| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2632 |
| Prevalence of Second Most Common Vertical Interval |
0.1758 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6677 |
| Vertical Unisons |
0.07186 |
| Vertical Minor Seconds |
0.003813 |
| Vertical Thirds |
0.2536 |
| Vertical Tritones |
0.00572 |
| Vertical Perfect Fourths |
0.1274 |
| Vertical Perfect Fifths |
0.1758 |
| Vertical Sixths |
0.137 |
| Vertical Sevenths |
0.01371 |
| Vertical Octaves |
0.1914 |
| Perfect Vertical Intervals |
0.5664 |
| Vertical Dissonance Ratio |
0.04489 |
| Vertical Minor Third Prevalence |
0.7582 |
| Vertical Major Third Prevalence |
0.7352 |
| Chord Duration |
1.781 |
| Partial Chords |
0.03716 |
| Standard Triads |
0.7356 |
| Diminished and Augmented Triads |
0.02027 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.05068 |
| Non-Standard Chords |
0.1765 |
| Complex Chords |
0.01689 |
| Minor Major Triad Ratio |
1.884 |
| Average Number of Simultaneous Pitch Classes |
3.053 |
| Variability of Number of Simultaneous Pitch Classes |
0.5601 |
| Average Number of Simultaneous Pitches |
4.772 |
| Variability of Number of Simultaneous Pitches |
1.294 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1846 |
| Stepwise Motion |
0.5574 |
| Melodic Thirds |
0.1341 |
| Melodic Perfect Fourths |
0.07805 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07438 |
| Melodic Sixths |
0.0101 |
| Melodic Sevenths |
0.0009183 |
| Melodic Octaves |
0.01745 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.863 |
| Melodic Embellishments |
0.01642 |
| Direction of Melodic Motion |
0.48 |
| Average Length of Melodic Arcs |
1.841 |
| Average Interval Spanned by Melodic Arcs |
5.434 |
| Melodic Pitch Variety |
4.968 |
| Mean Melodic Interval |
2.599 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3728 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4951 |
| Amount of Arpeggiation |
0.3545 |
| Repeated Notes |
0.1276 |
| Importance of Middle Register |
0.7464 |
| Importance of High Register |
0.03923 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.86 |
| Mean Pitch Class |
5.252 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1049 |
| Prevalence of Most Common Pitch Class |
0.2099 |
| Relative Prevalence of Top Pitches |
0.9652 |
| Relative Prevalence of Top Pitch Classes |
0.9261 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.57 |
| Pitch Class Variability |
3.39 |
| Pitch Class Variability After Folding |
4.01 |
| Pitch Skewness |
0.12 |
| Pitch Class Skewness |
0.2229 |
| Pitch Class Skewness After Folding |
1.614 |
| Pitch Kurtosis |
5.209 |
| Pitch Class Kurtosis |
4.669 |
| Pitch Class Kurtosis After Folding |
4.92 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2144 |
| Note Density per Quarter Note |
1.803 |
| Note Density per Quarter Note per Voice |
0.2575 |
| Note Density per Quarter Note Variability |
0.6851 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007299 |
| Prevalence of Medium Rhythmic Values |
0.5684 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7901 |
| Prevalence of Very Long Rhythmic Values |
0.135 |
| Prevalence of Dotted Notes |
0.115 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.113 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3586 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6132 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.26 |
| Rhythmic Value Skewness |
1.477 |
| Rhythmic Value Kurtosis |
8.471 |
| Mean Rhythmic Value Run Length |
1.754 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.175 |
| Mean Rhythmic Value Offset |
0.06569 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7223 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5855 |
| Average Rest Fraction Across Voices |
0.1814 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.874 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.55 |
| Variability Across Voices of Combined Rests |
21.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5803 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2232 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.601 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8035 |
| Rhythmic Variability - Tempo Standardized |
0.05102 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1096.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.762 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.907 |
| Variability of Note Durations |
1.564 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7429 |
| Strength of Second Strongest Rhythmic Pulse |
0.2433 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.054 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9862 |
| Rhythmic Variability |
0.06149 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
364.8 |
| Note Density |
3.004 |
| Note Density Variability |
1.163 |
| Average Time Between Attacks |
0.8854 |
| Average Time Between Attacks for Each Voice |
2.274 |
| Variability of Time Between Attacks |
0.4354 |
| Maximum Number of Independent Voices |
7.0 |
| Relative Range of Loudest Voice |
0.3529 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3529 |
| Relative Note Density of Highest Line |
0.4407 |
| Relative Note Durations of Lowest Line |
1.068 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9333 |
| Voice Overlap |
0.9617 |
| Voice Separation |
3.5 |
| Variability of Voice Separation |
3.834 |
| Parallel Motion |
0.05479 |
| Average Number of Independent Voices |
5.73 |
| Similar Motion |
0.1199 |
| Contrary Motion |
0.1199 |
| Oblique Motion |
0.7055 |
| Parallel Fifths |
0.005708 |
| Parallel Octaves |
0.0137 |
| Variability of Number of Independent Voices |
1.482 |
| Voice Equality - Number of Notes |
26.18 |
| Voice Equality - Note Duration |
13.08 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.378 |
| Voice Equality - Range |
1.604 |
| Importance of Loudest Voice |
0.0 |