| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2815 |
| Prevalence of Second Most Common Vertical Interval |
0.2057 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7307 |
| Vertical Unisons |
0.07002 |
| Vertical Minor Seconds |
0.001516 |
| Vertical Thirds |
0.2616 |
| Vertical Tritones |
0.003928 |
| Vertical Perfect Fourths |
0.1099 |
| Vertical Perfect Fifths |
0.2057 |
| Vertical Sixths |
0.1122 |
| Vertical Sevenths |
0.01075 |
| Vertical Octaves |
0.2115 |
| Perfect Vertical Intervals |
0.5972 |
| Vertical Dissonance Ratio |
0.02988 |
| Vertical Minor Third Prevalence |
0.7071 |
| Vertical Major Third Prevalence |
0.825 |
| Chord Duration |
1.952 |
| Partial Chords |
0.02158 |
| Standard Triads |
0.8417 |
| Diminished and Augmented Triads |
0.01079 |
| Dominant Seventh Chords |
0.001799 |
| Seventh Chords |
0.01439 |
| Non-Standard Chords |
0.1223 |
| Complex Chords |
0.01079 |
| Minor Major Triad Ratio |
0.2447 |
| Average Number of Simultaneous Pitch Classes |
3.03 |
| Variability of Number of Simultaneous Pitch Classes |
0.3791 |
| Average Number of Simultaneous Pitches |
4.834 |
| Variability of Number of Simultaneous Pitches |
1.149 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1519 |
| Stepwise Motion |
0.4217 |
| Melodic Thirds |
0.1218 |
| Melodic Perfect Fourths |
0.08867 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08096 |
| Melodic Sixths |
0.004626 |
| Melodic Sevenths |
0.000771 |
| Melodic Octaves |
0.004626 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.724 |
| Melodic Embellishments |
0.01073 |
| Direction of Melodic Motion |
0.5107 |
| Average Length of Melodic Arcs |
1.545 |
| Average Interval Spanned by Melodic Arcs |
4.664 |
| Melodic Pitch Variety |
4.033 |
| Mean Melodic Interval |
2.214 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2768 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9749 |
| Amount of Arpeggiation |
0.485 |
| Repeated Notes |
0.2768 |
| Importance of Middle Register |
0.7464 |
| Importance of High Register |
0.03065 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.59 |
| Mean Pitch Class |
5.071 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1088 |
| Prevalence of Most Common Pitch Class |
0.2437 |
| Relative Prevalence of Top Pitches |
0.9718 |
| Relative Prevalence of Top Pitch Classes |
0.7233 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.112 |
| Pitch Class Variability |
3.459 |
| Pitch Class Variability After Folding |
2.83 |
| Pitch Skewness |
-0.7379 |
| Pitch Class Skewness |
0.06181 |
| Pitch Class Skewness After Folding |
0.848 |
| Pitch Kurtosis |
5.345 |
| Pitch Class Kurtosis |
4.84 |
| Pitch Class Kurtosis After Folding |
8.335 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.223 |
| Note Density per Quarter Note |
2.33 |
| Note Density per Quarter Note per Voice |
0.2913 |
| Note Density per Quarter Note Variability |
1.252 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001533 |
| Prevalence of Medium Rhythmic Values |
0.6912 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7425 |
| Prevalence of Very Long Rhythmic Values |
0.04981 |
| Prevalence of Dotted Notes |
0.059 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.478 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4337 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5901 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.523 |
| Rhythmic Value Skewness |
0.9418 |
| Rhythmic Value Kurtosis |
9.007 |
| Mean Rhythmic Value Run Length |
1.402 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7618 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6005 |
| Average Rest Fraction Across Voices |
0.2768 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
45.29 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.323 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.118 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.43 |
| Variability Across Voices of Combined Rests |
27.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4982 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2731 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.824 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7714 |
| Rhythmic Variability - Tempo Standardized |
0.04798 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1305.0 |
| Initial Tempo |
110.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.414 |
| Minimum Note Duration |
0.2727 |
| Maximum Note Duration |
4.364 |
| Average Note Duration |
1.316 |
| Variability of Note Durations |
0.8311 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
114.7 |
| Strongest Rhythmic Pulse |
57.0 |
| Second Strongest Rhythmic Pulse |
113.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.982 |
| Strength of Strongest Rhythmic Pulse |
0.6855 |
| Strength of Second Strongest Rhythmic Pulse |
0.3128 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.191 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9982 |
| Rhythmic Variability |
0.05924 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
15.4 |
| Duration in Seconds |
296.7 |
| Note Density |
4.398 |
| Note Density Variability |
2.199 |
| Average Time Between Attacks |
0.8295 |
| Average Time Between Attacks for Each Voice |
1.737 |
| Variability of Time Between Attacks |
0.4259 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3684 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3684 |
| Relative Note Density of Highest Line |
0.423 |
| Relative Note Durations of Lowest Line |
0.9619 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9992 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.0398 |
| Average Number of Independent Voices |
5.775 |
| Similar Motion |
0.196 |
| Contrary Motion |
0.2159 |
| Oblique Motion |
0.5483 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.01194 |
| Variability of Number of Independent Voices |
1.943 |
| Voice Equality - Number of Notes |
7.954 |
| Voice Equality - Note Duration |
14.34 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9258 |
| Voice Equality - Range |
2.1 |
| Importance of Loudest Voice |
0.0 |