| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2217 |
| Prevalence of Second Most Common Vertical Interval |
0.1934 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8723 |
| Vertical Unisons |
0.01151 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3086 |
| Vertical Tritones |
0.002703 |
| Vertical Perfect Fourths |
0.03349 |
| Vertical Perfect Fifths |
0.2217 |
| Vertical Sixths |
0.2203 |
| Vertical Sevenths |
0.01595 |
| Vertical Octaves |
0.1819 |
| Perfect Vertical Intervals |
0.4486 |
| Vertical Dissonance Ratio |
0.02308 |
| Vertical Minor Third Prevalence |
0.3337 |
| Vertical Major Third Prevalence |
0.4435 |
| Chord Duration |
3.232 |
| Partial Chords |
0.464 |
| Standard Triads |
0.4786 |
| Diminished and Augmented Triads |
0.001125 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.05737 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9429 |
| Average Number of Simultaneous Pitch Classes |
2.456 |
| Variability of Number of Simultaneous Pitch Classes |
0.5937 |
| Average Number of Simultaneous Pitches |
2.956 |
| Variability of Number of Simultaneous Pitches |
0.2056 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.539 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
10.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.155 |
| Stepwise Motion |
0.4706 |
| Melodic Thirds |
0.09974 |
| Melodic Perfect Fourths |
0.05473 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02558 |
| Melodic Sixths |
0.004092 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0133 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.167 |
| Melodic Embellishments |
0.002554 |
| Direction of Melodic Motion |
0.4479 |
| Average Length of Melodic Arcs |
1.721 |
| Average Interval Spanned by Melodic Arcs |
4.568 |
| Melodic Pitch Variety |
3.788 |
| Mean Melodic Interval |
1.78 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.332 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9507 |
| Amount of Arpeggiation |
0.4706 |
| Repeated Notes |
0.332 |
| Importance of Middle Register |
0.9132 |
| Importance of High Register |
0.003575 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.37 |
| Mean Pitch Class |
4.669 |
| Most Common Pitch |
72.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.168 |
| Prevalence of Most Common Pitch Class |
0.2891 |
| Relative Prevalence of Top Pitches |
0.7234 |
| Relative Prevalence of Top Pitch Classes |
0.5636 |
| Interval Between Most Prevalent Pitches |
15.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.732 |
| Pitch Class Variability |
3.855 |
| Pitch Class Variability After Folding |
3.006 |
| Pitch Skewness |
-0.4912 |
| Pitch Class Skewness |
0.5206 |
| Pitch Class Skewness After Folding |
0.7616 |
| Pitch Kurtosis |
4.977 |
| Pitch Class Kurtosis |
4.649 |
| Pitch Class Kurtosis After Folding |
7.877 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.08325 |
| Note Density per Quarter Note |
1.003 |
| Note Density per Quarter Note per Voice |
0.3342 |
| Note Density per Quarter Note Variability |
0.3084 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.57 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9607 |
| Prevalence of Very Long Rhythmic Values |
0.01532 |
| Prevalence of Dotted Notes |
0.0143 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.866 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5306 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7575 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.196 |
| Rhythmic Value Skewness |
2.172 |
| Rhythmic Value Kurtosis |
8.475 |
| Mean Rhythmic Value Run Length |
2.021 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
1.237 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.03942 |
| Partial Rests Fraction |
0.04761 |
| Average Rest Fraction Across Voices |
0.04215 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
3.85 |
| Mean Partial Rest Duration |
3.632 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.6727 |
| Variability of Partial Rest Durations |
0.8634 |
| Variability Across Voices of Combined Rests |
7.572 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8906 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.05808 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
15.33 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9487 |
| Rhythmic Variability - Tempo Standardized |
0.0704 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1958.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3785 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.7413 |
| Variability of Note Durations |
0.3094 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.5285 |
| Strength of Second Strongest Rhythmic Pulse |
0.4237 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.247 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9522 |
| Rhythmic Variability |
0.05325 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000008111 |
| Duration in Seconds |
505.1 |
| Note Density |
3.877 |
| Note Density Variability |
0.8275 |
| Average Time Between Attacks |
0.6736 |
| Average Time Between Attacks for Each Voice |
0.7695 |
| Variability of Time Between Attacks |
0.3606 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.3846 |
| Relative Range Isolation of Loudest Voice |
0.8729 |
| Relative Range of Highest Line |
0.3846 |
| Relative Note Density of Highest Line |
0.1073 |
| Relative Note Durations of Lowest Line |
1.012 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.6256 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.06434 |
| Average Number of Independent Voices |
2.991 |
| Similar Motion |
0.2546 |
| Contrary Motion |
0.3279 |
| Oblique Motion |
0.3532 |
| Parallel Fifths |
0.01164 |
| Parallel Octaves |
0.00616 |
| Variability of Number of Independent Voices |
0.09196 |
| Voice Equality - Number of Notes |
10.5 |
| Voice Equality - Note Duration |
1.958 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
12.5 |