Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2102 |
Prevalence of Second Most Common Vertical Interval |
0.1942 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9239 |
Vertical Unisons |
0.01973 |
Vertical Minor Seconds |
0.004664 |
Vertical Thirds |
0.3203 |
Vertical Tritones |
0.007556 |
Vertical Perfect Fourths |
0.08838 |
Vertical Perfect Fifths |
0.1942 |
Vertical Sixths |
0.1368 |
Vertical Sevenths |
0.01956 |
Vertical Octaves |
0.1905 |
Perfect Vertical Intervals |
0.4928 |
Vertical Dissonance Ratio |
0.05284 |
Vertical Minor Third Prevalence |
0.5667 |
Vertical Major Third Prevalence |
0.4079 |
Chord Duration |
2.268 |
Partial Chords |
0.3919 |
Standard Triads |
0.4677 |
Diminished and Augmented Triads |
0.02461 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01207 |
Non-Standard Chords |
0.1284 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.416 |
Average Number of Simultaneous Pitch Classes |
2.602 |
Variability of Number of Simultaneous Pitch Classes |
0.6038 |
Average Number of Simultaneous Pitches |
3.321 |
Variability of Number of Simultaneous Pitches |
0.7125 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
6.301 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
94.17 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.186 |
Stepwise Motion |
0.6232 |
Melodic Thirds |
0.2042 |
Melodic Perfect Fourths |
0.06999 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04027 |
Melodic Sixths |
0.0009588 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01151 |
Melodic Large Intervals |
0.0009588 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.944 |
Melodic Embellishments |
0.009542 |
Direction of Melodic Motion |
0.4627 |
Average Length of Melodic Arcs |
1.854 |
Average Interval Spanned by Melodic Arcs |
4.879 |
Melodic Pitch Variety |
5.16 |
Mean Melodic Interval |
2.517 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4372 |
Relative Prevalence of Most Common Melodic Intervals |
0.4254 |
Amount of Arpeggiation |
0.3058 |
Repeated Notes |
0.0489 |
Importance of Middle Register |
0.6555 |
Importance of High Register |
0.0 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
57.02 |
Mean Pitch Class |
5.182 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1193 |
Prevalence of Most Common Pitch Class |
0.2195 |
Relative Prevalence of Top Pitches |
0.872 |
Relative Prevalence of Top Pitch Classes |
0.7565 |
Interval Between Most Prevalent Pitches |
3.0 |
Interval Between Most Prevalent Pitch Classes |
9.0 |
Pitch Variability |
6.943 |
Pitch Class Variability |
3.556 |
Pitch Class Variability After Folding |
3.178 |
Pitch Skewness |
0.1612 |
Pitch Class Skewness |
0.1538 |
Pitch Class Skewness After Folding |
0.5413 |
Pitch Kurtosis |
5.147 |
Pitch Class Kurtosis |
4.744 |
Pitch Class Kurtosis After Folding |
6.742 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
25.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
29.0 |
Importance of Bass Register |
0.3445 |
Note Density per Quarter Note |
0.984 |
Note Density per Quarter Note per Voice |
0.246 |
Note Density per Quarter Note Variability |
0.4937 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01908 |
Prevalence of Medium Rhythmic Values |
0.4933 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8073 |
Prevalence of Very Long Rhythmic Values |
0.145 |
Prevalence of Dotted Notes |
0.1116 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.384 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.312 |
Relative Prevalence of Most Common Rhythmic Values |
0.9633 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.431 |
Rhythmic Value Skewness |
0.4733 |
Rhythmic Value Kurtosis |
8.769 |
Mean Rhythmic Value Run Length |
1.718 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.175 |
Mean Rhythmic Value Offset |
0.07634 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7582 |
Complete Rests Fraction |
0.001012 |
Partial Rests Fraction |
0.4786 |
Average Rest Fraction Across Voices |
0.1504 |
Longest Complete Rest |
1.078 |
Longest Partial Rest |
91.34 |
Mean Complete Rest Duration |
1.078 |
Mean Partial Rest Duration |
11.44 |
Median Complete Rest Duration |
1.078 |
Median Partial Rest Duration |
3.504 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
22.0 |
Variability Across Voices of Combined Rests |
160.8 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5414 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2211 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.449 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7625 |
Rhythmic Variability - Tempo Standardized |
0.04888 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1048.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
1.537 |
Minimum Note Duration |
0.1293 |
Maximum Note Duration |
5.0 |
Average Note Duration |
0.823 |
Variability of Note Durations |
0.6291 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
5.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
255.1 |
Strongest Rhythmic Pulse |
63.0 |
Second Strongest Rhythmic Pulse |
42.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.3099 |
Strength of Second Strongest Rhythmic Pulse |
0.2566 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.208 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5665 |
Rhythmic Variability |
0.03751 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
27.57 |
Duration in Seconds |
253.3 |
Note Density |
4.137 |
Note Density Variability |
1.348 |
Average Time Between Attacks |
0.466 |
Average Time Between Attacks for Each Voice |
1.082 |
Variability of Time Between Attacks |
0.3145 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.6552 |
Relative Range Isolation of Loudest Voice |
0.3606 |
Relative Range of Highest Line |
0.6552 |
Relative Note Density of Highest Line |
0.2443 |
Relative Note Durations of Lowest Line |
1.102 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8006 |
Voice Separation |
5.333 |
Variability of Voice Separation |
4.041 |
Parallel Motion |
0.04312 |
Average Number of Independent Voices |
3.4 |
Similar Motion |
0.1579 |
Contrary Motion |
0.205 |
Oblique Motion |
0.594 |
Parallel Fifths |
0.001627 |
Parallel Octaves |
0.002441 |
Variability of Number of Independent Voices |
0.6879 |
Voice Equality - Number of Notes |
94.17 |
Voice Equality - Note Duration |
38.25 |
Voice Equality - Dynamics |
8.539 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.449 |
Importance of Loudest Voice |
11.67 |