| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2573 |
| Prevalence of Second Most Common Vertical Interval |
0.2108 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8193 |
| Vertical Unisons |
0.05212 |
| Vertical Minor Seconds |
0.001244 |
| Vertical Thirds |
0.2833 |
| Vertical Tritones |
0.003877 |
| Vertical Perfect Fourths |
0.1044 |
| Vertical Perfect Fifths |
0.2108 |
| Vertical Sixths |
0.1184 |
| Vertical Sevenths |
0.009213 |
| Vertical Octaves |
0.2051 |
| Perfect Vertical Intervals |
0.5724 |
| Vertical Dissonance Ratio |
0.02661 |
| Vertical Minor Third Prevalence |
0.6373 |
| Vertical Major Third Prevalence |
0.7747 |
| Chord Duration |
1.869 |
| Partial Chords |
0.07292 |
| Standard Triads |
0.7895 |
| Diminished and Augmented Triads |
0.02083 |
| Dominant Seventh Chords |
0.001096 |
| Seventh Chords |
0.017 |
| Non-Standard Chords |
0.1206 |
| Complex Chords |
0.005482 |
| Minor Major Triad Ratio |
0.1862 |
| Average Number of Simultaneous Pitch Classes |
2.943 |
| Variability of Number of Simultaneous Pitch Classes |
0.4713 |
| Average Number of Simultaneous Pitches |
4.552 |
| Variability of Number of Simultaneous Pitches |
1.531 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1425 |
| Stepwise Motion |
0.3828 |
| Melodic Thirds |
0.0965 |
| Melodic Perfect Fourths |
0.08785 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05963 |
| Melodic Sixths |
0.005007 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009103 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.944 |
| Melodic Embellishments |
0.01542 |
| Direction of Melodic Motion |
0.4979 |
| Average Length of Melodic Arcs |
1.561 |
| Average Interval Spanned by Melodic Arcs |
4.717 |
| Melodic Pitch Variety |
3.752 |
| Mean Melodic Interval |
1.954 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3591 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6692 |
| Amount of Arpeggiation |
0.5244 |
| Repeated Notes |
0.3591 |
| Importance of Middle Register |
0.6925 |
| Importance of High Register |
0.01542 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.46 |
| Mean Pitch Class |
4.961 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1152 |
| Prevalence of Most Common Pitch Class |
0.2336 |
| Relative Prevalence of Top Pitches |
0.9843 |
| Relative Prevalence of Top Pitch Classes |
0.8544 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.784 |
| Pitch Class Variability |
3.464 |
| Pitch Class Variability After Folding |
4.501 |
| Pitch Skewness |
-0.3449 |
| Pitch Class Skewness |
-0.03377 |
| Pitch Class Skewness After Folding |
1.33 |
| Pitch Kurtosis |
5.387 |
| Pitch Class Kurtosis |
4.785 |
| Pitch Class Kurtosis After Folding |
4.353 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.2921 |
| Note Density per Quarter Note |
2.356 |
| Note Density per Quarter Note per Voice |
0.2945 |
| Note Density per Quarter Note Variability |
1.332 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03175 |
| Prevalence of Medium Rhythmic Values |
0.7819 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5968 |
| Prevalence of Very Long Rhythmic Values |
0.04762 |
| Prevalence of Dotted Notes |
0.07574 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.178 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3787 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9186 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.66 |
| Rhythmic Value Skewness |
0.3222 |
| Rhythmic Value Kurtosis |
13.57 |
| Mean Rhythmic Value Run Length |
1.705 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.096 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.004246 |
| Partial Rests Fraction |
0.6773 |
| Average Rest Fraction Across Voices |
0.3584 |
| Longest Complete Rest |
3.975 |
| Longest Partial Rest |
212.6 |
| Mean Complete Rest Duration |
3.975 |
| Mean Partial Rest Duration |
14.2 |
| Median Complete Rest Duration |
3.975 |
| Median Partial Rest Duration |
7.949 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
29.95 |
| Variability Across Voices of Combined Rests |
64.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4533 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2538 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.786 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.707 |
| Rhythmic Variability - Tempo Standardized |
0.04515 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2205.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.929 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.096 |
| Variability of Note Durations |
0.8376 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
119.6 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4533 |
| Strength of Second Strongest Rhythmic Pulse |
0.2538 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.786 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.707 |
| Rhythmic Variability |
0.04515 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
4.788 |
| Duration in Seconds |
471.0 |
| Note Density |
4.682 |
| Note Density Variability |
2.42 |
| Average Time Between Attacks |
0.7152 |
| Average Time Between Attacks for Each Voice |
1.718 |
| Variability of Time Between Attacks |
0.3815 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4 |
| Relative Note Density of Highest Line |
0.2467 |
| Relative Note Durations of Lowest Line |
1.079 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.857 |
| Variability of Voice Separation |
3.288 |
| Parallel Motion |
0.0355 |
| Average Number of Independent Voices |
5.153 |
| Similar Motion |
0.1923 |
| Contrary Motion |
0.1899 |
| Oblique Motion |
0.5822 |
| Parallel Fifths |
0.0005917 |
| Parallel Octaves |
0.005325 |
| Variability of Number of Independent Voices |
2.096 |
| Voice Equality - Number of Notes |
49.66 |
| Voice Equality - Note Duration |
32.45 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9258 |
| Voice Equality - Range |
2.268 |
| Importance of Loudest Voice |
0.0 |