File

Last modified on: April 13, 2020, 5:02 p.m.

F164_24_Festa_Perche_al_viso_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Perch'ai viso d'amor portava insegnia
File Type
Symbolic Music
File Format
midi
File Size
7.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2136
Prevalence of Second Most Common Vertical Interval 0.1879
Prevalence Ratio of Two Most Common Vertical Intervals 0.8797
Vertical Unisons 0.02353
Vertical Minor Seconds 0.0
Vertical Thirds 0.3147
Vertical Tritones 0.003984
Vertical Perfect Fourths 0.1432
Vertical Perfect Fifths 0.2136
Vertical Sixths 0.1091
Vertical Sevenths 0.008248
Vertical Octaves 0.1644
Perfect Vertical Intervals 0.5447
Vertical Dissonance Ratio 0.0325
Vertical Minor Third Prevalence 0.617
Vertical Major Third Prevalence 0.5895
Chord Duration 2.349
Partial Chords 0.1488
Standard Triads 0.7181
Diminished and Augmented Triads 0.007349
Dominant Seventh Chords 0.00551
Seventh Chords 0.01102
Non-Standard Chords 0.1221
Complex Chords 0.0
Minor Major Triad Ratio 0.6709
Average Number of Simultaneous Pitch Classes 2.822
Variability of Number of Simultaneous Pitch Classes 0.5336
Average Number of Simultaneous Pitches 3.688
Variability of Number of Simultaneous Pitches 0.6496
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 29.0
Variation of Dynamics 4.775
Variation of Dynamics In Each Voice 2.776
Average Note to Note Change in Dynamics 2.032
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1199
Stepwise Motion 0.485
Melodic Thirds 0.09171
Melodic Perfect Fourths 0.09347
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04938
Melodic Sixths 0.005291
Melodic Sevenths 0.0
Melodic Octaves 0.01411
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.333
Melodic Embellishments 0.0
Direction of Melodic Motion 0.4606
Average Length of Melodic Arcs 1.683
Average Interval Spanned by Melodic Arcs 4.88
Melodic Pitch Variety 3.923
Mean Melodic Interval 2.171
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3651
Relative Prevalence of Most Common Melodic Intervals 0.715
Amount of Arpeggiation 0.4162
Repeated Notes 0.261
Importance of Middle Register 0.6708
Importance of High Register 0.0
Dominant Spread 5.0
Strong Tonal Centres 2.0
Mean Pitch 55.92
Mean Pitch Class 4.853
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1419
Prevalence of Most Common Pitch Class 0.2137
Relative Prevalence of Top Pitches 0.9012
Relative Prevalence of Top Pitch Classes 0.9262
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.596
Pitch Class Variability 3.557
Pitch Class Variability After Folding 2.914
Pitch Skewness -0.2517
Pitch Class Skewness 0.7193
Pitch Class Skewness After Folding 0.9792
Pitch Kurtosis 5.363
Pitch Class Kurtosis 4.715
Pitch Class Kurtosis After Folding 8.527
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 28.0
Importance of Bass Register 0.3292
Note Density per Quarter Note 1.457
Note Density per Quarter Note per Voice 0.3642
Note Density per Quarter Note Variability 0.6044
Range of Rhythmic Values 8.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 1.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.7898
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9142
Prevalence of Very Long Rhythmic Values 0.04028
Prevalence of Dotted Notes 0.05779
Shortest Rhythmic Value 0.75
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.473
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.704
Relative Prevalence of Most Common Rhythmic Values 0.1965
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.49
Rhythmic Value Skewness 0.9532
Rhythmic Value Kurtosis 22.18
Mean Rhythmic Value Run Length 2.841
Median Rhythmic Value Run Length 2.0
Variability in Rhythmic Value Run Lengths 3.15
Mean Rhythmic Value Offset 0.04283
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4721
Complete Rests Fraction 0.04082
Partial Rests Fraction 0.1485
Average Rest Fraction Across Voices 0.08432
Longest Complete Rest 2.0
Longest Partial Rest 14.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 3.39
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 3.145
Variability Across Voices of Combined Rests 6.705
Number of Strong Rhythmic Pulses - Tempo Standardized 2.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7958
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.108
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 7.366
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.9038
Rhythmic Variability - Tempo Standardized 0.06352
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 571.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3354
Minimum Note Duration 0.1246
Maximum Note Duration 3.75
Average Note Duration 0.4715
Variability of Note Durations 0.3377
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 160.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.23
Strength of Second Strongest Rhythmic Pulse 0.2291
Strength Ratio of Two Strongest Rhythmic Pulses 1.004
Combined Strength of Two Strongest Rhythmic Pulses 0.4591
Rhythmic Variability 0.03559
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 73.5
Note Density 7.769
Note Density Variability 2.307
Average Time Between Attacks 0.383
Average Time Between Attacks for Each Voice 0.4962
Variability of Time Between Attacks 0.1874
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.1761
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.4413
Relative Note Durations of Lowest Line 1.094
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.8529
Voice Separation 5.333
Variability of Voice Separation 4.041
Parallel Motion 0.06568
Average Number of Independent Voices 3.819
Similar Motion 0.2677
Contrary Motion 0.2036
Oblique Motion 0.4631
Parallel Fifths 0.003284
Parallel Octaves 0.001642
Variability of Number of Independent Voices 0.5355
Voice Equality - Number of Notes 12.97
Voice Equality - Note Duration 1.257
Voice Equality - Dynamics 4.359
Voice Equality - Melodic Leaps 1.0
Voice Equality - Range 1.732
Importance of Loudest Voice 3.333