| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1922 |
| Prevalence of Second Most Common Vertical Interval |
0.1867 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9715 |
| Vertical Unisons |
0.03713 |
| Vertical Minor Seconds |
0.00263 |
| Vertical Thirds |
0.2775 |
| Vertical Tritones |
0.01252 |
| Vertical Perfect Fourths |
0.1385 |
| Vertical Perfect Fifths |
0.1867 |
| Vertical Sixths |
0.1319 |
| Vertical Sevenths |
0.02667 |
| Vertical Octaves |
0.1551 |
| Perfect Vertical Intervals |
0.5174 |
| Vertical Dissonance Ratio |
0.07894 |
| Vertical Minor Third Prevalence |
0.5081 |
| Vertical Major Third Prevalence |
0.502 |
| Chord Duration |
2.218 |
| Partial Chords |
0.1626 |
| Standard Triads |
0.5739 |
| Diminished and Augmented Triads |
0.03695 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01232 |
| Non-Standard Chords |
0.2512 |
| Complex Chords |
0.002463 |
| Minor Major Triad Ratio |
1.324 |
| Average Number of Simultaneous Pitch Classes |
2.739 |
| Variability of Number of Simultaneous Pitch Classes |
0.7119 |
| Average Number of Simultaneous Pitches |
3.484 |
| Variability of Number of Simultaneous Pitches |
1.069 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2689 |
| Stepwise Motion |
0.7311 |
| Melodic Thirds |
0.07827 |
| Melodic Perfect Fourths |
0.05157 |
| Melodic Tritones |
0.0009208 |
| Melodic Perfect Fifths |
0.0663 |
| Melodic Sixths |
0.002762 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01473 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.864 |
| Melodic Embellishments |
0.02016 |
| Direction of Melodic Motion |
0.4917 |
| Average Length of Melodic Arcs |
2.079 |
| Average Interval Spanned by Melodic Arcs |
5.194 |
| Melodic Pitch Variety |
5.374 |
| Mean Melodic Interval |
2.376 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4622 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5817 |
| Amount of Arpeggiation |
0.2136 |
| Repeated Notes |
0.05433 |
| Importance of Middle Register |
0.8167 |
| Importance of High Register |
0.08524 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.5 |
| Mean Pitch Class |
5.238 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1155 |
| Prevalence of Most Common Pitch Class |
0.2108 |
| Relative Prevalence of Top Pitches |
0.9921 |
| Relative Prevalence of Top Pitch Classes |
0.9261 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.983 |
| Pitch Class Variability |
3.325 |
| Pitch Class Variability After Folding |
3.808 |
| Pitch Skewness |
-0.02126 |
| Pitch Class Skewness |
0.215 |
| Pitch Class Skewness After Folding |
1.559 |
| Pitch Kurtosis |
5.39 |
| Pitch Class Kurtosis |
4.743 |
| Pitch Class Kurtosis After Folding |
5.175 |
| Major or Minor |
0.0 |
| First Pitch |
74.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
74.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.09808 |
| Note Density per Quarter Note |
1.191 |
| Note Density per Quarter Note per Voice |
0.2382 |
| Note Density per Quarter Note Variability |
0.5255 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007333 |
| Prevalence of Medium Rhythmic Values |
0.5582 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.791 |
| Prevalence of Very Long Rhythmic Values |
0.09624 |
| Prevalence of Dotted Notes |
0.1192 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.949 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3492 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7927 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.954 |
| Rhythmic Value Skewness |
1.457 |
| Rhythmic Value Kurtosis |
10.28 |
| Mean Rhythmic Value Run Length |
1.626 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.091 |
| Mean Rhythmic Value Offset |
0.06049 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8567 |
| Complete Rests Fraction |
0.02682 |
| Partial Rests Fraction |
0.7799 |
| Average Rest Fraction Across Voices |
0.2833 |
| Longest Complete Rest |
5.172 |
| Longest Partial Rest |
369.8 |
| Mean Complete Rest Duration |
2.233 |
| Mean Partial Rest Duration |
13.8 |
| Median Complete Rest Duration |
2.586 |
| Median Partial Rest Duration |
5.172 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.239 |
| Variability of Partial Rest Durations |
38.93 |
| Variability Across Voices of Combined Rests |
146.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.605 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1992 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.037 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8041 |
| Rhythmic Variability - Tempo Standardized |
0.05221 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1091.0 |
| Initial Tempo |
60.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.098 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
30.0 |
| Average Note Duration |
2.327 |
| Variability of Note Durations |
2.258 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
87.39 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
155.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.987 |
| Strength of Strongest Rhythmic Pulse |
0.9654 |
| Strength of Second Strongest Rhythmic Pulse |
0.02711 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
35.61 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9925 |
| Rhythmic Variability |
0.0761 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
29.98 |
| Duration in Seconds |
708.5 |
| Note Density |
1.54 |
| Note Density Variability |
0.9542 |
| Average Time Between Attacks |
1.286 |
| Average Time Between Attacks for Each Voice |
3.188 |
| Variability of Time Between Attacks |
0.8348 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3765 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.3254 |
| Relative Note Durations of Lowest Line |
1.166 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.846 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.109 |
| Parallel Motion |
0.06511 |
| Average Number of Independent Voices |
3.683 |
| Similar Motion |
0.1037 |
| Contrary Motion |
0.1254 |
| Oblique Motion |
0.7058 |
| Parallel Fifths |
0.003215 |
| Parallel Octaves |
0.002412 |
| Variability of Number of Independent Voices |
1.124 |
| Voice Equality - Number of Notes |
44.68 |
| Voice Equality - Note Duration |
113.4 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.304 |
| Importance of Loudest Voice |
0.0 |