| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.3258 |
| Prevalence of Second Most Common Vertical Interval |
0.1634 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.5014 |
| Vertical Unisons |
0.1867 |
| Vertical Minor Seconds |
0.005718 |
| Vertical Thirds |
0.2487 |
| Vertical Tritones |
0.005625 |
| Vertical Perfect Fourths |
0.1006 |
| Vertical Perfect Fifths |
0.1634 |
| Vertical Sixths |
0.106 |
| Vertical Sevenths |
0.0189 |
| Vertical Octaves |
0.1391 |
| Perfect Vertical Intervals |
0.5898 |
| Vertical Dissonance Ratio |
0.05874 |
| Vertical Minor Third Prevalence |
0.5275 |
| Vertical Major Third Prevalence |
0.5658 |
| Chord Duration |
1.716 |
| Partial Chords |
0.2517 |
| Standard Triads |
0.5384 |
| Diminished and Augmented Triads |
0.01379 |
| Dominant Seventh Chords |
0.000431 |
| Seventh Chords |
0.01293 |
| Non-Standard Chords |
0.197 |
| Complex Chords |
0.003448 |
| Minor Major Triad Ratio |
0.3801 |
| Average Number of Simultaneous Pitch Classes |
2.725 |
| Variability of Number of Simultaneous Pitch Classes |
0.6422 |
| Average Number of Simultaneous Pitches |
3.531 |
| Variability of Number of Simultaneous Pitches |
1.07 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2239 |
| Stepwise Motion |
0.5703 |
| Melodic Thirds |
0.1519 |
| Melodic Perfect Fourths |
0.05695 |
| Melodic Tritones |
0.001726 |
| Melodic Perfect Fifths |
0.03408 |
| Melodic Sixths |
0.002588 |
| Melodic Sevenths |
0.0008628 |
| Melodic Octaves |
0.01639 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.101 |
| Melodic Embellishments |
0.01677 |
| Direction of Melodic Motion |
0.4946 |
| Average Length of Melodic Arcs |
1.748 |
| Average Interval Spanned by Melodic Arcs |
4.492 |
| Melodic Pitch Variety |
4.71 |
| Mean Melodic Interval |
2.163 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3464 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6463 |
| Amount of Arpeggiation |
0.3684 |
| Repeated Notes |
0.1652 |
| Importance of Middle Register |
0.8426 |
| Importance of High Register |
0.009462 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.81 |
| Mean Pitch Class |
4.766 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1441 |
| Prevalence of Most Common Pitch Class |
0.2318 |
| Relative Prevalence of Top Pitches |
0.791 |
| Relative Prevalence of Top Pitch Classes |
0.6512 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.528 |
| Pitch Class Variability |
3.63 |
| Pitch Class Variability After Folding |
3.329 |
| Pitch Skewness |
-0.3586 |
| Pitch Class Skewness |
-0.1937 |
| Pitch Class Skewness After Folding |
0.2748 |
| Pitch Kurtosis |
5.719 |
| Pitch Class Kurtosis |
4.806 |
| Pitch Class Kurtosis After Folding |
6.67 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.148 |
| Note Density per Quarter Note |
1.912 |
| Note Density per Quarter Note per Voice |
0.2731 |
| Note Density per Quarter Note Variability |
0.8346 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008602 |
| Prevalence of Medium Rhythmic Values |
0.6641 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7772 |
| Prevalence of Very Long Rhythmic Values |
0.07097 |
| Prevalence of Dotted Notes |
0.07398 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.687 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4413 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4873 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.882 |
| Rhythmic Value Skewness |
1.096 |
| Rhythmic Value Kurtosis |
12.04 |
| Mean Rhythmic Value Run Length |
1.836 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.435 |
| Mean Rhythmic Value Offset |
0.06538 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9866 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6977 |
| Average Rest Fraction Across Voices |
0.2474 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
240.4 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.83 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
1.987 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
38.38 |
| Variability Across Voices of Combined Rests |
115.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6009 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1987 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.024 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7996 |
| Rhythmic Variability - Tempo Standardized |
0.05196 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2325.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.804 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
20.0 |
| Average Note Duration |
1.387 |
| Variability of Note Durations |
1.209 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
119.6 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6009 |
| Strength of Second Strongest Rhythmic Pulse |
0.1987 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7996 |
| Rhythmic Variability |
0.05196 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
4.851 |
| Duration in Seconds |
612.0 |
| Note Density |
3.799 |
| Note Density Variability |
1.582 |
| Average Time Between Attacks |
0.7825 |
| Average Time Between Attacks for Each Voice |
1.891 |
| Variability of Time Between Attacks |
0.3585 |
| Maximum Number of Independent Voices |
7.0 |
| Relative Range of Loudest Voice |
0.4444 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4444 |
| Relative Note Density of Highest Line |
0.2077 |
| Relative Note Durations of Lowest Line |
0.9477 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5833 |
| Voice Overlap |
0.9794 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
2.449 |
| Parallel Motion |
0.02684 |
| Average Number of Independent Voices |
5.263 |
| Similar Motion |
0.1101 |
| Contrary Motion |
0.1294 |
| Oblique Motion |
0.7337 |
| Parallel Fifths |
0.002065 |
| Parallel Octaves |
0.0006882 |
| Variability of Number of Independent Voices |
1.463 |
| Voice Equality - Number of Notes |
78.86 |
| Voice Equality - Note Duration |
57.91 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.488 |
| Voice Equality - Range |
1.464 |
| Importance of Loudest Voice |
0.0 |