| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2633 |
| Prevalence of Second Most Common Vertical Interval |
0.2035 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7729 |
| Vertical Unisons |
0.05979 |
| Vertical Minor Seconds |
0.001778 |
| Vertical Thirds |
0.2706 |
| Vertical Tritones |
0.005914 |
| Vertical Perfect Fourths |
0.1116 |
| Vertical Perfect Fifths |
0.2035 |
| Vertical Sixths |
0.1179 |
| Vertical Sevenths |
0.01132 |
| Vertical Octaves |
0.2035 |
| Perfect Vertical Intervals |
0.5784 |
| Vertical Dissonance Ratio |
0.03413 |
| Vertical Minor Third Prevalence |
0.6459 |
| Vertical Major Third Prevalence |
0.8206 |
| Chord Duration |
2.114 |
| Partial Chords |
0.03628 |
| Standard Triads |
0.7875 |
| Diminished and Augmented Triads |
0.03155 |
| Dominant Seventh Chords |
0.003943 |
| Seventh Chords |
0.009464 |
| Non-Standard Chords |
0.1668 |
| Complex Chords |
0.006309 |
| Minor Major Triad Ratio |
0.1379 |
| Average Number of Simultaneous Pitch Classes |
3.038 |
| Variability of Number of Simultaneous Pitch Classes |
0.3532 |
| Average Number of Simultaneous Pitches |
4.671 |
| Variability of Number of Simultaneous Pitches |
1.169 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.16 |
| Stepwise Motion |
0.4346 |
| Melodic Thirds |
0.1176 |
| Melodic Perfect Fourths |
0.06664 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07088 |
| Melodic Sixths |
0.0008489 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01783 |
| Melodic Large Intervals |
0.0004244 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.885 |
| Melodic Embellishments |
0.01904 |
| Direction of Melodic Motion |
0.5114 |
| Average Length of Melodic Arcs |
1.702 |
| Average Interval Spanned by Melodic Arcs |
5.141 |
| Melodic Pitch Variety |
4.392 |
| Mean Melodic Interval |
2.159 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2912 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9431 |
| Amount of Arpeggiation |
0.4975 |
| Repeated Notes |
0.2912 |
| Importance of Middle Register |
0.7796 |
| Importance of High Register |
0.022 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.7 |
| Mean Pitch Class |
5.241 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1307 |
| Prevalence of Most Common Pitch Class |
0.2356 |
| Relative Prevalence of Top Pitches |
0.8382 |
| Relative Prevalence of Top Pitch Classes |
0.8743 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.674 |
| Pitch Class Variability |
3.5 |
| Pitch Class Variability After Folding |
2.779 |
| Pitch Skewness |
-0.6282 |
| Pitch Class Skewness |
0.2063 |
| Pitch Class Skewness After Folding |
0.9859 |
| Pitch Kurtosis |
5.456 |
| Pitch Class Kurtosis |
4.838 |
| Pitch Class Kurtosis After Folding |
8.264 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1984 |
| Note Density per Quarter Note |
1.864 |
| Note Density per Quarter Note per Voice |
0.233 |
| Note Density per Quarter Note Variability |
0.7912 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006768 |
| Prevalence of Medium Rhythmic Values |
0.61 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8266 |
| Prevalence of Very Long Rhythmic Values |
0.08926 |
| Prevalence of Dotted Notes |
0.08291 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.89 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4365 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5572 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.913 |
| Rhythmic Value Skewness |
1.396 |
| Rhythmic Value Kurtosis |
9.893 |
| Mean Rhythmic Value Run Length |
1.649 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.014 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7012 |
| Average Rest Fraction Across Voices |
0.3252 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
68.76 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
15.63 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
12.13 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.52 |
| Variability Across Voices of Combined Rests |
11.42 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6073 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2146 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.829 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8219 |
| Rhythmic Variability - Tempo Standardized |
0.05235 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
2364.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.457 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.432 |
| Variability of Note Durations |
0.9556 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
122.2 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.6073 |
| Strength of Second Strongest Rhythmic Pulse |
0.2146 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.829 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8219 |
| Rhythmic Variability |
0.05235 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
11.71 |
| Duration in Seconds |
627.0 |
| Note Density |
3.77 |
| Note Density Variability |
1.422 |
| Average Time Between Attacks |
0.8252 |
| Average Time Between Attacks for Each Voice |
2.09 |
| Variability of Time Between Attacks |
0.3771 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.2335 |
| Relative Note Durations of Lowest Line |
1.047 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.857 |
| Variability of Voice Separation |
2.795 |
| Parallel Motion |
0.01934 |
| Average Number of Independent Voices |
5.388 |
| Similar Motion |
0.1746 |
| Contrary Motion |
0.1878 |
| Oblique Motion |
0.6183 |
| Parallel Fifths |
0.0005089 |
| Parallel Octaves |
0.001527 |
| Variability of Number of Independent Voices |
1.857 |
| Voice Equality - Number of Notes |
13.96 |
| Voice Equality - Note Duration |
5.645 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8864 |
| Voice Equality - Range |
3.357 |
| Importance of Loudest Voice |
0.0 |