| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2026 |
| Prevalence of Second Most Common Vertical Interval |
0.1978 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9765 |
| Vertical Unisons |
0.03945 |
| Vertical Minor Seconds |
0.007482 |
| Vertical Thirds |
0.3043 |
| Vertical Tritones |
0.009523 |
| Vertical Perfect Fourths |
0.09931 |
| Vertical Perfect Fifths |
0.2026 |
| Vertical Sixths |
0.1229 |
| Vertical Sevenths |
0.02224 |
| Vertical Octaves |
0.1584 |
| Perfect Vertical Intervals |
0.4997 |
| Vertical Dissonance Ratio |
0.07881 |
| Vertical Minor Third Prevalence |
0.55 |
| Vertical Major Third Prevalence |
0.5189 |
| Chord Duration |
1.636 |
| Partial Chords |
0.2893 |
| Standard Triads |
0.5022 |
| Diminished and Augmented Triads |
0.01876 |
| Dominant Seventh Chords |
0.002886 |
| Seventh Chords |
0.0101 |
| Non-Standard Chords |
0.1984 |
| Complex Chords |
0.0101 |
| Minor Major Triad Ratio |
1.135 |
| Average Number of Simultaneous Pitch Classes |
2.672 |
| Variability of Number of Simultaneous Pitch Classes |
0.7111 |
| Average Number of Simultaneous Pitches |
3.366 |
| Variability of Number of Simultaneous Pitches |
1.076 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2816 |
| Stepwise Motion |
0.6221 |
| Melodic Thirds |
0.1123 |
| Melodic Perfect Fourths |
0.05793 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05971 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01783 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
6.0 |
| Melodic Embellishments |
0.01242 |
| Direction of Melodic Motion |
0.5236 |
| Average Length of Melodic Arcs |
1.811 |
| Average Interval Spanned by Melodic Arcs |
4.616 |
| Melodic Pitch Variety |
5.012 |
| Mean Melodic Interval |
2.237 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3405 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8272 |
| Amount of Arpeggiation |
0.32 |
| Repeated Notes |
0.1301 |
| Importance of Middle Register |
0.8012 |
| Importance of High Register |
0.01331 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.64 |
| Mean Pitch Class |
5.846 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1269 |
| Prevalence of Most Common Pitch Class |
0.2076 |
| Relative Prevalence of Top Pitches |
0.986 |
| Relative Prevalence of Top Pitch Classes |
0.9615 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.449 |
| Pitch Class Variability |
3.573 |
| Pitch Class Variability After Folding |
2.322 |
| Pitch Skewness |
0.0648 |
| Pitch Class Skewness |
-0.1289 |
| Pitch Class Skewness After Folding |
0.6306 |
| Pitch Kurtosis |
5.62 |
| Pitch Class Kurtosis |
4.815 |
| Pitch Class Kurtosis After Folding |
7.181 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1854 |
| Note Density per Quarter Note |
1.523 |
| Note Density per Quarter Note per Voice |
0.3046 |
| Note Density per Quarter Note Variability |
0.5797 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01775 |
| Prevalence of Medium Rhythmic Values |
0.7427 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7107 |
| Prevalence of Very Long Rhythmic Values |
0.03904 |
| Prevalence of Dotted Notes |
0.09938 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.282 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4534 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5988 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.512 |
| Rhythmic Value Skewness |
0.56 |
| Rhythmic Value Kurtosis |
15.92 |
| Mean Rhythmic Value Run Length |
1.863 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.434 |
| Mean Rhythmic Value Offset |
0.05679 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9519 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7462 |
| Average Rest Fraction Across Voices |
0.2881 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
263.3 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
14.21 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.19 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
41.78 |
| Variability Across Voices of Combined Rests |
137.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5449 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2296 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.374 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7744 |
| Rhythmic Variability - Tempo Standardized |
0.04934 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1127.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.174 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.116 |
| Variability of Note Durations |
1.028 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
128.7 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5449 |
| Strength of Second Strongest Rhythmic Pulse |
0.2296 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.374 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7744 |
| Rhythmic Variability |
0.04934 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
21.93 |
| Duration in Seconds |
353.2 |
| Note Density |
3.19 |
| Note Density Variability |
1.272 |
| Average Time Between Attacks |
0.6681 |
| Average Time Between Attacks for Each Voice |
1.659 |
| Variability of Time Between Attacks |
0.3305 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.641 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.3017 |
| Relative Note Durations of Lowest Line |
1.093 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5556 |
| Voice Overlap |
0.8252 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.109 |
| Parallel Motion |
0.05789 |
| Average Number of Independent Voices |
3.562 |
| Similar Motion |
0.1223 |
| Contrary Motion |
0.1793 |
| Oblique Motion |
0.6405 |
| Parallel Fifths |
0.0009337 |
| Parallel Octaves |
0.0009337 |
| Variability of Number of Independent Voices |
1.111 |
| Voice Equality - Number of Notes |
72.18 |
| Voice Equality - Note Duration |
65.52 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
0.4472 |
| Importance of Loudest Voice |
0.0 |