Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1982 |
Prevalence of Second Most Common Vertical Interval |
0.1874 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9455 |
Vertical Unisons |
0.03907 |
Vertical Minor Seconds |
0.008725 |
Vertical Thirds |
0.3234 |
Vertical Tritones |
0.008536 |
Vertical Perfect Fourths |
0.08801 |
Vertical Perfect Fifths |
0.1982 |
Vertical Sixths |
0.1322 |
Vertical Sevenths |
0.02561 |
Vertical Octaves |
0.1483 |
Perfect Vertical Intervals |
0.4736 |
Vertical Dissonance Ratio |
0.07614 |
Vertical Minor Third Prevalence |
0.4914 |
Vertical Major Third Prevalence |
0.5873 |
Chord Duration |
1.106 |
Partial Chords |
0.2698 |
Standard Triads |
0.5306 |
Diminished and Augmented Triads |
0.008993 |
Dominant Seventh Chords |
0.001799 |
Seventh Chords |
0.01439 |
Non-Standard Chords |
0.1853 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6954 |
Average Number of Simultaneous Pitch Classes |
2.705 |
Variability of Number of Simultaneous Pitch Classes |
0.6482 |
Average Number of Simultaneous Pitches |
3.32 |
Variability of Number of Simultaneous Pitches |
0.8057 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2122 |
Stepwise Motion |
0.6133 |
Melodic Thirds |
0.1719 |
Melodic Perfect Fourths |
0.05339 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03906 |
Melodic Sixths |
0.001302 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01302 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.75 |
Melodic Embellishments |
0.01682 |
Direction of Melodic Motion |
0.5066 |
Average Length of Melodic Arcs |
1.913 |
Average Interval Spanned by Melodic Arcs |
4.908 |
Melodic Pitch Variety |
5.008 |
Mean Melodic Interval |
2.299 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.401 |
Relative Prevalence of Most Common Melodic Intervals |
0.5292 |
Amount of Arpeggiation |
0.332 |
Repeated Notes |
0.1081 |
Importance of Middle Register |
0.7542 |
Importance of High Register |
0.006468 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.4 |
Mean Pitch Class |
5.429 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1022 |
Prevalence of Most Common Pitch Class |
0.1617 |
Relative Prevalence of Top Pitches |
0.9494 |
Relative Prevalence of Top Pitch Classes |
0.984 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
2.0 |
Pitch Variability |
6.69 |
Pitch Class Variability |
3.511 |
Pitch Class Variability After Folding |
3.057 |
Pitch Skewness |
0.09166 |
Pitch Class Skewness |
0.367 |
Pitch Class Skewness After Folding |
0.4114 |
Pitch Kurtosis |
5.435 |
Pitch Class Kurtosis |
4.898 |
Pitch Class Kurtosis After Folding |
7.119 |
Major or Minor |
0.0 |
First Pitch |
64.0 |
First Pitch Class |
4.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
34.0 |
Importance of Bass Register |
0.2393 |
Note Density per Quarter Note |
1.324 |
Note Density per Quarter Note per Voice |
0.3309 |
Note Density per Quarter Note Variability |
0.4406 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.696 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7439 |
Prevalence of Very Long Rhythmic Values |
0.0815 |
Prevalence of Dotted Notes |
0.06856 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.616 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4398 |
Relative Prevalence of Most Common Rhythmic Values |
0.5824 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.875 |
Rhythmic Value Skewness |
0.9851 |
Rhythmic Value Kurtosis |
10.6 |
Mean Rhythmic Value Run Length |
2.124 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.619 |
Mean Rhythmic Value Offset |
0.02587 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7194 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.3773 |
Average Rest Fraction Across Voices |
0.1313 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
41.15 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
6.523 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.655 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
8.228 |
Variability Across Voices of Combined Rests |
41.23 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.583 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.219 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.662 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.802 |
Rhythmic Variability - Tempo Standardized |
0.05128 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
773.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
3.255 |
Minimum Note Duration |
0.6 |
Maximum Note Duration |
19.2 |
Average Note Duration |
2.38 |
Variability of Note Durations |
2.09 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
1.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
74.66 |
Strongest Rhythmic Pulse |
67.0 |
Second Strongest Rhythmic Pulse |
0.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
67.0 |
Strength of Strongest Rhythmic Pulse |
1.0 |
Strength of Second Strongest Rhythmic Pulse |
0.0 |
Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
Rhythmic Variability |
0.07881 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
25.0 |
Duration in Seconds |
528.0 |
Note Density |
1.464 |
Note Density Variability |
0.8248 |
Average Time Between Attacks |
1.375 |
Average Time Between Attacks for Each Voice |
2.744 |
Variability of Time Between Attacks |
0.7111 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4118 |
Relative Range Isolation of Loudest Voice |
0.2976 |
Relative Range of Highest Line |
0.4118 |
Relative Note Density of Highest Line |
0.3467 |
Relative Note Durations of Lowest Line |
0.8692 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.9107 |
Voice Separation |
5.333 |
Variability of Voice Separation |
1.528 |
Parallel Motion |
0.03046 |
Average Number of Independent Voices |
3.483 |
Similar Motion |
0.1205 |
Contrary Motion |
0.1841 |
Oblique Motion |
0.6649 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.7695 |
Voice Equality - Number of Notes |
38.78 |
Voice Equality - Note Duration |
37.28 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.5 |
Importance of Loudest Voice |
0.0 |