic Value Kurtosis |
8.517 |
| Mean Rhythmic Value Run Length |
2.014 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.887 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.007962 |
| Partial Rests Fraction |
0.3742 |
| Average Rest Fraction Across Voices |
0.2006 |
| Longest Complete Rest |
1.987 |
| Longest Partial Rest |
51.67 |
| Mean Complete Rest Duration |
0.9936 |
| Mean Partial Rest Duration |
10.66 |
| Median Complete Rest Duration |
0.9936 |
| Median Partial Rest Duration |
3.975 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.6085 |
| Variability of Partial Rest Durations |
13.95 |
| Variability Across Voices of Combined Rests |
36.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.63 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1835 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.432 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8135 |
| Rhythmic Variability - Tempo Standardized |
0.05332 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
741.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.43 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
1.355 |
| Variability of Note Durations |
0.8293 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
119.6 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.63 |
| Strength of Second Strongest Rhythmic Pulse |
0.1835 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.432 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8135 |
| Rhythmic Variability |
0.05332 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
4.788 |
| Duration in Seconds |
314.0 |
| Note Density |
2.36 |
| Note Density Variability |
1.158 |
| Average Time Between Attacks |
0.8483 |
| Average Time Between Attacks for Each Voice |
1.666 |
| Variability of Time Between Attacks |
0.4277 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.6053 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.3671 |
| Relative Note Durations of Lowest Line |
1.015 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.7935 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.0445 |
| Average Number of Independent Voices |
3.226 |
| Similar Motion |
0.1347 |
| Contrary Motion |
0.1756 |
| Oblique Motion |
0.6452 |
| Parallel Fifths |
0.001171 |
| Parallel Octaves |
0.004684 |
| Variability of Number of Independent Voices |
1.161 |
| Voice Equality - Number of Notes |
26.7 |
| Voice Equality - Note Duration |
18.52 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |