| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1981 |
| Prevalence of Second Most Common Vertical Interval |
0.1784 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9007 |
| Vertical Unisons |
0.03032 |
| Vertical Minor Seconds |
0.003803 |
| Vertical Thirds |
0.3503 |
| Vertical Tritones |
0.01152 |
| Vertical Perfect Fourths |
0.0703 |
| Vertical Perfect Fifths |
0.1527 |
| Vertical Sixths |
0.1527 |
| Vertical Sevenths |
0.0364 |
| Vertical Octaves |
0.1678 |
| Perfect Vertical Intervals |
0.4211 |
| Vertical Dissonance Ratio |
0.0822 |
| Vertical Minor Third Prevalence |
0.3467 |
| Vertical Major Third Prevalence |
0.3844 |
| Chord Duration |
1.729 |
| Partial Chords |
0.5974 |
| Standard Triads |
0.2727 |
| Diminished and Augmented Triads |
0.02338 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1299 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4384 |
| Average Number of Simultaneous Pitch Classes |
2.274 |
| Variability of Number of Simultaneous Pitch Classes |
0.6186 |
| Average Number of Simultaneous Pitches |
2.677 |
| Variability of Number of Simultaneous Pitches |
0.551 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.356 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
119.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2055 |
| Stepwise Motion |
0.7203 |
| Melodic Thirds |
0.1356 |
| Melodic Perfect Fourths |
0.04449 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05085 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01907 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.133 |
| Melodic Embellishments |
0.02526 |
| Direction of Melodic Motion |
0.4585 |
| Average Length of Melodic Arcs |
2.072 |
| Average Interval Spanned by Melodic Arcs |
5.335 |
| Melodic Pitch Variety |
5.545 |
| Mean Melodic Interval |
2.513 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5148 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3992 |
| Amount of Arpeggiation |
0.2352 |
| Repeated Notes |
0.02966 |
| Importance of Middle Register |
0.7453 |
| Importance of High Register |
0.03158 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.86 |
| Mean Pitch Class |
4.857 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1242 |
| Prevalence of Most Common Pitch Class |
0.1937 |
| Relative Prevalence of Top Pitches |
0.9322 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.724 |
| Pitch Class Variability |
3.566 |
| Pitch Class Variability After Folding |
3.149 |
| Pitch Skewness |
-0.2001 |
| Pitch Class Skewness |
-0.1204 |
| Pitch Class Skewness After Folding |
1.025 |
| Pitch Kurtosis |
5.49 |
| Pitch Class Kurtosis |
4.951 |
| Pitch Class Kurtosis After Folding |
7.424 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.2232 |
| Note Density per Quarter Note |
1.118 |
| Note Density per Quarter Note per Voice |
0.3726 |
| Note Density per Quarter Note Variability |
0.3894 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6674 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7747 |
| Prevalence of Very Long Rhythmic Values |
0.02737 |
| Prevalence of Dotted Notes |
0.1074 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.459 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4421 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5095 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.454 |
| Rhythmic Value Skewness |
0.947 |
| Rhythmic Value Kurtosis |
15.65 |
| Mean Rhythmic Value Run Length |
1.542 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9455 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002333 |
| Partial Rests Fraction |
0.2141 |
| Average Rest Fraction Across Voices |
0.0839 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.451 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.538 |
| Variability Across Voices of Combined Rests |
16.65 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5604 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2231 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.512 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7835 |
| Rhythmic Variability - Tempo Standardized |
0.05028 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
475.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4693 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
3.103 |
| Average Note Duration |
0.6359 |
| Variability of Note Durations |
0.376 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3616 |
| Strength of Second Strongest Rhythmic Pulse |
0.3536 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.023 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7152 |
| Rhythmic Variability |
0.04258 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.00000000006503 |
| Duration in Seconds |
109.9 |
| Note Density |
4.322 |
| Note Density Variability |
0.9221 |
| Average Time Between Attacks |
0.4299 |
| Average Time Between Attacks for Each Voice |
0.662 |
| Variability of Time Between Attacks |
0.1821 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5667 |
| Relative Range Isolation of Loudest Voice |
0.3464 |
| Relative Range of Highest Line |
0.5667 |
| Relative Note Density of Highest Line |
0.4168 |
| Relative Note Durations of Lowest Line |
1.01 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8863 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.243 |
| Parallel Motion |
0.0445 |
| Average Number of Independent Voices |
2.755 |
| Similar Motion |
0.1686 |
| Contrary Motion |
0.2576 |
| Oblique Motion |
0.5293 |
| Parallel Fifths |
0.002342 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5012 |
| Voice Equality - Number of Notes |
5.508 |
| Voice Equality - Note Duration |
4.307 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
20.0 |