| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1812 |
| Prevalence of Second Most Common Vertical Interval |
0.1808 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9977 |
| Vertical Unisons |
0.01939 |
| Vertical Minor Seconds |
0.007798 |
| Vertical Thirds |
0.33 |
| Vertical Tritones |
0.01054 |
| Vertical Perfect Fourths |
0.1302 |
| Vertical Perfect Fifths |
0.1808 |
| Vertical Sixths |
0.145 |
| Vertical Sevenths |
0.0236 |
| Vertical Octaves |
0.1323 |
| Perfect Vertical Intervals |
0.4628 |
| Vertical Dissonance Ratio |
0.06629 |
| Vertical Minor Third Prevalence |
0.6289 |
| Vertical Major Third Prevalence |
0.543 |
| Chord Duration |
1.763 |
| Partial Chords |
0.1488 |
| Standard Triads |
0.6349 |
| Diminished and Augmented Triads |
0.02579 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02381 |
| Non-Standard Chords |
0.1925 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3333 |
| Average Number of Simultaneous Pitch Classes |
2.883 |
| Variability of Number of Simultaneous Pitch Classes |
0.5058 |
| Average Number of Simultaneous Pitches |
3.465 |
| Variability of Number of Simultaneous Pitches |
0.6271 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2412 |
| Stepwise Motion |
0.7029 |
| Melodic Thirds |
0.09412 |
| Melodic Perfect Fourths |
0.06765 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04118 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02353 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.556 |
| Melodic Embellishments |
0.01744 |
| Direction of Melodic Motion |
0.4177 |
| Average Length of Melodic Arcs |
2.469 |
| Average Interval Spanned by Melodic Arcs |
6.203 |
| Melodic Pitch Variety |
5.836 |
| Mean Melodic Interval |
2.382 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4618 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5223 |
| Amount of Arpeggiation |
0.2294 |
| Repeated Notes |
0.07059 |
| Importance of Middle Register |
0.7703 |
| Importance of High Register |
0.002907 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.9 |
| Mean Pitch Class |
4.936 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1134 |
| Prevalence of Most Common Pitch Class |
0.2006 |
| Relative Prevalence of Top Pitches |
0.8974 |
| Relative Prevalence of Top Pitch Classes |
0.913 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.778 |
| Pitch Class Variability |
3.446 |
| Pitch Class Variability After Folding |
3.279 |
| Pitch Skewness |
-0.2702 |
| Pitch Class Skewness |
-0.05568 |
| Pitch Class Skewness After Folding |
1.122 |
| Pitch Kurtosis |
5.54 |
| Pitch Class Kurtosis |
4.991 |
| Pitch Class Kurtosis After Folding |
7.024 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2267 |
| Note Density per Quarter Note |
1.344 |
| Note Density per Quarter Note per Voice |
0.3359 |
| Note Density per Quarter Note Variability |
0.3873 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01744 |
| Prevalence of Medium Rhythmic Values |
0.6308 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8198 |
| Prevalence of Very Long Rhythmic Values |
0.03488 |
| Prevalence of Dotted Notes |
0.0436 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.645 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4506 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6452 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.501 |
| Rhythmic Value Skewness |
1.289 |
| Rhythmic Value Kurtosis |
9.312 |
| Mean Rhythmic Value Run Length |
1.782 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.367 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3984 |
| Average Rest Fraction Across Voices |
0.1113 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.333 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.951 |
| Variability Across Voices of Combined Rests |
25.05 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6492 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1794 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.62 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8285 |
| Rhythmic Variability - Tempo Standardized |
0.0543 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
344.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.281 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
4.8 |
| Average Note Duration |
1.587 |
| Variability of Note Durations |
0.9009 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7811 |
| Strength of Second Strongest Rhythmic Pulse |
0.1874 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.169 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9684 |
| Rhythmic Variability |
0.06321 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
153.6 |
| Note Density |
2.24 |
| Note Density Variability |
0.7226 |
| Average Time Between Attacks |
0.965 |
| Average Time Between Attacks for Each Voice |
1.716 |
| Variability of Time Between Attacks |
0.3535 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.3827 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.7791 |
| Relative Note Durations of Lowest Line |
1.026 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8692 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04726 |
| Average Number of Independent Voices |
3.555 |
| Similar Motion |
0.1493 |
| Contrary Motion |
0.1791 |
| Oblique Motion |
0.6244 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5837 |
| Voice Equality - Number of Notes |
13.52 |
| Voice Equality - Note Duration |
15.03 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.826 |
| Importance of Loudest Voice |
0.0 |