Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.3228 |
Prevalence of Second Most Common Vertical Interval |
0.1903 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.5894 |
Vertical Unisons |
0.1519 |
Vertical Minor Seconds |
0.002732 |
Vertical Thirds |
0.229 |
Vertical Tritones |
0.006592 |
Vertical Perfect Fourths |
0.1069 |
Vertical Perfect Fifths |
0.1903 |
Vertical Sixths |
0.1044 |
Vertical Sevenths |
0.01633 |
Vertical Octaves |
0.1709 |
Perfect Vertical Intervals |
0.6201 |
Vertical Dissonance Ratio |
0.04879 |
Vertical Minor Third Prevalence |
0.5907 |
Vertical Major Third Prevalence |
0.7042 |
Chord Duration |
0.9819 |
Partial Chords |
0.09353 |
Standard Triads |
0.6691 |
Diminished and Augmented Triads |
0.02338 |
Dominant Seventh Chords |
0.01079 |
Seventh Chords |
0.03597 |
Non-Standard Chords |
0.2014 |
Complex Chords |
0.003597 |
Minor Major Triad Ratio |
0.09412 |
Average Number of Simultaneous Pitch Classes |
2.959 |
Variability of Number of Simultaneous Pitch Classes |
0.5233 |
Average Number of Simultaneous Pitches |
4.284 |
Variability of Number of Simultaneous Pitches |
1.431 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2068 |
Stepwise Motion |
0.6088 |
Melodic Thirds |
0.1137 |
Melodic Perfect Fourths |
0.06804 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05282 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01791 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.256 |
Melodic Embellishments |
0.01511 |
Direction of Melodic Motion |
0.4792 |
Average Length of Melodic Arcs |
1.932 |
Average Interval Spanned by Melodic Arcs |
5.12 |
Melodic Pitch Variety |
4.943 |
Mean Melodic Interval |
2.312 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.402 |
Relative Prevalence of Most Common Melodic Intervals |
0.5145 |
Amount of Arpeggiation |
0.3232 |
Repeated Notes |
0.1388 |
Importance of Middle Register |
0.7742 |
Importance of High Register |
0.128 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.35 |
Mean Pitch Class |
4.886 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1147 |
Prevalence of Most Common Pitch Class |
0.2151 |
Relative Prevalence of Top Pitches |
0.9225 |
Relative Prevalence of Top Pitch Classes |
0.9215 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.649 |
Pitch Class Variability |
3.585 |
Pitch Class Variability After Folding |
2.994 |
Pitch Skewness |
-0.05822 |
Pitch Class Skewness |
-0.0952 |
Pitch Class Skewness After Folding |
0.8881 |
Pitch Kurtosis |
5.447 |
Pitch Class Kurtosis |
4.878 |
Pitch Class Kurtosis After Folding |
7.822 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
36.0 |
Importance of Bass Register |
0.09778 |
Note Density per Quarter Note |
1.981 |
Note Density per Quarter Note per Voice |
0.2476 |
Note Density per Quarter Note Variability |
0.7406 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01422 |
Prevalence of Medium Rhythmic Values |
0.5582 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7778 |
Prevalence of Very Long Rhythmic Values |
0.1236 |
Prevalence of Dotted Notes |
0.1111 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.092 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.336 |
Relative Prevalence of Most Common Rhythmic Values |
0.7566 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.249 |
Rhythmic Value Skewness |
1.456 |
Rhythmic Value Kurtosis |
9.229 |
Mean Rhythmic Value Run Length |
1.585 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.9739 |
Mean Rhythmic Value Offset |
0.096 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.109 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.6006 |
Average Rest Fraction Across Voices |
0.222 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
29.06 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
10.62 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.479 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
8.991 |
Variability Across Voices of Combined Rests |
23.94 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6004 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1971 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.046 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7976 |
Rhythmic Variability - Tempo Standardized |
0.05186 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1125.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
5.725 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
43.06 |
Average Note Duration |
2.91 |
Variability of Note Durations |
3.783 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
81.98 |
Strongest Rhythmic Pulse |
65.0 |
Second Strongest Rhythmic Pulse |
130.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.9369 |
Strength of Second Strongest Rhythmic Pulse |
0.04817 |
Strength Ratio of Two Strongest Rhythmic Pulses |
19.45 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.985 |
Rhythmic Variability |
0.07391 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
37.67 |
Duration in Seconds |
526.0 |
Note Density |
2.139 |
Note Density Variability |
2.0 |
Average Time Between Attacks |
1.444 |
Average Time Between Attacks for Each Voice |
3.552 |
Variability of Time Between Attacks |
0.8739 |
Maximum Number of Independent Voices |
8.0 |
Relative Range of Loudest Voice |
0.3611 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.3611 |
Relative Note Density of Highest Line |
0.512 |
Relative Note Durations of Lowest Line |
1.107 |
Relative Size of Melodic Intervals in Lowest Line |
0.5333 |
Voice Overlap |
1.0 |
Voice Separation |
2.714 |
Variability of Voice Separation |
3.147 |
Parallel Motion |
0.02581 |
Average Number of Independent Voices |
6.313 |
Similar Motion |
0.1215 |
Contrary Motion |
0.09462 |
Oblique Motion |
0.7581 |
Parallel Fifths |
0.001075 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
1.698 |
Voice Equality - Number of Notes |
19.84 |
Voice Equality - Note Duration |
22.16 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8345 |
Voice Equality - Range |
3.576 |
Importance of Loudest Voice |
0.0 |