| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2039 |
| Prevalence of Second Most Common Vertical Interval |
0.202 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9906 |
| Vertical Unisons |
0.03898 |
| Vertical Minor Seconds |
0.005924 |
| Vertical Thirds |
0.313 |
| Vertical Tritones |
0.007262 |
| Vertical Perfect Fourths |
0.1108 |
| Vertical Perfect Fifths |
0.202 |
| Vertical Sixths |
0.1108 |
| Vertical Sevenths |
0.0193 |
| Vertical Octaves |
0.1649 |
| Perfect Vertical Intervals |
0.5167 |
| Vertical Dissonance Ratio |
0.06319 |
| Vertical Minor Third Prevalence |
0.592 |
| Vertical Major Third Prevalence |
0.6295 |
| Chord Duration |
1.736 |
| Partial Chords |
0.1778 |
| Standard Triads |
0.6229 |
| Diminished and Augmented Triads |
0.01432 |
| Dominant Seventh Chords |
0.002387 |
| Seventh Chords |
0.02148 |
| Non-Standard Chords |
0.1778 |
| Complex Chords |
0.004773 |
| Minor Major Triad Ratio |
1.777 |
| Average Number of Simultaneous Pitch Classes |
2.815 |
| Variability of Number of Simultaneous Pitch Classes |
0.6439 |
| Average Number of Simultaneous Pitches |
3.668 |
| Variability of Number of Simultaneous Pitches |
1.031 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2053 |
| Stepwise Motion |
0.626 |
| Melodic Thirds |
0.1369 |
| Melodic Perfect Fourths |
0.06177 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05008 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.001669 |
| Melodic Octaves |
0.02003 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.857 |
| Melodic Embellishments |
0.006623 |
| Direction of Melodic Motion |
0.5196 |
| Average Length of Melodic Arcs |
1.96 |
| Average Interval Spanned by Melodic Arcs |
5.179 |
| Melodic Pitch Variety |
5.274 |
| Mean Melodic Interval |
2.397 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4207 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4881 |
| Amount of Arpeggiation |
0.3122 |
| Repeated Notes |
0.1035 |
| Importance of Middle Register |
0.6772 |
| Importance of High Register |
0.01656 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.52 |
| Mean Pitch Class |
5.331 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1341 |
| Prevalence of Most Common Pitch Class |
0.2119 |
| Relative Prevalence of Top Pitches |
0.8025 |
| Relative Prevalence of Top Pitch Classes |
0.9766 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.821 |
| Pitch Class Variability |
3.356 |
| Pitch Class Variability After Folding |
3.432 |
| Pitch Skewness |
0.3349 |
| Pitch Class Skewness |
0.296 |
| Pitch Class Skewness After Folding |
0.7353 |
| Pitch Kurtosis |
5.794 |
| Pitch Class Kurtosis |
4.781 |
| Pitch Class Kurtosis After Folding |
6.194 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3063 |
| Note Density per Quarter Note |
1.373 |
| Note Density per Quarter Note per Voice |
0.2745 |
| Note Density per Quarter Note Variability |
0.6006 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006623 |
| Prevalence of Medium Rhythmic Values |
0.6391 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7517 |
| Prevalence of Very Long Rhythmic Values |
0.09437 |
| Prevalence of Dotted Notes |
0.08278 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.788 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3907 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6186 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.025 |
| Rhythmic Value Skewness |
1.167 |
| Rhythmic Value Kurtosis |
9.921 |
| Mean Rhythmic Value Run Length |
1.911 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.345 |
| Mean Rhythmic Value Offset |
0.05298 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7265 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6244 |
| Average Rest Fraction Across Voices |
0.2226 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
63.71 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.95 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.982 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.54 |
| Variability Across Voices of Combined Rests |
46.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5804 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2109 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.752 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7913 |
| Rhythmic Variability - Tempo Standardized |
0.05109 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
604.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.581 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.422 |
| Variability of Note Durations |
1.184 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
119.7 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5804 |
| Strength of Second Strongest Rhythmic Pulse |
0.2109 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.752 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7913 |
| Rhythmic Variability |
0.05109 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
4.036 |
| Duration in Seconds |
221.0 |
| Note Density |
2.733 |
| Note Density Variability |
1.23 |
| Average Time Between Attacks |
0.7795 |
| Average Time Between Attacks for Each Voice |
1.785 |
| Variability of Time Between Attacks |
0.4091 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.5258 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.5629 |
| Relative Note Durations of Lowest Line |
1.156 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9091 |
| Voice Overlap |
0.8543 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.04341 |
| Average Number of Independent Voices |
3.9 |
| Similar Motion |
0.1119 |
| Contrary Motion |
0.1219 |
| Oblique Motion |
0.7229 |
| Parallel Fifths |
0.003339 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.087 |
| Voice Equality - Number of Notes |
35.84 |
| Voice Equality - Note Duration |
23.47 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.28 |
| Importance of Loudest Voice |
0.0 |