| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2004 |
| Prevalence of Second Most Common Vertical Interval |
0.1994 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9949 |
| Vertical Unisons |
0.03521 |
| Vertical Minor Seconds |
0.002906 |
| Vertical Thirds |
0.3151 |
| Vertical Tritones |
0.007837 |
| Vertical Perfect Fourths |
0.08152 |
| Vertical Perfect Fifths |
0.1994 |
| Vertical Sixths |
0.1434 |
| Vertical Sevenths |
0.0264 |
| Vertical Octaves |
0.1652 |
| Perfect Vertical Intervals |
0.4813 |
| Vertical Dissonance Ratio |
0.06411 |
| Vertical Minor Third Prevalence |
0.4706 |
| Vertical Major Third Prevalence |
0.399 |
| Chord Duration |
2.911 |
| Partial Chords |
0.4468 |
| Standard Triads |
0.4038 |
| Diminished and Augmented Triads |
0.01686 |
| Dominant Seventh Chords |
0.001022 |
| Seventh Chords |
0.01124 |
| Non-Standard Chords |
0.1381 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9059 |
| Average Number of Simultaneous Pitch Classes |
2.473 |
| Variability of Number of Simultaneous Pitch Classes |
0.6739 |
| Average Number of Simultaneous Pitches |
3.02 |
| Variability of Number of Simultaneous Pitches |
0.8003 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.144 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
166.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1819 |
| Stepwise Motion |
0.66 |
| Melodic Thirds |
0.1565 |
| Melodic Perfect Fourths |
0.07932 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04495 |
| Melodic Sixths |
0.001058 |
| Melodic Sevenths |
0.001586 |
| Melodic Octaves |
0.01534 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.364 |
| Melodic Embellishments |
0.0285 |
| Direction of Melodic Motion |
0.4429 |
| Average Length of Melodic Arcs |
1.981 |
| Average Interval Spanned by Melodic Arcs |
5.289 |
| Melodic Pitch Variety |
5.815 |
| Mean Melodic Interval |
2.574 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4781 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3805 |
| Amount of Arpeggiation |
0.2597 |
| Repeated Notes |
0.04125 |
| Importance of Middle Register |
0.6654 |
| Importance of High Register |
0.006332 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
56.89 |
| Mean Pitch Class |
5.194 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1103 |
| Prevalence of Most Common Pitch Class |
0.21 |
| Relative Prevalence of Top Pitches |
0.8995 |
| Relative Prevalence of Top Pitch Classes |
0.804 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.938 |
| Pitch Class Variability |
3.422 |
| Pitch Class Variability After Folding |
3.066 |
| Pitch Skewness |
0.2708 |
| Pitch Class Skewness |
0.1698 |
| Pitch Class Skewness After Folding |
0.4115 |
| Pitch Kurtosis |
5.286 |
| Pitch Class Kurtosis |
4.84 |
| Pitch Class Kurtosis After Folding |
7.327 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3282 |
| Note Density per Quarter Note |
0.8985 |
| Note Density per Quarter Note per Voice |
0.2246 |
| Note Density per Quarter Note Variability |
0.4603 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4211 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8786 |
| Prevalence of Very Long Rhythmic Values |
0.1303 |
| Prevalence of Dotted Notes |
0.1087 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.491 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3947 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7594 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.105 |
| Rhythmic Value Skewness |
-0.7258 |
| Rhythmic Value Kurtosis |
9.014 |
| Mean Rhythmic Value Run Length |
1.627 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.207 |
| Mean Rhythmic Value Offset |
0.0153 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4774 |
| Complete Rests Fraction |
0.0003141 |
| Partial Rests Fraction |
0.5974 |
| Average Rest Fraction Across Voices |
0.2094 |
| Longest Complete Rest |
0.6625 |
| Longest Partial Rest |
511.4 |
| Mean Complete Rest Duration |
0.6625 |
| Mean Partial Rest Duration |
19.2 |
| Median Complete Rest Duration |
0.6625 |
| Median Partial Rest Duration |
4.073 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
57.05 |
| Variability Across Voices of Combined Rests |
375.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6557 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1691 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.877 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8248 |
| Rhythmic Variability - Tempo Standardized |
0.05477 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1895.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.506 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.72 |
| Variability of Note Durations |
0.4373 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
311.2 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.3354 |
| Strength of Second Strongest Rhythmic Pulse |
0.2523 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.329 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5877 |
| Rhythmic Variability |
0.03806 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
80.82 |
| Duration in Seconds |
431.5 |
| Note Density |
4.392 |
| Note Density Variability |
1.183 |
| Average Time Between Attacks |
0.4444 |
| Average Time Between Attacks for Each Voice |
1.01 |
| Variability of Time Between Attacks |
0.2218 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2447 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1372 |
| Relative Note Durations of Lowest Line |
0.9899 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8639 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05941 |
| Average Number of Independent Voices |
3.151 |
| Similar Motion |
0.1483 |
| Contrary Motion |
0.2082 |
| Oblique Motion |
0.5841 |
| Parallel Fifths |
0.002996 |
| Parallel Octaves |
0.002496 |
| Variability of Number of Independent Voices |
0.7955 |
| Voice Equality - Number of Notes |
166.3 |
| Voice Equality - Note Duration |
76.83 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.5 |
| Importance of Loudest Voice |
11.67 |