| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2653 |
| Prevalence of Second Most Common Vertical Interval |
0.2083 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7852 |
| Vertical Unisons |
0.05541 |
| Vertical Minor Seconds |
0.001522 |
| Vertical Thirds |
0.2663 |
| Vertical Tritones |
0.004458 |
| Vertical Perfect Fourths |
0.1173 |
| Vertical Perfect Fifths |
0.2083 |
| Vertical Sixths |
0.1138 |
| Vertical Sevenths |
0.01067 |
| Vertical Octaves |
0.2099 |
| Perfect Vertical Intervals |
0.5909 |
| Vertical Dissonance Ratio |
0.0299 |
| Vertical Minor Third Prevalence |
0.6791 |
| Vertical Major Third Prevalence |
0.735 |
| Chord Duration |
2.196 |
| Partial Chords |
0.0731 |
| Standard Triads |
0.7619 |
| Diminished and Augmented Triads |
0.02111 |
| Dominant Seventh Chords |
0.0003909 |
| Seventh Chords |
0.01251 |
| Non-Standard Chords |
0.1525 |
| Complex Chords |
0.003127 |
| Minor Major Triad Ratio |
0.6364 |
| Average Number of Simultaneous Pitch Classes |
2.945 |
| Variability of Number of Simultaneous Pitch Classes |
0.4547 |
| Average Number of Simultaneous Pitches |
4.48 |
| Variability of Number of Simultaneous Pitches |
1.475 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1811 |
| Stepwise Motion |
0.4307 |
| Melodic Thirds |
0.08168 |
| Melodic Perfect Fourths |
0.0755 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05157 |
| Melodic Sixths |
0.00495 |
| Melodic Sevenths |
0.0008251 |
| Melodic Octaves |
0.01155 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.194 |
| Melodic Embellishments |
0.02179 |
| Direction of Melodic Motion |
0.4925 |
| Average Length of Melodic Arcs |
1.757 |
| Average Interval Spanned by Melodic Arcs |
4.985 |
| Melodic Pitch Variety |
3.979 |
| Mean Melodic Interval |
1.876 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3432 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7272 |
| Amount of Arpeggiation |
0.4889 |
| Repeated Notes |
0.3432 |
| Importance of Middle Register |
0.7463 |
| Importance of High Register |
0.0366 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.37 |
| Mean Pitch Class |
5.227 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.111 |
| Prevalence of Most Common Pitch Class |
0.2122 |
| Relative Prevalence of Top Pitches |
0.8667 |
| Relative Prevalence of Top Pitch Classes |
0.8275 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.015 |
| Pitch Class Variability |
3.351 |
| Pitch Class Variability After Folding |
3.526 |
| Pitch Skewness |
-0.3951 |
| Pitch Class Skewness |
0.2036 |
| Pitch Class Skewness After Folding |
0.9191 |
| Pitch Kurtosis |
5.604 |
| Pitch Class Kurtosis |
4.743 |
| Pitch Class Kurtosis After Folding |
5.696 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
32.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2171 |
| Note Density per Quarter Note |
1.862 |
| Note Density per Quarter Note per Voice |
0.2328 |
| Note Density per Quarter Note Variability |
0.8941 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006579 |
| Prevalence of Medium Rhythmic Values |
0.6571 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8104 |
| Prevalence of Very Long Rhythmic Values |
0.0736 |
| Prevalence of Dotted Notes |
0.07895 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.711 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4675 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4591 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.775 |
| Rhythmic Value Skewness |
1.202 |
| Rhythmic Value Kurtosis |
10.78 |
| Mean Rhythmic Value Run Length |
1.746 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.166 |
| Mean Rhythmic Value Offset |
0.01645 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3241 |
| Complete Rests Fraction |
0.001549 |
| Partial Rests Fraction |
0.7054 |
| Average Rest Fraction Across Voices |
0.3633 |
| Longest Complete Rest |
2.023 |
| Longest Partial Rest |
341.9 |
| Mean Complete Rest Duration |
2.023 |
| Mean Partial Rest Duration |
16.22 |
| Median Complete Rest Duration |
2.023 |
| Median Partial Rest Duration |
6.07 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
43.06 |
| Variability Across Voices of Combined Rests |
141.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6336 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1964 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.226 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8301 |
| Rhythmic Variability - Tempo Standardized |
0.0537 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
2432.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
7.944 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.622 |
| Variability of Note Durations |
1.13 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
101.9 |
| Strongest Rhythmic Pulse |
51.0 |
| Second Strongest Rhythmic Pulse |
101.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.98 |
| Strength of Strongest Rhythmic Pulse |
0.7885 |
| Strength of Second Strongest Rhythmic Pulse |
0.2062 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.824 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9947 |
| Rhythmic Variability |
0.06413 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
9.896 |
| Duration in Seconds |
774.6 |
| Note Density |
3.14 |
| Note Density Variability |
1.454 |
| Average Time Between Attacks |
0.9921 |
| Average Time Between Attacks for Each Voice |
2.554 |
| Variability of Time Between Attacks |
0.4823 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.227 |
| Relative Note Durations of Lowest Line |
1.096 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.9856 |
| Voice Separation |
3.286 |
| Variability of Voice Separation |
2.43 |
| Parallel Motion |
0.05106 |
| Average Number of Independent Voices |
5.087 |
| Similar Motion |
0.1564 |
| Contrary Motion |
0.1711 |
| Oblique Motion |
0.6214 |
| Parallel Fifths |
0.002173 |
| Parallel Octaves |
0.003259 |
| Variability of Number of Independent Voices |
2.031 |
| Voice Equality - Number of Notes |
63.39 |
| Voice Equality - Note Duration |
83.96 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4629 |
| Voice Equality - Range |
1.309 |
| Importance of Loudest Voice |
0.0 |