| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2192 |
| Prevalence of Second Most Common Vertical Interval |
0.1961 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8949 |
| Vertical Unisons |
0.02909 |
| Vertical Minor Seconds |
0.003181 |
| Vertical Thirds |
0.3281 |
| Vertical Tritones |
0.001761 |
| Vertical Perfect Fourths |
0.08037 |
| Vertical Perfect Fifths |
0.1961 |
| Vertical Sixths |
0.1291 |
| Vertical Sevenths |
0.02333 |
| Vertical Octaves |
0.1901 |
| Perfect Vertical Intervals |
0.4956 |
| Vertical Dissonance Ratio |
0.04944 |
| Vertical Minor Third Prevalence |
0.3216 |
| Vertical Major Third Prevalence |
0.371 |
| Chord Duration |
2.155 |
| Partial Chords |
0.6452 |
| Standard Triads |
0.2874 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.004774 |
| Non-Standard Chords |
0.06254 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4816 |
| Average Number of Simultaneous Pitch Classes |
2.186 |
| Variability of Number of Simultaneous Pitch Classes |
0.6658 |
| Average Number of Simultaneous Pitches |
2.654 |
| Variability of Number of Simultaneous Pitches |
0.9257 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.936 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
85.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2059 |
| Stepwise Motion |
0.6606 |
| Melodic Thirds |
0.1516 |
| Melodic Perfect Fourths |
0.07436 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04957 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01239 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.607 |
| Melodic Embellishments |
0.02469 |
| Direction of Melodic Motion |
0.4683 |
| Average Length of Melodic Arcs |
2.006 |
| Average Interval Spanned by Melodic Arcs |
5.228 |
| Melodic Pitch Variety |
5.21 |
| Mean Melodic Interval |
2.496 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4547 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4528 |
| Amount of Arpeggiation |
0.265 |
| Repeated Notes |
0.05148 |
| Importance of Middle Register |
0.8357 |
| Importance of High Register |
0.06268 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.17 |
| Mean Pitch Class |
4.832 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1206 |
| Prevalence of Most Common Pitch Class |
0.2165 |
| Relative Prevalence of Top Pitches |
0.8898 |
| Relative Prevalence of Top Pitch Classes |
0.7851 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.858 |
| Pitch Class Variability |
3.646 |
| Pitch Class Variability After Folding |
3.227 |
| Pitch Skewness |
0.3565 |
| Pitch Class Skewness |
-0.1383 |
| Pitch Class Skewness After Folding |
1.022 |
| Pitch Kurtosis |
5.559 |
| Pitch Class Kurtosis |
4.805 |
| Pitch Class Kurtosis After Folding |
7.114 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1016 |
| Note Density per Quarter Note |
0.9294 |
| Note Density per Quarter Note per Voice |
0.2323 |
| Note Density per Quarter Note Variability |
0.4776 |
| Range of Rhythmic Values |
11.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.005698 |
| Prevalence of Short Rhythmic Values |
0.005698 |
| Prevalence of Medium Rhythmic Values |
0.4217 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7987 |
| Prevalence of Very Long Rhythmic Values |
0.1216 |
| Prevalence of Dotted Notes |
0.3818 |
| Shortest Rhythmic Value |
0.125 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.059 |
| Most Common Rhythmic Value |
3.0 |
| Prevalence of Most Common Rhythmic Value |
0.2422 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9333 |
| Difference Between Most Common Rhythmic Values |
1.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.781 |
| Rhythmic Value Skewness |
0.09878 |
| Rhythmic Value Kurtosis |
9.093 |
| Mean Rhythmic Value Run Length |
1.685 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.412 |
| Mean Rhythmic Value Offset |
0.1184 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1973 |
| Complete Rests Fraction |
0.0009603 |
| Partial Rests Fraction |
0.6933 |
| Average Rest Fraction Across Voices |
0.3172 |
| Longest Complete Rest |
1.028 |
| Longest Partial Rest |
327.9 |
| Mean Complete Rest Duration |
1.028 |
| Mean Partial Rest Duration |
20.83 |
| Median Complete Rest Duration |
1.028 |
| Median Partial Rest Duration |
2.763 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
55.68 |
| Variability Across Voices of Combined Rests |
198.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.333 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.3196 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.3114 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.026 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.631 |
| Rhythmic Variability - Tempo Standardized |
0.03799 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1053.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.746 |
| Minimum Note Duration |
0.002155 |
| Maximum Note Duration |
3.103 |
| Average Note Duration |
0.7335 |
| Variability of Note Durations |
0.4182 |
| Amount of Staccato |
0.005698 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
247.3 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.463 |
| Strength of Strongest Rhythmic Pulse |
0.2218 |
| Strength of Second Strongest Rhythmic Pulse |
0.1635 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.356 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3853 |
| Rhythmic Variability |
0.02952 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
54.23 |
| Duration in Seconds |
282.8 |
| Note Density |
3.724 |
| Note Density Variability |
1.335 |
| Average Time Between Attacks |
0.5144 |
| Average Time Between Attacks for Each Voice |
1.157 |
| Variability of Time Between Attacks |
0.2848 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2621 |
| Relative Note Durations of Lowest Line |
1.114 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8291 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05166 |
| Average Number of Independent Voices |
2.735 |
| Similar Motion |
0.2055 |
| Contrary Motion |
0.2526 |
| Oblique Motion |
0.4902 |
| Parallel Fifths |
0.008037 |
| Parallel Octaves |
0.001148 |
| Variability of Number of Independent Voices |
0.9489 |
| Voice Equality - Number of Notes |
85.02 |
| Voice Equality - Note Duration |
49.51 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
10.0 |