| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2312 |
| Prevalence of Second Most Common Vertical Interval |
0.1728 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7475 |
| Vertical Unisons |
0.0483 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3441 |
| Vertical Tritones |
0.01043 |
| Vertical Perfect Fourths |
0.05916 |
| Vertical Perfect Fifths |
0.1728 |
| Vertical Sixths |
0.1361 |
| Vertical Sevenths |
0.02912 |
| Vertical Octaves |
0.1829 |
| Perfect Vertical Intervals |
0.4632 |
| Vertical Dissonance Ratio |
0.05999 |
| Vertical Minor Third Prevalence |
0.3255 |
| Vertical Major Third Prevalence |
0.3307 |
| Chord Duration |
2.102 |
| Partial Chords |
0.6199 |
| Standard Triads |
0.2648 |
| Diminished and Augmented Triads |
0.02492 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1153 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3492 |
| Average Number of Simultaneous Pitch Classes |
2.154 |
| Variability of Number of Simultaneous Pitch Classes |
0.6769 |
| Average Number of Simultaneous Pitches |
2.531 |
| Variability of Number of Simultaneous Pitches |
0.6116 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.305 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.644 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2045 |
| Stepwise Motion |
0.7087 |
| Melodic Thirds |
0.1457 |
| Melodic Perfect Fourths |
0.05602 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05322 |
| Melodic Sixths |
0.002801 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01681 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.167 |
| Melodic Embellishments |
0.01944 |
| Direction of Melodic Motion |
0.4558 |
| Average Length of Melodic Arcs |
2.102 |
| Average Interval Spanned by Melodic Arcs |
5.473 |
| Melodic Pitch Variety |
5.746 |
| Mean Melodic Interval |
2.594 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5042 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4056 |
| Amount of Arpeggiation |
0.2325 |
| Repeated Notes |
0.01681 |
| Importance of Middle Register |
0.7667 |
| Importance of High Register |
0.005556 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.7 |
| Mean Pitch Class |
4.775 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1417 |
| Prevalence of Most Common Pitch Class |
0.2167 |
| Relative Prevalence of Top Pitches |
0.8824 |
| Relative Prevalence of Top Pitch Classes |
0.8718 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.289 |
| Pitch Class Variability |
3.554 |
| Pitch Class Variability After Folding |
3.247 |
| Pitch Skewness |
-0.3777 |
| Pitch Class Skewness |
-0.1899 |
| Pitch Class Skewness After Folding |
0.978 |
| Pitch Kurtosis |
5.366 |
| Pitch Class Kurtosis |
4.923 |
| Pitch Class Kurtosis After Folding |
7.307 |
| Major or Minor |
0.0 |
| First Pitch |
72.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.2278 |
| Note Density per Quarter Note |
0.9351 |
| Note Density per Quarter Note per Voice |
0.3117 |
| Note Density per Quarter Note Variability |
0.3828 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5889 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9056 |
| Prevalence of Very Long Rhythmic Values |
0.04167 |
| Prevalence of Dotted Notes |
0.06111 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.822 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4944 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6798 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.407 |
| Rhythmic Value Skewness |
1.753 |
| Rhythmic Value Kurtosis |
11.91 |
| Mean Rhythmic Value Run Length |
1.644 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.105 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002576 |
| Partial Rests Fraction |
0.3039 |
| Average Rest Fraction Across Voices |
0.1203 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.317 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.69 |
| Variability Across Voices of Combined Rests |
28.31 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7742 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.114 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.792 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8882 |
| Rhythmic Variability - Tempo Standardized |
0.06218 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
360.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.392 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
2.5 |
| Average Note Duration |
0.588 |
| Variability of Note Durations |
0.2931 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3022 |
| Strength of Second Strongest Rhythmic Pulse |
0.3005 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.006 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6027 |
| Rhythmic Variability |
0.04007 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003222 |
| Duration in Seconds |
80.21 |
| Note Density |
4.488 |
| Note Density Variability |
1.573 |
| Average Time Between Attacks |
0.424 |
| Average Time Between Attacks for Each Voice |
0.6147 |
| Variability of Time Between Attacks |
0.1833 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5769 |
| Relative Range Isolation of Loudest Voice |
0.4839 |
| Relative Range of Highest Line |
0.5769 |
| Relative Note Density of Highest Line |
0.5417 |
| Relative Note Durations of Lowest Line |
0.9854 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8333 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.05818 |
| Average Number of Independent Voices |
2.646 |
| Similar Motion |
0.1855 |
| Contrary Motion |
0.2909 |
| Oblique Motion |
0.4655 |
| Parallel Fifths |
0.003636 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.577 |
| Voice Equality - Number of Notes |
9.644 |
| Voice Equality - Note Duration |
5.897 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
12.5 |