| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2101 |
| Prevalence of Second Most Common Vertical Interval |
0.1872 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8911 |
| Vertical Unisons |
0.02641 |
| Vertical Minor Seconds |
0.002551 |
| Vertical Thirds |
0.3166 |
| Vertical Tritones |
0.008269 |
| Vertical Perfect Fourths |
0.08826 |
| Vertical Perfect Fifths |
0.1858 |
| Vertical Sixths |
0.1496 |
| Vertical Sevenths |
0.02376 |
| Vertical Octaves |
0.1837 |
| Perfect Vertical Intervals |
0.4842 |
| Vertical Dissonance Ratio |
0.05218 |
| Vertical Minor Third Prevalence |
0.4485 |
| Vertical Major Third Prevalence |
0.3318 |
| Chord Duration |
3.047 |
| Partial Chords |
0.5047 |
| Standard Triads |
0.3829 |
| Diminished and Augmented Triads |
0.02498 |
| Dominant Seventh Chords |
0.0006246 |
| Seventh Chords |
0.003748 |
| Non-Standard Chords |
0.1087 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.376 |
| Average Number of Simultaneous Pitch Classes |
2.386 |
| Variability of Number of Simultaneous Pitch Classes |
0.6621 |
| Average Number of Simultaneous Pitches |
2.967 |
| Variability of Number of Simultaneous Pitches |
0.847 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.173 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
40.29 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1954 |
| Stepwise Motion |
0.6226 |
| Melodic Thirds |
0.141 |
| Melodic Perfect Fourths |
0.0685 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03022 |
| Melodic Sixths |
0.002686 |
| Melodic Sevenths |
0.0006716 |
| Melodic Octaves |
0.006044 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.962 |
| Melodic Embellishments |
0.01875 |
| Direction of Melodic Motion |
0.4476 |
| Average Length of Melodic Arcs |
2.009 |
| Average Interval Spanned by Melodic Arcs |
4.975 |
| Melodic Pitch Variety |
5.037 |
| Mean Melodic Interval |
2.165 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4271 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4575 |
| Amount of Arpeggiation |
0.3062 |
| Repeated Notes |
0.1283 |
| Importance of Middle Register |
0.6437 |
| Importance of High Register |
0.004689 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.67 |
| Mean Pitch Class |
5.052 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1092 |
| Prevalence of Most Common Pitch Class |
0.2123 |
| Relative Prevalence of Top Pitches |
0.9877 |
| Relative Prevalence of Top Pitch Classes |
0.918 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.842 |
| Pitch Class Variability |
3.451 |
| Pitch Class Variability After Folding |
3.204 |
| Pitch Skewness |
0.151 |
| Pitch Class Skewness |
0.04542 |
| Pitch Class Skewness After Folding |
0.5632 |
| Pitch Kurtosis |
5.195 |
| Pitch Class Kurtosis |
4.792 |
| Pitch Class Kurtosis After Folding |
6.831 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3516 |
| Note Density per Quarter Note |
0.8536 |
| Note Density per Quarter Note per Voice |
0.2134 |
| Note Density per Quarter Note Variability |
0.4634 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4387 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8875 |
| Prevalence of Very Long Rhythmic Values |
0.144 |
| Prevalence of Dotted Notes |
0.1011 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.566 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3798 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8589 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.271 |
| Rhythmic Value Skewness |
-0.5734 |
| Rhythmic Value Kurtosis |
9.1 |
| Mean Rhythmic Value Run Length |
1.568 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.046 |
| Mean Rhythmic Value Offset |
0.01608 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3871 |
| Complete Rests Fraction |
0.0003479 |
| Partial Rests Fraction |
0.62 |
| Average Rest Fraction Across Voices |
0.2424 |
| Longest Complete Rest |
0.6085 |
| Longest Partial Rest |
78.95 |
| Mean Complete Rest Duration |
0.6085 |
| Mean Partial Rest Duration |
16.79 |
| Median Complete Rest Duration |
0.6085 |
| Median Partial Rest Duration |
11.22 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
16.67 |
| Variability Across Voices of Combined Rests |
125.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7001 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1626 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.306 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8627 |
| Rhythmic Variability - Tempo Standardized |
0.05751 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1493.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.553 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7907 |
| Variability of Note Durations |
0.4854 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.6 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.3581 |
| Strength of Second Strongest Rhythmic Pulse |
0.2951 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.213 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6532 |
| Rhythmic Variability |
0.04136 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
85.3 |
| Duration in Seconds |
389.6 |
| Note Density |
3.832 |
| Note Density Variability |
1.119 |
| Average Time Between Attacks |
0.5359 |
| Average Time Between Attacks for Each Voice |
1.044 |
| Variability of Time Between Attacks |
0.2858 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.09038 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.1741 |
| Relative Note Durations of Lowest Line |
1.006 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9056 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.0518 |
| Average Number of Independent Voices |
3.059 |
| Similar Motion |
0.1697 |
| Contrary Motion |
0.232 |
| Oblique Motion |
0.5465 |
| Parallel Fifths |
0.002252 |
| Parallel Octaves |
0.002252 |
| Variability of Number of Independent Voices |
0.8683 |
| Voice Equality - Number of Notes |
40.29 |
| Voice Equality - Note Duration |
27.95 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
10.0 |