| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2136 |
| Prevalence of Second Most Common Vertical Interval |
0.1879 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8797 |
| Vertical Unisons |
0.02353 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3147 |
| Vertical Tritones |
0.003984 |
| Vertical Perfect Fourths |
0.1432 |
| Vertical Perfect Fifths |
0.2136 |
| Vertical Sixths |
0.1091 |
| Vertical Sevenths |
0.008248 |
| Vertical Octaves |
0.1644 |
| Perfect Vertical Intervals |
0.5447 |
| Vertical Dissonance Ratio |
0.0325 |
| Vertical Minor Third Prevalence |
0.617 |
| Vertical Major Third Prevalence |
0.5895 |
| Chord Duration |
2.349 |
| Partial Chords |
0.1488 |
| Standard Triads |
0.7181 |
| Diminished and Augmented Triads |
0.007349 |
| Dominant Seventh Chords |
0.00551 |
| Seventh Chords |
0.01102 |
| Non-Standard Chords |
0.1221 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6709 |
| Average Number of Simultaneous Pitch Classes |
2.822 |
| Variability of Number of Simultaneous Pitch Classes |
0.5336 |
| Average Number of Simultaneous Pitches |
3.688 |
| Variability of Number of Simultaneous Pitches |
0.6496 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
29.0 |
| Variation of Dynamics |
4.775 |
| Variation of Dynamics In Each Voice |
2.776 |
| Average Note to Note Change in Dynamics |
2.032 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1199 |
| Stepwise Motion |
0.485 |
| Melodic Thirds |
0.09171 |
| Melodic Perfect Fourths |
0.09347 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04938 |
| Melodic Sixths |
0.005291 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01411 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.333 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4606 |
| Average Length of Melodic Arcs |
1.683 |
| Average Interval Spanned by Melodic Arcs |
4.88 |
| Melodic Pitch Variety |
3.923 |
| Mean Melodic Interval |
2.171 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3651 |
| Relative Prevalence of Most Common Melodic Intervals |
0.715 |
| Amount of Arpeggiation |
0.4162 |
| Repeated Notes |
0.261 |
| Importance of Middle Register |
0.6708 |
| Importance of High Register |
0.0 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.92 |
| Mean Pitch Class |
4.853 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1419 |
| Prevalence of Most Common Pitch Class |
0.2137 |
| Relative Prevalence of Top Pitches |
0.9012 |
| Relative Prevalence of Top Pitch Classes |
0.9262 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.596 |
| Pitch Class Variability |
3.557 |
| Pitch Class Variability After Folding |
2.914 |
| Pitch Skewness |
-0.2517 |
| Pitch Class Skewness |
0.7193 |
| Pitch Class Skewness After Folding |
0.9792 |
| Pitch Kurtosis |
5.363 |
| Pitch Class Kurtosis |
4.715 |
| Pitch Class Kurtosis After Folding |
8.527 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.3292 |
| Note Density per Quarter Note |
1.457 |
| Note Density per Quarter Note per Voice |
0.3642 |
| Note Density per Quarter Note Variability |
0.6044 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
1.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7898 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9142 |
| Prevalence of Very Long Rhythmic Values |
0.04028 |
| Prevalence of Dotted Notes |
0.05779 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.473 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.704 |
| Relative Prevalence of Most Common Rhythmic Values |
0.1965 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.49 |
| Rhythmic Value Skewness |
0.9532 |
| Rhythmic Value Kurtosis |
22.18 |
| Mean Rhythmic Value Run Length |
2.841 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
3.15 |
| Mean Rhythmic Value Offset |
0.04283 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4721 |
| Complete Rests Fraction |
0.04082 |
| Partial Rests Fraction |
0.1485 |
| Average Rest Fraction Across Voices |
0.08432 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
14.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
3.39 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.145 |
| Variability Across Voices of Combined Rests |
6.705 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7958 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.108 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.366 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9038 |
| Rhythmic Variability - Tempo Standardized |
0.06352 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
571.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3354 |
| Minimum Note Duration |
0.1246 |
| Maximum Note Duration |
3.75 |
| Average Note Duration |
0.4715 |
| Variability of Note Durations |
0.3377 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.23 |
| Strength of Second Strongest Rhythmic Pulse |
0.2291 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.004 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4591 |
| Rhythmic Variability |
0.03559 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
73.5 |
| Note Density |
7.769 |
| Note Density Variability |
2.307 |
| Average Time Between Attacks |
0.383 |
| Average Time Between Attacks for Each Voice |
0.4962 |
| Variability of Time Between Attacks |
0.1874 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.1761 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.4413 |
| Relative Note Durations of Lowest Line |
1.094 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8529 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.06568 |
| Average Number of Independent Voices |
3.819 |
| Similar Motion |
0.2677 |
| Contrary Motion |
0.2036 |
| Oblique Motion |
0.4631 |
| Parallel Fifths |
0.003284 |
| Parallel Octaves |
0.001642 |
| Variability of Number of Independent Voices |
0.5355 |
| Voice Equality - Number of Notes |
12.97 |
| Voice Equality - Note Duration |
1.257 |
| Voice Equality - Dynamics |
4.359 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
3.333 |