| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2701 |
| Prevalence of Second Most Common Vertical Interval |
0.2084 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7717 |
| Vertical Unisons |
0.05845 |
| Vertical Minor Seconds |
0.002165 |
| Vertical Thirds |
0.2629 |
| Vertical Tritones |
0.003119 |
| Vertical Perfect Fourths |
0.119 |
| Vertical Perfect Fifths |
0.2084 |
| Vertical Sixths |
0.1092 |
| Vertical Sevenths |
0.0126 |
| Vertical Octaves |
0.2116 |
| Perfect Vertical Intervals |
0.5976 |
| Vertical Dissonance Ratio |
0.03126 |
| Vertical Minor Third Prevalence |
0.713 |
| Vertical Major Third Prevalence |
0.7325 |
| Chord Duration |
2.584 |
| Partial Chords |
0.05405 |
| Standard Triads |
0.7683 |
| Diminished and Augmented Triads |
0.01544 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01416 |
| Non-Standard Chords |
0.1634 |
| Complex Chords |
0.006435 |
| Minor Major Triad Ratio |
0.6537 |
| Average Number of Simultaneous Pitch Classes |
2.977 |
| Variability of Number of Simultaneous Pitch Classes |
0.5069 |
| Average Number of Simultaneous Pitches |
4.689 |
| Variability of Number of Simultaneous Pitches |
1.499 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1583 |
| Stepwise Motion |
0.4014 |
| Melodic Thirds |
0.1008 |
| Melodic Perfect Fourths |
0.08168 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0485 |
| Melodic Sixths |
0.004467 |
| Melodic Sevenths |
0.001276 |
| Melodic Octaves |
0.01914 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.548 |
| Melodic Embellishments |
0.01524 |
| Direction of Melodic Motion |
0.499 |
| Average Length of Melodic Arcs |
1.691 |
| Average Interval Spanned by Melodic Arcs |
5.108 |
| Melodic Pitch Variety |
3.835 |
| Mean Melodic Interval |
2.014 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3427 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7095 |
| Amount of Arpeggiation |
0.5124 |
| Repeated Notes |
0.3427 |
| Importance of Middle Register |
0.7149 |
| Importance of High Register |
0.03746 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.61 |
| Mean Pitch Class |
5.01 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1029 |
| Prevalence of Most Common Pitch Class |
0.2127 |
| Relative Prevalence of Top Pitches |
0.9568 |
| Relative Prevalence of Top Pitch Classes |
0.9791 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.899 |
| Pitch Class Variability |
3.32 |
| Pitch Class Variability After Folding |
3.382 |
| Pitch Skewness |
-0.6624 |
| Pitch Class Skewness |
0.009179 |
| Pitch Class Skewness After Folding |
0.6984 |
| Pitch Kurtosis |
5.337 |
| Pitch Class Kurtosis |
4.747 |
| Pitch Class Kurtosis After Folding |
6.248 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
32.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2476 |
| Note Density per Quarter Note |
1.969 |
| Note Density per Quarter Note per Voice |
0.2461 |
| Note Density per Quarter Note Variability |
0.9651 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008889 |
| Prevalence of Medium Rhythmic Values |
0.6476 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.807 |
| Prevalence of Very Long Rhythmic Values |
0.07873 |
| Prevalence of Dotted Notes |
0.1111 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.73 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4546 |
| Relative Prevalence of Most Common Rhythmic Values |
0.433 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.853 |
| Rhythmic Value Skewness |
1.182 |
| Rhythmic Value Kurtosis |
11.98 |
| Mean Rhythmic Value Run Length |
1.588 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.972 |
| Mean Rhythmic Value Offset |
0.01524 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2465 |
| Complete Rests Fraction |
0.002075 |
| Partial Rests Fraction |
0.6369 |
| Average Rest Fraction Across Voices |
0.3285 |
| Longest Complete Rest |
1.66 |
| Longest Partial Rest |
134.0 |
| Mean Complete Rest Duration |
1.66 |
| Mean Partial Rest Duration |
16.43 |
| Median Complete Rest Duration |
1.66 |
| Median Partial Rest Duration |
9.959 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.12 |
| Variability Across Voices of Combined Rests |
20.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6073 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2227 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.727 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.83 |
| Rhythmic Variability - Tempo Standardized |
0.05235 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1575.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.956 |
| Minimum Note Duration |
0.2 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
1.315 |
| Variability of Note Durations |
1.018 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
129.5 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6073 |
| Strength of Second Strongest Rhythmic Pulse |
0.2227 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.727 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.83 |
| Rhythmic Variability |
0.05235 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
24.59 |
| Duration in Seconds |
385.6 |
| Note Density |
4.085 |
| Note Density Variability |
2.258 |
| Average Time Between Attacks |
0.7745 |
| Average Time Between Attacks for Each Voice |
1.852 |
| Variability of Time Between Attacks |
0.4354 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.3505 |
| Relative Note Durations of Lowest Line |
1.116 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7273 |
| Voice Overlap |
0.9898 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
1.915 |
| Parallel Motion |
0.04411 |
| Average Number of Independent Voices |
5.419 |
| Similar Motion |
0.146 |
| Contrary Motion |
0.1524 |
| Oblique Motion |
0.6576 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.003208 |
| Variability of Number of Independent Voices |
2.126 |
| Voice Equality - Number of Notes |
24.84 |
| Voice Equality - Note Duration |
9.776 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.744 |
| Voice Equality - Range |
1.847 |
| Importance of Loudest Voice |
0.0 |