| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1861 |
| Prevalence of Second Most Common Vertical Interval |
0.1853 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9954 |
| Vertical Unisons |
0.02567 |
| Vertical Minor Seconds |
0.005213 |
| Vertical Thirds |
0.3289 |
| Vertical Tritones |
0.001966 |
| Vertical Perfect Fourths |
0.1104 |
| Vertical Perfect Fifths |
0.1853 |
| Vertical Sixths |
0.1368 |
| Vertical Sevenths |
0.02801 |
| Vertical Octaves |
0.1605 |
| Perfect Vertical Intervals |
0.4818 |
| Vertical Dissonance Ratio |
0.05546 |
| Vertical Minor Third Prevalence |
0.5506 |
| Vertical Major Third Prevalence |
0.4881 |
| Chord Duration |
2.04 |
| Partial Chords |
0.2921 |
| Standard Triads |
0.5429 |
| Diminished and Augmented Triads |
0.003175 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01587 |
| Non-Standard Chords |
0.1492 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.25 |
| Average Number of Simultaneous Pitch Classes |
2.649 |
| Variability of Number of Simultaneous Pitch Classes |
0.6694 |
| Average Number of Simultaneous Pitches |
3.345 |
| Variability of Number of Simultaneous Pitches |
0.8416 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.759 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
26.21 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2299 |
| Stepwise Motion |
0.7119 |
| Melodic Thirds |
0.1274 |
| Melodic Perfect Fourths |
0.08587 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03324 |
| Melodic Sixths |
0.00277 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00277 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.421 |
| Melodic Embellishments |
0.0137 |
| Direction of Melodic Motion |
0.4828 |
| Average Length of Melodic Arcs |
2.059 |
| Average Interval Spanned by Melodic Arcs |
4.911 |
| Melodic Pitch Variety |
5.532 |
| Mean Melodic Interval |
2.349 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.482 |
| Relative Prevalence of Most Common Melodic Intervals |
0.477 |
| Amount of Arpeggiation |
0.1994 |
| Repeated Notes |
0.03601 |
| Importance of Middle Register |
0.7781 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.47 |
| Mean Pitch Class |
5.614 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09589 |
| Prevalence of Most Common Pitch Class |
0.1836 |
| Relative Prevalence of Top Pitches |
0.9714 |
| Relative Prevalence of Top Pitch Classes |
0.8657 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.774 |
| Pitch Class Variability |
3.557 |
| Pitch Class Variability After Folding |
3.011 |
| Pitch Skewness |
-0.04732 |
| Pitch Class Skewness |
0.5176 |
| Pitch Class Skewness After Folding |
0.5569 |
| Pitch Kurtosis |
5.305 |
| Pitch Class Kurtosis |
4.85 |
| Pitch Class Kurtosis After Folding |
7.272 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2219 |
| Note Density per Quarter Note |
1.083 |
| Note Density per Quarter Note per Voice |
0.2708 |
| Note Density per Quarter Note Variability |
0.5764 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5479 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.863 |
| Prevalence of Very Long Rhythmic Values |
0.1123 |
| Prevalence of Dotted Notes |
0.09589 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.189 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.411 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7067 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.161 |
| Rhythmic Value Skewness |
1.651 |
| Rhythmic Value Kurtosis |
10.34 |
| Mean Rhythmic Value Run Length |
1.484 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.053 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002943 |
| Partial Rests Fraction |
0.3353 |
| Average Rest Fraction Across Voices |
0.1365 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
8.76 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.08 |
| Variability Across Voices of Combined Rests |
26.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6827 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1591 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.292 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8418 |
| Rhythmic Variability - Tempo Standardized |
0.05647 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
365.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9256 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
3.103 |
| Average Note Duration |
0.8248 |
| Variability of Note Durations |
0.5589 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4339 |
| Strength of Second Strongest Rhythmic Pulse |
0.3805 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.14 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8144 |
| Rhythmic Variability |
0.04638 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.00000000007239 |
| Duration in Seconds |
87.15 |
| Note Density |
4.188 |
| Note Density Variability |
1.735 |
| Average Time Between Attacks |
0.4996 |
| Average Time Between Attacks for Each Voice |
0.9356 |
| Variability of Time Between Attacks |
0.2777 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3793 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.3793 |
| Relative Note Density of Highest Line |
0.7342 |
| Relative Note Durations of Lowest Line |
1.142 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.7973 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.08407 |
| Average Number of Independent Voices |
3.464 |
| Similar Motion |
0.115 |
| Contrary Motion |
0.2434 |
| Oblique Motion |
0.5575 |
| Parallel Fifths |
0.006637 |
| Parallel Octaves |
0.004425 |
| Variability of Number of Independent Voices |
0.8514 |
| Voice Equality - Number of Notes |
26.21 |
| Voice Equality - Note Duration |
6.724 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.944 |
| Importance of Loudest Voice |
11.67 |