| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2094 |
| Prevalence of Second Most Common Vertical Interval |
0.1953 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9327 |
| Vertical Unisons |
0.02699 |
| Vertical Minor Seconds |
0.0044 |
| Vertical Thirds |
0.3397 |
| Vertical Tritones |
0.007306 |
| Vertical Perfect Fourths |
0.08238 |
| Vertical Perfect Fifths |
0.1909 |
| Vertical Sixths |
0.1308 |
| Vertical Sevenths |
0.01823 |
| Vertical Octaves |
0.1824 |
| Perfect Vertical Intervals |
0.4827 |
| Vertical Dissonance Ratio |
0.04909 |
| Vertical Minor Third Prevalence |
0.5118 |
| Vertical Major Third Prevalence |
0.3956 |
| Chord Duration |
2.814 |
| Partial Chords |
0.4505 |
| Standard Triads |
0.4312 |
| Diminished and Augmented Triads |
0.01563 |
| Dominant Seventh Chords |
0.001889 |
| Seventh Chords |
0.009046 |
| Non-Standard Chords |
0.1093 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.453 |
| Average Number of Simultaneous Pitch Classes |
2.471 |
| Variability of Number of Simultaneous Pitch Classes |
0.6542 |
| Average Number of Simultaneous Pitches |
3.097 |
| Variability of Number of Simultaneous Pitches |
0.8693 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.073 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
262.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1837 |
| Stepwise Motion |
0.6209 |
| Melodic Thirds |
0.2052 |
| Melodic Perfect Fourths |
0.0689 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03502 |
| Melodic Sixths |
0.004895 |
| Melodic Sevenths |
0.002259 |
| Melodic Octaves |
0.01205 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.192 |
| Melodic Embellishments |
0.01577 |
| Direction of Melodic Motion |
0.4597 |
| Average Length of Melodic Arcs |
1.831 |
| Average Interval Spanned by Melodic Arcs |
4.851 |
| Melodic Pitch Variety |
5.197 |
| Mean Melodic Interval |
2.52 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4371 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4203 |
| Amount of Arpeggiation |
0.3053 |
| Repeated Notes |
0.05083 |
| Importance of Middle Register |
0.6659 |
| Importance of High Register |
0.0003754 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.82 |
| Mean Pitch Class |
5.05 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1261 |
| Prevalence of Most Common Pitch Class |
0.208 |
| Relative Prevalence of Top Pitches |
0.8036 |
| Relative Prevalence of Top Pitch Classes |
0.8267 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.604 |
| Pitch Class Variability |
3.521 |
| Pitch Class Variability After Folding |
3.278 |
| Pitch Skewness |
0.1618 |
| Pitch Class Skewness |
0.04254 |
| Pitch Class Skewness After Folding |
0.5507 |
| Pitch Kurtosis |
5.188 |
| Pitch Class Kurtosis |
4.754 |
| Pitch Class Kurtosis After Folding |
6.616 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3337 |
| Note Density per Quarter Note |
0.8547 |
| Note Density per Quarter Note per Voice |
0.2137 |
| Note Density per Quarter Note Variability |
0.4505 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01614 |
| Prevalence of Medium Rhythmic Values |
0.405 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8435 |
| Prevalence of Very Long Rhythmic Values |
0.1794 |
| Prevalence of Dotted Notes |
0.1794 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.68 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3348 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7422 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.442 |
| Rhythmic Value Skewness |
-0.3936 |
| Rhythmic Value Kurtosis |
7.999 |
| Mean Rhythmic Value Run Length |
1.719 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.819 |
| Mean Rhythmic Value Offset |
0.1188 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8998 |
| Complete Rests Fraction |
0.0003075 |
| Partial Rests Fraction |
0.5549 |
| Average Rest Fraction Across Voices |
0.2036 |
| Longest Complete Rest |
0.9586 |
| Longest Partial Rest |
556.8 |
| Mean Complete Rest Duration |
0.9586 |
| Mean Partial Rest Duration |
14.76 |
| Median Complete Rest Duration |
0.9586 |
| Median Partial Rest Duration |
3.867 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
51.67 |
| Variability Across Voices of Combined Rests |
573.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
6.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5181 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1645 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.15 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6826 |
| Rhythmic Variability - Tempo Standardized |
0.04511 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2664.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.118 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.8069 |
| Variability of Note Durations |
0.6246 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
287.7 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3014 |
| Strength of Second Strongest Rhythmic Pulse |
0.2183 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.381 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5197 |
| Rhythmic Variability |
0.03365 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
58.2 |
| Duration in Seconds |
671.8 |
| Note Density |
3.966 |
| Note Density Variability |
1.374 |
| Average Time Between Attacks |
0.4702 |
| Average Time Between Attacks for Each Voice |
1.215 |
| Variability of Time Between Attacks |
0.3017 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6061 |
| Relative Range Isolation of Loudest Voice |
0.2945 |
| Relative Range of Highest Line |
0.6061 |
| Relative Note Density of Highest Line |
0.09459 |
| Relative Note Durations of Lowest Line |
1.082 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8386 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.04147 |
| Average Number of Independent Voices |
3.188 |
| Similar Motion |
0.1442 |
| Contrary Motion |
0.2004 |
| Oblique Motion |
0.6139 |
| Parallel Fifths |
0.002202 |
| Parallel Octaves |
0.001468 |
| Variability of Number of Independent Voices |
0.8381 |
| Voice Equality - Number of Notes |
262.3 |
| Voice Equality - Note Duration |
123.7 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |