| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2038 |
| Prevalence of Second Most Common Vertical Interval |
0.1978 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9705 |
| Vertical Unisons |
0.01527 |
| Vertical Minor Seconds |
0.001101 |
| Vertical Thirds |
0.3333 |
| Vertical Tritones |
0.01748 |
| Vertical Perfect Fourths |
0.07188 |
| Vertical Perfect Fifths |
0.1757 |
| Vertical Sixths |
0.1587 |
| Vertical Sevenths |
0.01921 |
| Vertical Octaves |
0.1885 |
| Perfect Vertical Intervals |
0.4513 |
| Vertical Dissonance Ratio |
0.06003 |
| Vertical Minor Third Prevalence |
0.51 |
| Vertical Major Third Prevalence |
0.3783 |
| Chord Duration |
3.622 |
| Partial Chords |
0.3934 |
| Standard Triads |
0.4562 |
| Diminished and Augmented Triads |
0.04976 |
| Dominant Seventh Chords |
0.00237 |
| Seventh Chords |
0.01422 |
| Non-Standard Chords |
0.1363 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.333 |
| Average Number of Simultaneous Pitch Classes |
2.522 |
| Variability of Number of Simultaneous Pitch Classes |
0.6531 |
| Average Number of Simultaneous Pitches |
3.173 |
| Variability of Number of Simultaneous Pitches |
0.7445 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.92 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
80.28 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.233 |
| Stepwise Motion |
0.6956 |
| Melodic Thirds |
0.09864 |
| Melodic Perfect Fourths |
0.04932 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04082 |
| Melodic Sixths |
0.001701 |
| Melodic Sevenths |
0.003401 |
| Melodic Octaves |
0.0119 |
| Melodic Large Intervals |
0.001701 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.462 |
| Melodic Embellishments |
0.01014 |
| Direction of Melodic Motion |
0.4576 |
| Average Length of Melodic Arcs |
2.066 |
| Average Interval Spanned by Melodic Arcs |
5.016 |
| Melodic Pitch Variety |
5.158 |
| Mean Melodic Interval |
2.223 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4626 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5037 |
| Amount of Arpeggiation |
0.2517 |
| Repeated Notes |
0.09694 |
| Importance of Middle Register |
0.7449 |
| Importance of High Register |
0.02027 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.61 |
| Mean Pitch Class |
5.537 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1064 |
| Prevalence of Most Common Pitch Class |
0.1976 |
| Relative Prevalence of Top Pitches |
0.9683 |
| Relative Prevalence of Top Pitch Classes |
0.8974 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.233 |
| Pitch Class Variability |
3.311 |
| Pitch Class Variability After Folding |
3.771 |
| Pitch Skewness |
0.4947 |
| Pitch Class Skewness |
-0.4194 |
| Pitch Class Skewness After Folding |
0.8251 |
| Pitch Kurtosis |
5.444 |
| Pitch Class Kurtosis |
4.774 |
| Pitch Class Kurtosis After Folding |
5.239 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2348 |
| Note Density per Quarter Note |
0.6484 |
| Note Density per Quarter Note per Voice |
0.1621 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1334 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9764 |
| Prevalence of Very Long Rhythmic Values |
0.3277 |
| Prevalence of Dotted Notes |
0.08108 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.939 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5389 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4577 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.204 |
| Rhythmic Value Skewness |
1.278 |
| Rhythmic Value Kurtosis |
5.999 |
| Mean Rhythmic Value Run Length |
1.622 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.264 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.009849 |
| Partial Rests Fraction |
0.6057 |
| Average Rest Fraction Across Voices |
0.1993 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
72.0 |
| Mean Complete Rest Duration |
4.496 |
| Mean Partial Rest Duration |
22.75 |
| Median Complete Rest Duration |
8.0 |
| Median Partial Rest Duration |
16.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
4.956 |
| Variability of Partial Rest Durations |
24.89 |
| Variability Across Voices of Combined Rests |
156.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8764 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.0784 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
11.18 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9548 |
| Rhythmic Variability - Tempo Standardized |
0.06938 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
592.0 |
| Initial Tempo |
439.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9985 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
1.64 |
| Average Note Duration |
0.6751 |
| Variability of Note Durations |
0.3013 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
439.0 |
| Strongest Rhythmic Pulse |
55.0 |
| Second Strongest Rhythmic Pulse |
110.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.401 |
| Strength of Second Strongest Rhythmic Pulse |
0.388 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.034 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.789 |
| Rhythmic Variability |
0.04487 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000009968 |
| Duration in Seconds |
124.8 |
| Note Density |
4.744 |
| Note Density Variability |
0.8971 |
| Average Time Between Attacks |
0.4624 |
| Average Time Between Attacks for Each Voice |
0.8487 |
| Variability of Time Between Attacks |
0.1956 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.5302 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.4595 |
| Relative Note Durations of Lowest Line |
1.053 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.799 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.05074 |
| Average Number of Independent Voices |
3.235 |
| Similar Motion |
0.1538 |
| Contrary Motion |
0.2733 |
| Oblique Motion |
0.5221 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7304 |
| Voice Equality - Number of Notes |
40.19 |
| Voice Equality - Note Duration |
21.45 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
5.26 |
| Importance of Loudest Voice |
15.0 |