Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2653 |
Prevalence of Second Most Common Vertical Interval |
0.2083 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.7852 |
Vertical Unisons |
0.05541 |
Vertical Minor Seconds |
0.001522 |
Vertical Thirds |
0.2663 |
Vertical Tritones |
0.004458 |
Vertical Perfect Fourths |
0.1173 |
Vertical Perfect Fifths |
0.2083 |
Vertical Sixths |
0.1138 |
Vertical Sevenths |
0.01067 |
Vertical Octaves |
0.2099 |
Perfect Vertical Intervals |
0.5909 |
Vertical Dissonance Ratio |
0.0299 |
Vertical Minor Third Prevalence |
0.6791 |
Vertical Major Third Prevalence |
0.735 |
Chord Duration |
2.196 |
Partial Chords |
0.0731 |
Standard Triads |
0.7619 |
Diminished and Augmented Triads |
0.02111 |
Dominant Seventh Chords |
0.0003909 |
Seventh Chords |
0.01251 |
Non-Standard Chords |
0.1525 |
Complex Chords |
0.003127 |
Minor Major Triad Ratio |
0.6364 |
Average Number of Simultaneous Pitch Classes |
2.945 |
Variability of Number of Simultaneous Pitch Classes |
0.4547 |
Average Number of Simultaneous Pitches |
4.48 |
Variability of Number of Simultaneous Pitches |
1.475 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1811 |
Stepwise Motion |
0.4307 |
Melodic Thirds |
0.08168 |
Melodic Perfect Fourths |
0.0755 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05157 |
Melodic Sixths |
0.00495 |
Melodic Sevenths |
0.0008251 |
Melodic Octaves |
0.01155 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
0.0 |
Minor Major Melodic Third Ratio |
2.194 |
Melodic Embellishments |
0.02179 |
Direction of Melodic Motion |
0.4925 |
Average Length of Melodic Arcs |
1.757 |
Average Interval Spanned by Melodic Arcs |
4.985 |
Melodic Pitch Variety |
3.979 |
Mean Melodic Interval |
1.876 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.3432 |
Relative Prevalence of Most Common Melodic Intervals |
0.7272 |
Amount of Arpeggiation |
0.4889 |
Repeated Notes |
0.3432 |
Importance of Middle Register |
0.7463 |
Importance of High Register |
0.0366 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.37 |
Mean Pitch Class |
5.227 |
Most Common Pitch |
69.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.111 |
Prevalence of Most Common Pitch Class |
0.2122 |
Relative Prevalence of Top Pitches |
0.8667 |
Relative Prevalence of Top Pitch Classes |
0.8275 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
8.015 |
Pitch Class Variability |
3.351 |
Pitch Class Variability After Folding |
3.526 |
Pitch Skewness |
-0.3951 |
Pitch Class Skewness |
0.2036 |
Pitch Class Skewness After Folding |
0.9191 |
Pitch Kurtosis |
5.604 |
Pitch Class Kurtosis |
4.743 |
Pitch Class Kurtosis After Folding |
5.696 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
38.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
32.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
36.0 |
Importance of Bass Register |
0.2171 |
Note Density per Quarter Note |
1.862 |
Note Density per Quarter Note per Voice |
0.2328 |
Note Density per Quarter Note Variability |
0.8941 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.006579 |
Prevalence of Medium Rhythmic Values |
0.6571 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8104 |
Prevalence of Very Long Rhythmic Values |
0.0736 |
Prevalence of Dotted Notes |
0.07895 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.711 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4675 |
Relative Prevalence of Most Common Rhythmic Values |
0.4591 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.775 |
Rhythmic Value Skewness |
1.202 |
Rhythmic Value Kurtosis |
10.78 |
Mean Rhythmic Value Run Length |
1.746 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.166 |
Mean Rhythmic Value Offset |
0.01645 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3241 |
Complete Rests Fraction |
0.001549 |
Partial Rests Fraction |
0.7054 |
Average Rest Fraction Across Voices |
0.3633 |
Longest Complete Rest |
2.023 |
Longest Partial Rest |
341.9 |
Mean Complete Rest Duration |
2.023 |
Mean Partial Rest Duration |
16.22 |
Median Complete Rest Duration |
2.023 |
Median Partial Rest Duration |
6.07 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
43.06 |
Variability Across Voices of Combined Rests |
141.6 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6336 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1964 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.226 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8301 |
Rhythmic Variability - Tempo Standardized |
0.0537 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.5 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
3.0 |
Total Number of Notes |
2432.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
7.944 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
14.4 |
Average Note Duration |
1.622 |
Variability of Note Durations |
1.13 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
101.9 |
Strongest Rhythmic Pulse |
51.0 |
Second Strongest Rhythmic Pulse |
101.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.98 |
Strength of Strongest Rhythmic Pulse |
0.7885 |
Strength of Second Strongest Rhythmic Pulse |
0.2062 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.824 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9947 |
Rhythmic Variability |
0.06413 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
9.896 |
Duration in Seconds |
774.6 |
Note Density |
3.14 |
Note Density Variability |
1.454 |
Average Time Between Attacks |
0.9921 |
Average Time Between Attacks for Each Voice |
2.554 |
Variability of Time Between Attacks |
0.4823 |
Maximum Number of Independent Voices |
8.0 |
Relative Range of Loudest Voice |
0.3889 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.3889 |
Relative Note Density of Highest Line |
0.227 |
Relative Note Durations of Lowest Line |
1.096 |
Relative Size of Melodic Intervals in Lowest Line |
0.8 |
Voice Overlap |
0.9856 |
Voice Separation |
3.286 |
Variability of Voice Separation |
2.43 |
Parallel Motion |
0.05106 |
Average Number of Independent Voices |
5.087 |
Similar Motion |
0.1564 |
Contrary Motion |
0.1711 |
Oblique Motion |
0.6214 |
Parallel Fifths |
0.002173 |
Parallel Octaves |
0.003259 |
Variability of Number of Independent Voices |
2.031 |
Voice Equality - Number of Notes |
63.39 |
Voice Equality - Note Duration |
83.96 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.4629 |
Voice Equality - Range |
1.309 |
Importance of Loudest Voice |
0.0 |