| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.252 |
| Prevalence of Second Most Common Vertical Interval |
0.2224 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8824 |
| Vertical Unisons |
0.02206 |
| Vertical Minor Seconds |
0.00197 |
| Vertical Thirds |
0.2189 |
| Vertical Tritones |
0.002955 |
| Vertical Perfect Fourths |
0.1604 |
| Vertical Perfect Fifths |
0.2224 |
| Vertical Sixths |
0.1085 |
| Vertical Sevenths |
0.01615 |
| Vertical Octaves |
0.23 |
| Perfect Vertical Intervals |
0.6348 |
| Vertical Dissonance Ratio |
0.0392 |
| Vertical Minor Third Prevalence |
0.6875 |
| Vertical Major Third Prevalence |
0.7475 |
| Chord Duration |
1.741 |
| Partial Chords |
0.005102 |
| Standard Triads |
0.7857 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0102 |
| Seventh Chords |
0.01786 |
| Non-Standard Chords |
0.1913 |
| Complex Chords |
0.002551 |
| Minor Major Triad Ratio |
0.5556 |
| Average Number of Simultaneous Pitch Classes |
3.013 |
| Variability of Number of Simultaneous Pitch Classes |
0.3839 |
| Average Number of Simultaneous Pitches |
5.31 |
| Variability of Number of Simultaneous Pitches |
0.9322 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1922 |
| Stepwise Motion |
0.5032 |
| Melodic Thirds |
0.09503 |
| Melodic Perfect Fourths |
0.09287 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04968 |
| Melodic Sixths |
0.006479 |
| Melodic Sevenths |
0.00216 |
| Melodic Octaves |
0.0216 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.316 |
| Melodic Embellishments |
0.02345 |
| Direction of Melodic Motion |
0.5098 |
| Average Length of Melodic Arcs |
1.684 |
| Average Interval Spanned by Melodic Arcs |
4.92 |
| Melodic Pitch Variety |
4.202 |
| Mean Melodic Interval |
2.289 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.311 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7361 |
| Amount of Arpeggiation |
0.3974 |
| Repeated Notes |
0.2289 |
| Importance of Middle Register |
0.6311 |
| Importance of High Register |
0.05757 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.99 |
| Mean Pitch Class |
4.868 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09168 |
| Prevalence of Most Common Pitch Class |
0.2026 |
| Relative Prevalence of Top Pitches |
0.8605 |
| Relative Prevalence of Top Pitch Classes |
0.8632 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.594 |
| Pitch Class Variability |
3.337 |
| Pitch Class Variability After Folding |
3.415 |
| Pitch Skewness |
-0.1139 |
| Pitch Class Skewness |
-0.1188 |
| Pitch Class Skewness After Folding |
0.7529 |
| Pitch Kurtosis |
5.079 |
| Pitch Class Kurtosis |
4.869 |
| Pitch Class Kurtosis After Folding |
6.086 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3113 |
| Note Density per Quarter Note |
1.172 |
| Note Density per Quarter Note per Voice |
0.1954 |
| Note Density per Quarter Note Variability |
0.5607 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2985 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9019 |
| Prevalence of Very Long Rhythmic Values |
0.3134 |
| Prevalence of Dotted Notes |
0.1194 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.571 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3667 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5872 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.745 |
| Rhythmic Value Skewness |
0.6245 |
| Rhythmic Value Kurtosis |
6.089 |
| Mean Rhythmic Value Run Length |
1.64 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.273 |
| Mean Rhythmic Value Offset |
0.1962 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.589 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.2483 |
| Average Rest Fraction Across Voices |
0.06402 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
15.89 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
5.121 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.298 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.368 |
| Variability Across Voices of Combined Rests |
17.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7082 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1527 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.637 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8609 |
| Rhythmic Variability - Tempo Standardized |
0.05798 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
469.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.522 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
4.339 |
| Variability of Note Durations |
3.48 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.5 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
67.0 |
| Strength of Strongest Rhythmic Pulse |
1.0 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.07881 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
362.4 |
| Note Density |
1.294 |
| Note Density Variability |
0.6306 |
| Average Time Between Attacks |
1.952 |
| Average Time Between Attacks for Each Voice |
4.458 |
| Variability of Time Between Attacks |
1.339 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.7 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.8955 |
| Relative Note Durations of Lowest Line |
1.016 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5455 |
| Voice Overlap |
0.8145 |
| Voice Separation |
4.6 |
| Variability of Voice Separation |
1.517 |
| Parallel Motion |
0.01396 |
| Average Number of Independent Voices |
5.59 |
| Similar Motion |
0.1414 |
| Contrary Motion |
0.08726 |
| Oblique Motion |
0.7574 |
| Parallel Fifths |
0.001745 |
| Parallel Octaves |
0.006981 |
| Variability of Number of Independent Voices |
0.9121 |
| Voice Equality - Number of Notes |
6.369 |
| Voice Equality - Note Duration |
16.13 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.169 |
| Voice Equality - Range |
3.125 |
| Importance of Loudest Voice |
0.0 |