| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2836 |
| Prevalence of Second Most Common Vertical Interval |
0.1755 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.619 |
| Vertical Unisons |
0.1704 |
| Vertical Minor Seconds |
0.003842 |
| Vertical Thirds |
0.264 |
| Vertical Tritones |
0.01076 |
| Vertical Perfect Fourths |
0.1176 |
| Vertical Perfect Fifths |
0.1755 |
| Vertical Sixths |
0.09796 |
| Vertical Sevenths |
0.0161 |
| Vertical Octaves |
0.1132 |
| Perfect Vertical Intervals |
0.5767 |
| Vertical Dissonance Ratio |
0.06537 |
| Vertical Minor Third Prevalence |
0.557 |
| Vertical Major Third Prevalence |
0.5132 |
| Chord Duration |
1.162 |
| Partial Chords |
0.2734 |
| Standard Triads |
0.5109 |
| Diminished and Augmented Triads |
0.02816 |
| Dominant Seventh Chords |
0.001817 |
| Seventh Chords |
0.01045 |
| Non-Standard Chords |
0.2053 |
| Complex Chords |
0.002725 |
| Minor Major Triad Ratio |
1.197 |
| Average Number of Simultaneous Pitch Classes |
2.711 |
| Variability of Number of Simultaneous Pitch Classes |
0.6056 |
| Average Number of Simultaneous Pitches |
3.264 |
| Variability of Number of Simultaneous Pitches |
0.8343 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2443 |
| Stepwise Motion |
0.6349 |
| Melodic Thirds |
0.1037 |
| Melodic Perfect Fourths |
0.06236 |
| Melodic Tritones |
0.0005669 |
| Melodic Perfect Fifths |
0.05442 |
| Melodic Sixths |
0.0005669 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01417 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.453 |
| Melodic Embellishments |
0.01979 |
| Direction of Melodic Motion |
0.4805 |
| Average Length of Melodic Arcs |
1.892 |
| Average Interval Spanned by Melodic Arcs |
4.83 |
| Melodic Pitch Variety |
4.739 |
| Mean Melodic Interval |
2.238 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3906 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6255 |
| Amount of Arpeggiation |
0.3016 |
| Repeated Notes |
0.1293 |
| Importance of Middle Register |
0.7462 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.08 |
| Mean Pitch Class |
5.414 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1402 |
| Prevalence of Most Common Pitch Class |
0.221 |
| Relative Prevalence of Top Pitches |
0.9556 |
| Relative Prevalence of Top Pitch Classes |
0.7545 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.383 |
| Pitch Class Variability |
3.531 |
| Pitch Class Variability After Folding |
2.289 |
| Pitch Skewness |
-0.6744 |
| Pitch Class Skewness |
1.202 |
| Pitch Class Skewness After Folding |
0.506 |
| Pitch Kurtosis |
5.682 |
| Pitch Class Kurtosis |
4.825 |
| Pitch Class Kurtosis After Folding |
7.34 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2538 |
| Note Density per Quarter Note |
1.552 |
| Note Density per Quarter Note per Voice |
0.3104 |
| Note Density per Quarter Note Variability |
0.5707 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01018 |
| Prevalence of Medium Rhythmic Values |
0.662 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7784 |
| Prevalence of Very Long Rhythmic Values |
0.08649 |
| Prevalence of Dotted Notes |
0.07858 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.76 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4404 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4801 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.015 |
| Rhythmic Value Skewness |
1.131 |
| Rhythmic Value Kurtosis |
11.24 |
| Mean Rhythmic Value Run Length |
1.794 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.294 |
| Mean Rhythmic Value Offset |
0.06331 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9103 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4009 |
| Average Rest Fraction Across Voices |
0.1245 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
37.2 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
5.676 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.657 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.439 |
| Variability Across Voices of Combined Rests |
32.79 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6102 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1973 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.092 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8075 |
| Rhythmic Variability - Tempo Standardized |
0.05242 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1769.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.019 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.123 |
| Variability of Note Durations |
2.145 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.89 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7583 |
| Strength of Second Strongest Rhythmic Pulse |
0.2311 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.281 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9894 |
| Rhythmic Variability |
0.06237 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.62 |
| Duration in Seconds |
858.1 |
| Note Density |
2.062 |
| Note Density Variability |
1.24 |
| Average Time Between Attacks |
1.196 |
| Average Time Between Attacks for Each Voice |
2.41 |
| Variability of Time Between Attacks |
0.7501 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.6296 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.6296 |
| Relative Note Density of Highest Line |
0.1724 |
| Relative Note Durations of Lowest Line |
0.9531 |
| Relative Size of Melodic Intervals in Lowest Line |
1.111 |
| Voice Overlap |
0.9254 |
| Voice Separation |
2.75 |
| Variability of Voice Separation |
3.403 |
| Parallel Motion |
0.04277 |
| Average Number of Independent Voices |
4.381 |
| Similar Motion |
0.1309 |
| Contrary Motion |
0.1377 |
| Oblique Motion |
0.6886 |
| Parallel Fifths |
0.001711 |
| Parallel Octaves |
0.001711 |
| Variability of Number of Independent Voices |
0.9444 |
| Voice Equality - Number of Notes |
45.12 |
| Voice Equality - Note Duration |
24.68 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
0.0 |