| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1953 |
| Prevalence of Second Most Common Vertical Interval |
0.1903 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9742 |
| Vertical Unisons |
0.0346 |
| Vertical Minor Seconds |
0.006046 |
| Vertical Thirds |
0.3085 |
| Vertical Tritones |
0.01041 |
| Vertical Perfect Fourths |
0.1067 |
| Vertical Perfect Fifths |
0.1953 |
| Vertical Sixths |
0.1292 |
| Vertical Sevenths |
0.02654 |
| Vertical Octaves |
0.1557 |
| Perfect Vertical Intervals |
0.4923 |
| Vertical Dissonance Ratio |
0.07531 |
| Vertical Minor Third Prevalence |
0.4926 |
| Vertical Major Third Prevalence |
0.4838 |
| Chord Duration |
1.399 |
| Partial Chords |
0.3027 |
| Standard Triads |
0.4961 |
| Diminished and Augmented Triads |
0.0234 |
| Dominant Seventh Chords |
0.00312 |
| Seventh Chords |
0.02028 |
| Non-Standard Chords |
0.181 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7473 |
| Average Number of Simultaneous Pitch Classes |
2.653 |
| Variability of Number of Simultaneous Pitch Classes |
0.6687 |
| Average Number of Simultaneous Pitches |
3.284 |
| Variability of Number of Simultaneous Pitches |
0.8351 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2334 |
| Stepwise Motion |
0.6224 |
| Melodic Thirds |
0.111 |
| Melodic Perfect Fourths |
0.08418 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04847 |
| Melodic Sixths |
0.001276 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02041 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.636 |
| Melodic Embellishments |
0.02284 |
| Direction of Melodic Motion |
0.4713 |
| Average Length of Melodic Arcs |
1.827 |
| Average Interval Spanned by Melodic Arcs |
4.919 |
| Melodic Pitch Variety |
4.806 |
| Mean Melodic Interval |
2.403 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.389 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6 |
| Amount of Arpeggiation |
0.2921 |
| Repeated Notes |
0.1122 |
| Importance of Middle Register |
0.7931 |
| Importance of High Register |
0.0203 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.0 |
| Mean Pitch Class |
5.769 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1129 |
| Prevalence of Most Common Pitch Class |
0.1827 |
| Relative Prevalence of Top Pitches |
0.8315 |
| Relative Prevalence of Top Pitch Classes |
0.8681 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.027 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
2.169 |
| Pitch Skewness |
0.1874 |
| Pitch Class Skewness |
-0.1996 |
| Pitch Class Skewness After Folding |
0.2913 |
| Pitch Kurtosis |
5.653 |
| Pitch Class Kurtosis |
4.895 |
| Pitch Class Kurtosis After Folding |
6.922 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1865 |
| Note Density per Quarter Note |
1.159 |
| Note Density per Quarter Note per Voice |
0.2897 |
| Note Density per Quarter Note Variability |
0.4987 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5546 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8274 |
| Prevalence of Very Long Rhythmic Values |
0.09391 |
| Prevalence of Dotted Notes |
0.1104 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.952 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.382 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7542 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.772 |
| Rhythmic Value Skewness |
1.611 |
| Rhythmic Value Kurtosis |
8.585 |
| Mean Rhythmic Value Run Length |
1.635 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.16 |
| Mean Rhythmic Value Offset |
0.01523 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4275 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3827 |
| Average Rest Fraction Across Voices |
0.1337 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
34.2 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.662 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.461 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.419 |
| Variability Across Voices of Combined Rests |
36.99 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6254 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1924 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.25 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8179 |
| Rhythmic Variability - Tempo Standardized |
0.05334 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
788.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.7 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.413 |
| Variability of Note Durations |
1.709 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
79.59 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
75.0 |
| Strength of Strongest Rhythmic Pulse |
1.0 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.07881 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
20.36 |
| Duration in Seconds |
548.8 |
| Note Density |
1.436 |
| Note Density Variability |
0.6511 |
| Average Time Between Attacks |
1.354 |
| Average Time Between Attacks for Each Voice |
2.734 |
| Variability of Time Between Attacks |
0.6305 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.3333 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.3452 |
| Relative Note Durations of Lowest Line |
0.9447 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8515 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.03761 |
| Average Number of Independent Voices |
3.438 |
| Similar Motion |
0.1095 |
| Contrary Motion |
0.1715 |
| Oblique Motion |
0.6814 |
| Parallel Fifths |
0.001106 |
| Parallel Octaves |
0.001106 |
| Variability of Number of Independent Voices |
0.8039 |
| Voice Equality - Number of Notes |
28.34 |
| Voice Equality - Note Duration |
29.85 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
0.0 |