Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1889 |
Prevalence of Second Most Common Vertical Interval |
0.1885 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9979 |
Vertical Unisons |
0.0342 |
Vertical Minor Seconds |
0.004441 |
Vertical Thirds |
0.3091 |
Vertical Tritones |
0.01628 |
Vertical Perfect Fourths |
0.117 |
Vertical Perfect Fifths |
0.1885 |
Vertical Sixths |
0.1325 |
Vertical Sevenths |
0.01893 |
Vertical Octaves |
0.1547 |
Perfect Vertical Intervals |
0.4944 |
Vertical Dissonance Ratio |
0.06843 |
Vertical Minor Third Prevalence |
0.6373 |
Vertical Major Third Prevalence |
0.6926 |
Chord Duration |
1.839 |
Partial Chords |
0.06891 |
Standard Triads |
0.6813 |
Diminished and Augmented Triads |
0.04715 |
Dominant Seventh Chords |
0.006218 |
Seventh Chords |
0.04145 |
Non-Standard Chords |
0.2083 |
Complex Chords |
0.004145 |
Minor Major Triad Ratio |
0.2488 |
Average Number of Simultaneous Pitch Classes |
2.999 |
Variability of Number of Simultaneous Pitch Classes |
0.46 |
Average Number of Simultaneous Pitches |
3.907 |
Variability of Number of Simultaneous Pitches |
0.869 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2291 |
Stepwise Motion |
0.6585 |
Melodic Thirds |
0.1035 |
Melodic Perfect Fourths |
0.05913 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04065 |
Melodic Sixths |
0.004435 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01552 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.333 |
Melodic Embellishments |
0.0324 |
Direction of Melodic Motion |
0.4795 |
Average Length of Melodic Arcs |
2.123 |
Average Interval Spanned by Melodic Arcs |
5.381 |
Melodic Pitch Variety |
5.151 |
Mean Melodic Interval |
2.246 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4294 |
Relative Prevalence of Most Common Melodic Intervals |
0.5336 |
Amount of Arpeggiation |
0.2779 |
Repeated Notes |
0.1183 |
Importance of Middle Register |
0.8284 |
Importance of High Register |
0.05228 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
62.4 |
Mean Pitch Class |
5.015 |
Most Common Pitch |
65.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.123 |
Prevalence of Most Common Pitch Class |
0.2025 |
Relative Prevalence of Top Pitches |
0.8743 |
Relative Prevalence of Top Pitch Classes |
0.9345 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.66 |
Pitch Class Variability |
3.426 |
Pitch Class Variability After Folding |
4.242 |
Pitch Skewness |
-0.4899 |
Pitch Class Skewness |
0.01354 |
Pitch Class Skewness After Folding |
1.066 |
Pitch Kurtosis |
5.481 |
Pitch Class Kurtosis |
4.824 |
Pitch Class Kurtosis After Folding |
4.716 |
Major or Minor |
0.0 |
First Pitch |
60.0 |
First Pitch Class |
0.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
32.0 |
Importance of Bass Register |
0.1193 |
Note Density per Quarter Note |
1.391 |
Note Density per Quarter Note per Voice |
0.2783 |
Note Density per Quarter Note Variability |
0.4896 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.008837 |
Prevalence of Medium Rhythmic Values |
0.5596 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.785 |
Prevalence of Very Long Rhythmic Values |
0.08763 |
Prevalence of Dotted Notes |
0.09647 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.932 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3446 |
Relative Prevalence of Most Common Rhythmic Values |
0.8355 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.944 |
Rhythmic Value Skewness |
1.439 |
Rhythmic Value Kurtosis |
9.879 |
Mean Rhythmic Value Run Length |
1.737 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.211 |
Mean Rhythmic Value Offset |
0.03829 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7896 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.584 |
Average Rest Fraction Across Voices |
0.1734 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
44.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.691 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.47 |
Variability Across Voices of Combined Rests |
50.61 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5916 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2064 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.866 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.798 |
Rhythmic Variability - Tempo Standardized |
0.05154 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1358.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
1.914 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
16.0 |
Average Note Duration |
1.485 |
Variability of Note Durations |
1.129 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
120.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.5916 |
Strength of Second Strongest Rhythmic Pulse |
0.2064 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.866 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.798 |
Rhythmic Variability |
0.05154 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0 |
Duration in Seconds |
488.0 |
Note Density |
2.783 |
Note Density Variability |
0.9302 |
Average Time Between Attacks |
0.8097 |
Average Time Between Attacks for Each Voice |
1.778 |
Variability of Time Between Attacks |
0.3896 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.4062 |
Relative Range Isolation of Loudest Voice |
0.2659 |
Relative Range of Highest Line |
0.4062 |
Relative Note Density of Highest Line |
0.2614 |
Relative Note Durations of Lowest Line |
1.201 |
Relative Size of Melodic Intervals in Lowest Line |
0.625 |
Voice Overlap |
0.9116 |
Voice Separation |
4.5 |
Variability of Voice Separation |
3.109 |
Parallel Motion |
0.04204 |
Average Number of Independent Voices |
4.133 |
Similar Motion |
0.1482 |
Contrary Motion |
0.1344 |
Oblique Motion |
0.6754 |
Parallel Fifths |
0.003446 |
Parallel Octaves |
0.003446 |
Variability of Number of Independent Voices |
0.8967 |
Voice Equality - Number of Notes |
36.96 |
Voice Equality - Note Duration |
25.3 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5477 |
Voice Equality - Range |
1.817 |
Importance of Loudest Voice |
0.0 |