| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2011 |
| Prevalence of Second Most Common Vertical Interval |
0.1834 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.912 |
| Vertical Unisons |
0.03398 |
| Vertical Minor Seconds |
0.00383 |
| Vertical Thirds |
0.3325 |
| Vertical Tritones |
0.007745 |
| Vertical Perfect Fourths |
0.05975 |
| Vertical Perfect Fifths |
0.1834 |
| Vertical Sixths |
0.1637 |
| Vertical Sevenths |
0.02623 |
| Vertical Octaves |
0.1671 |
| Perfect Vertical Intervals |
0.4442 |
| Vertical Dissonance Ratio |
0.06339 |
| Vertical Minor Third Prevalence |
0.4089 |
| Vertical Major Third Prevalence |
0.3665 |
| Chord Duration |
2.232 |
| Partial Chords |
0.4992 |
| Standard Triads |
0.3636 |
| Diminished and Augmented Triads |
0.02093 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1372 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5738 |
| Average Number of Simultaneous Pitch Classes |
2.367 |
| Variability of Number of Simultaneous Pitch Classes |
0.6406 |
| Average Number of Simultaneous Pitches |
2.786 |
| Variability of Number of Simultaneous Pitches |
0.4303 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.358 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
10.97 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.203 |
| Stepwise Motion |
0.6868 |
| Melodic Thirds |
0.1771 |
| Melodic Perfect Fourths |
0.07775 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03672 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006479 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.103 |
| Melodic Embellishments |
0.02361 |
| Direction of Melodic Motion |
0.4671 |
| Average Length of Melodic Arcs |
1.94 |
| Average Interval Spanned by Melodic Arcs |
4.86 |
| Melodic Pitch Variety |
5.128 |
| Mean Melodic Interval |
2.51 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4838 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4196 |
| Amount of Arpeggiation |
0.2354 |
| Repeated Notes |
0.01512 |
| Importance of Middle Register |
0.8777 |
| Importance of High Register |
0.04721 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.12 |
| Mean Pitch Class |
4.893 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1223 |
| Prevalence of Most Common Pitch Class |
0.2232 |
| Relative Prevalence of Top Pitches |
0.8246 |
| Relative Prevalence of Top Pitch Classes |
0.8077 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.569 |
| Pitch Class Variability |
3.753 |
| Pitch Class Variability After Folding |
2.916 |
| Pitch Skewness |
0.3803 |
| Pitch Class Skewness |
-0.08576 |
| Pitch Class Skewness After Folding |
0.83 |
| Pitch Kurtosis |
5.225 |
| Pitch Class Kurtosis |
4.738 |
| Pitch Class Kurtosis After Folding |
8.109 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.07511 |
| Note Density per Quarter Note |
0.9852 |
| Note Density per Quarter Note per Voice |
0.3284 |
| Note Density per Quarter Note Variability |
0.4225 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5429 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8348 |
| Prevalence of Very Long Rhythmic Values |
0.05794 |
| Prevalence of Dotted Notes |
0.08584 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.912 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3777 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9034 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.649 |
| Rhythmic Value Skewness |
1.66 |
| Rhythmic Value Kurtosis |
9.532 |
| Mean Rhythmic Value Run Length |
1.676 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.148 |
| Mean Rhythmic Value Offset |
0.01073 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1861 |
| Complete Rests Fraction |
0.001917 |
| Partial Rests Fraction |
0.1157 |
| Average Rest Fraction Across Voices |
0.03986 |
| Longest Complete Rest |
0.9065 |
| Longest Partial Rest |
7.313 |
| Mean Complete Rest Duration |
0.9065 |
| Mean Partial Rest Duration |
3.327 |
| Median Complete Rest Duration |
0.9065 |
| Median Partial Rest Duration |
2.27 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.181 |
| Variability Across Voices of Combined Rests |
10.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.624 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1799 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.469 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8039 |
| Rhythmic Variability - Tempo Standardized |
0.05276 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
466.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4535 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6663 |
| Variability of Note Durations |
0.3759 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
266.2 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3105 |
| Strength of Second Strongest Rhythmic Pulse |
0.2725 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.139 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5829 |
| Rhythmic Variability |
0.03853 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.3 |
| Duration in Seconds |
107.8 |
| Note Density |
4.323 |
| Note Density Variability |
0.8953 |
| Average Time Between Attacks |
0.4394 |
| Average Time Between Attacks for Each Voice |
0.6866 |
| Variability of Time Between Attacks |
0.2352 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.6174 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.4506 |
| Relative Note Durations of Lowest Line |
0.9426 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.7275 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.04403 |
| Average Number of Independent Voices |
2.881 |
| Similar Motion |
0.1971 |
| Contrary Motion |
0.2579 |
| Oblique Motion |
0.501 |
| Parallel Fifths |
0.004193 |
| Parallel Octaves |
0.004193 |
| Variability of Number of Independent Voices |
0.3234 |
| Voice Equality - Number of Notes |
10.97 |
| Voice Equality - Note Duration |
2.342 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
4.726 |
| Importance of Loudest Voice |
12.5 |