| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2154 |
| Prevalence of Second Most Common Vertical Interval |
0.2034 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9446 |
| Vertical Unisons |
0.02943 |
| Vertical Minor Seconds |
0.003508 |
| Vertical Thirds |
0.2722 |
| Vertical Tritones |
0.01063 |
| Vertical Perfect Fourths |
0.1228 |
| Vertical Perfect Fifths |
0.2034 |
| Vertical Sixths |
0.1146 |
| Vertical Sevenths |
0.02493 |
| Vertical Octaves |
0.1859 |
| Perfect Vertical Intervals |
0.5417 |
| Vertical Dissonance Ratio |
0.07704 |
| Vertical Minor Third Prevalence |
0.6705 |
| Vertical Major Third Prevalence |
0.62 |
| Chord Duration |
1.688 |
| Partial Chords |
0.09609 |
| Standard Triads |
0.6281 |
| Diminished and Augmented Triads |
0.0375 |
| Dominant Seventh Chords |
0.01016 |
| Seventh Chords |
0.02344 |
| Non-Standard Chords |
0.2523 |
| Complex Chords |
0.004687 |
| Minor Major Triad Ratio |
0.668 |
| Average Number of Simultaneous Pitch Classes |
2.975 |
| Variability of Number of Simultaneous Pitch Classes |
0.4978 |
| Average Number of Simultaneous Pitches |
4.134 |
| Variability of Number of Simultaneous Pitches |
0.8681 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2245 |
| Stepwise Motion |
0.6021 |
| Melodic Thirds |
0.09522 |
| Melodic Perfect Fourths |
0.06869 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0469 |
| Melodic Sixths |
0.003316 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02369 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.045 |
| Melodic Embellishments |
0.02599 |
| Direction of Melodic Motion |
0.4546 |
| Average Length of Melodic Arcs |
1.868 |
| Average Interval Spanned by Melodic Arcs |
5.058 |
| Melodic Pitch Variety |
4.96 |
| Mean Melodic Interval |
2.281 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3775 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5947 |
| Amount of Arpeggiation |
0.3259 |
| Repeated Notes |
0.1601 |
| Importance of Middle Register |
0.7623 |
| Importance of High Register |
0.02363 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.89 |
| Mean Pitch Class |
5.284 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1092 |
| Prevalence of Most Common Pitch Class |
0.2216 |
| Relative Prevalence of Top Pitches |
0.9177 |
| Relative Prevalence of Top Pitch Classes |
0.8593 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.494 |
| Pitch Class Variability |
3.382 |
| Pitch Class Variability After Folding |
3.215 |
| Pitch Skewness |
-0.5831 |
| Pitch Class Skewness |
0.2524 |
| Pitch Class Skewness After Folding |
0.7453 |
| Pitch Kurtosis |
5.422 |
| Pitch Class Kurtosis |
4.738 |
| Pitch Class Kurtosis After Folding |
6.47 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2141 |
| Note Density per Quarter Note |
1.633 |
| Note Density per Quarter Note per Voice |
0.3265 |
| Note Density per Quarter Note Variability |
0.6388 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007561 |
| Prevalence of Medium Rhythmic Values |
0.6271 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7079 |
| Prevalence of Very Long Rhythmic Values |
0.0638 |
| Prevalence of Dotted Notes |
0.104 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.637 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3351 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8491 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.887 |
| Rhythmic Value Skewness |
1.013 |
| Rhythmic Value Kurtosis |
11.93 |
| Mean Rhythmic Value Run Length |
1.716 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.209 |
| Mean Rhythmic Value Offset |
0.03025 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6842 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4383 |
| Average Rest Fraction Across Voices |
0.129 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
68.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.909 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.48 |
| Variability Across Voices of Combined Rests |
68.62 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5061 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2535 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.996 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7596 |
| Rhythmic Variability - Tempo Standardized |
0.04807 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2116.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.871 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
1.6 |
| Variability of Note Durations |
1.286 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.6758 |
| Strength of Second Strongest Rhythmic Pulse |
0.3144 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.15 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9901 |
| Rhythmic Variability |
0.05859 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
777.6 |
| Note Density |
2.721 |
| Note Density Variability |
1.071 |
| Average Time Between Attacks |
0.8974 |
| Average Time Between Attacks for Each Voice |
1.795 |
| Variability of Time Between Attacks |
0.4866 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.1583 |
| Relative Note Durations of Lowest Line |
1.117 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9471 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
2.38 |
| Parallel Motion |
0.0463 |
| Average Number of Independent Voices |
4.355 |
| Similar Motion |
0.1223 |
| Contrary Motion |
0.1336 |
| Oblique Motion |
0.6978 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8646 |
| Voice Equality - Number of Notes |
49.11 |
| Voice Equality - Note Duration |
41.17 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
0.5477 |
| Importance of Loudest Voice |
0.0 |