Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2053 |
Prevalence of Second Most Common Vertical Interval |
0.1824 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8886 |
Vertical Unisons |
0.02459 |
Vertical Minor Seconds |
0.003431 |
Vertical Thirds |
0.3105 |
Vertical Tritones |
0.01086 |
Vertical Perfect Fourths |
0.09434 |
Vertical Perfect Fifths |
0.2053 |
Vertical Sixths |
0.1601 |
Vertical Sevenths |
0.01687 |
Vertical Octaves |
0.1561 |
Perfect Vertical Intervals |
0.4803 |
Vertical Dissonance Ratio |
0.05171 |
Vertical Minor Third Prevalence |
0.4415 |
Vertical Major Third Prevalence |
0.6037 |
Chord Duration |
1.434 |
Partial Chords |
0.226 |
Standard Triads |
0.6257 |
Diminished and Augmented Triads |
0.0226 |
Dominant Seventh Chords |
0.001412 |
Seventh Chords |
0.008475 |
Non-Standard Chords |
0.1398 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.2038 |
Average Number of Simultaneous Pitch Classes |
2.705 |
Variability of Number of Simultaneous Pitch Classes |
0.6279 |
Average Number of Simultaneous Pitches |
3.396 |
Variability of Number of Simultaneous Pitches |
0.8473 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1852 |
Stepwise Motion |
0.5255 |
Melodic Thirds |
0.1458 |
Melodic Perfect Fourths |
0.1204 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03935 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01389 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.706 |
Melodic Embellishments |
0.01376 |
Direction of Melodic Motion |
0.4685 |
Average Length of Melodic Arcs |
1.644 |
Average Interval Spanned by Melodic Arcs |
4.599 |
Melodic Pitch Variety |
4.338 |
Mean Melodic Interval |
2.387 |
Number of Common Melodic Intervals |
5.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3403 |
Relative Prevalence of Most Common Melodic Intervals |
0.5442 |
Amount of Arpeggiation |
0.3542 |
Repeated Notes |
0.1551 |
Importance of Middle Register |
0.7798 |
Importance of High Register |
0.009174 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.12 |
Mean Pitch Class |
4.952 |
Most Common Pitch |
64.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1055 |
Prevalence of Most Common Pitch Class |
0.1766 |
Relative Prevalence of Top Pitches |
0.9348 |
Relative Prevalence of Top Pitch Classes |
0.987 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.144 |
Pitch Class Variability |
3.46 |
Pitch Class Variability After Folding |
3.399 |
Pitch Skewness |
-0.6559 |
Pitch Class Skewness |
-0.04176 |
Pitch Class Skewness After Folding |
0.3745 |
Pitch Kurtosis |
5.437 |
Pitch Class Kurtosis |
4.964 |
Pitch Class Kurtosis After Folding |
6.615 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.211 |
Note Density per Quarter Note |
1.16 |
Note Density per Quarter Note per Voice |
0.2899 |
Note Density per Quarter Note Variability |
0.4639 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.009174 |
Prevalence of Medium Rhythmic Values |
0.6284 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8739 |
Prevalence of Very Long Rhythmic Values |
0.08486 |
Prevalence of Dotted Notes |
0.06651 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.917 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5023 |
Relative Prevalence of Most Common Rhythmic Values |
0.484 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.92 |
Rhythmic Value Skewness |
1.433 |
Rhythmic Value Kurtosis |
11.06 |
Mean Rhythmic Value Run Length |
2.076 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
2.029 |
Mean Rhythmic Value Offset |
0.1101 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.267 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.258 |
Average Rest Fraction Across Voices |
0.09629 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
31.89 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
6.297 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.657 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.486 |
Variability Across Voices of Combined Rests |
17.74 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7314 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1355 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.398 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8669 |
Rhythmic Variability - Tempo Standardized |
0.05932 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
436.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
2.392 |
Minimum Note Duration |
0.5 |
Maximum Note Duration |
32.0 |
Average Note Duration |
2.346 |
Variability of Note Durations |
2.677 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
89.68 |
Strongest Rhythmic Pulse |
40.0 |
Second Strongest Rhythmic Pulse |
80.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.8477 |
Strength of Second Strongest Rhythmic Pulse |
0.1457 |
Strength Ratio of Two Strongest Rhythmic Pulses |
5.818 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9934 |
Rhythmic Variability |
0.06771 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
30.0 |
Duration in Seconds |
283.0 |
Note Density |
1.541 |
Note Density Variability |
0.8586 |
Average Time Between Attacks |
1.333 |
Average Time Between Attacks for Each Voice |
2.504 |
Variability of Time Between Attacks |
0.6685 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4516 |
Relative Range Isolation of Loudest Voice |
0.3063 |
Relative Range of Highest Line |
0.4516 |
Relative Note Density of Highest Line |
0.6239 |
Relative Note Durations of Lowest Line |
1.092 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.7982 |
Voice Separation |
6.0 |
Variability of Voice Separation |
2.0 |
Parallel Motion |
0.04204 |
Average Number of Independent Voices |
3.511 |
Similar Motion |
0.177 |
Contrary Motion |
0.1704 |
Oblique Motion |
0.6106 |
Parallel Fifths |
0.002212 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.841 |
Voice Equality - Number of Notes |
30.71 |
Voice Equality - Note Duration |
13.35 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.062 |
Importance of Loudest Voice |
0.0 |