| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1934 |
| Prevalence of Second Most Common Vertical Interval |
0.1898 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9817 |
| Vertical Unisons |
0.054 |
| Vertical Minor Seconds |
0.002957 |
| Vertical Thirds |
0.3678 |
| Vertical Tritones |
0.01275 |
| Vertical Perfect Fourths |
0.07404 |
| Vertical Perfect Fifths |
0.1858 |
| Vertical Sixths |
0.1174 |
| Vertical Sevenths |
0.01823 |
| Vertical Octaves |
0.1394 |
| Perfect Vertical Intervals |
0.4532 |
| Vertical Dissonance Ratio |
0.06557 |
| Vertical Minor Third Prevalence |
0.3218 |
| Vertical Major Third Prevalence |
0.3265 |
| Chord Duration |
2.401 |
| Partial Chords |
0.7259 |
| Standard Triads |
0.1884 |
| Diminished and Augmented Triads |
0.02011 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08571 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4472 |
| Average Number of Simultaneous Pitch Classes |
2.123 |
| Variability of Number of Simultaneous Pitch Classes |
0.5873 |
| Average Number of Simultaneous Pitches |
2.388 |
| Variability of Number of Simultaneous Pitches |
0.58 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.044 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.85 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1917 |
| Stepwise Motion |
0.5993 |
| Melodic Thirds |
0.1515 |
| Melodic Perfect Fourths |
0.05166 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04707 |
| Melodic Sixths |
0.001148 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01837 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.316 |
| Melodic Embellishments |
0.01945 |
| Direction of Melodic Motion |
0.4452 |
| Average Length of Melodic Arcs |
2.063 |
| Average Interval Spanned by Melodic Arcs |
5.52 |
| Melodic Pitch Variety |
5.291 |
| Mean Melodic Interval |
2.346 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4076 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4704 |
| Amount of Arpeggiation |
0.3479 |
| Repeated Notes |
0.1309 |
| Importance of Middle Register |
0.8924 |
| Importance of High Register |
0.1041 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.63 |
| Mean Pitch Class |
4.777 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.151 |
| Prevalence of Most Common Pitch Class |
0.2185 |
| Relative Prevalence of Top Pitches |
0.9167 |
| Relative Prevalence of Top Pitch Classes |
0.9476 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.786 |
| Pitch Class Variability |
3.53 |
| Pitch Class Variability After Folding |
2.936 |
| Pitch Skewness |
0.5523 |
| Pitch Class Skewness |
0.6603 |
| Pitch Class Skewness After Folding |
0.8384 |
| Pitch Kurtosis |
5.487 |
| Pitch Class Kurtosis |
4.948 |
| Pitch Class Kurtosis After Folding |
8.111 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.003432 |
| Note Density per Quarter Note |
0.8145 |
| Note Density per Quarter Note per Voice |
0.2715 |
| Note Density per Quarter Note Variability |
0.2916 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5549 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9176 |
| Prevalence of Very Long Rhythmic Values |
0.05149 |
| Prevalence of Dotted Notes |
0.0492 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.991 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4725 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7893 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.633 |
| Rhythmic Value Skewness |
1.82 |
| Rhythmic Value Kurtosis |
14.13 |
| Mean Rhythmic Value Run Length |
1.995 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.582 |
| Mean Rhythmic Value Offset |
0.07323 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9921 |
| Complete Rests Fraction |
0.0009242 |
| Partial Rests Fraction |
0.4706 |
| Average Rest Fraction Across Voices |
0.1681 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.118 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.123 |
| Variability Across Voices of Combined Rests |
28.73 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.788 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1135 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.943 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9015 |
| Rhythmic Variability - Tempo Standardized |
0.06312 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
874.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9785 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.7924 |
| Variability of Note Durations |
0.5767 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4897 |
| Strength of Second Strongest Rhythmic Pulse |
0.4013 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.22 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.891 |
| Rhythmic Variability |
0.05004 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000004337 |
| Duration in Seconds |
277.5 |
| Note Density |
3.15 |
| Note Density Variability |
0.8111 |
| Average Time Between Attacks |
0.5549 |
| Average Time Between Attacks for Each Voice |
0.9637 |
| Variability of Time Between Attacks |
0.2253 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.7692 |
| Relative Range Isolation of Loudest Voice |
0.6025 |
| Relative Range of Highest Line |
0.7692 |
| Relative Note Density of Highest Line |
0.2403 |
| Relative Note Durations of Lowest Line |
1.195 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.778 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.06084 |
| Average Number of Independent Voices |
2.498 |
| Similar Motion |
0.2015 |
| Contrary Motion |
0.1977 |
| Oblique Motion |
0.5399 |
| Parallel Fifths |
0.005703 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5598 |
| Voice Equality - Number of Notes |
48.85 |
| Voice Equality - Note Duration |
7.43 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.055 |
| Importance of Loudest Voice |
12.5 |