| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.197 |
| Prevalence of Second Most Common Vertical Interval |
0.1885 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9569 |
| Vertical Unisons |
0.0145 |
| Vertical Minor Seconds |
0.002535 |
| Vertical Thirds |
0.3249 |
| Vertical Tritones |
0.003538 |
| Vertical Perfect Fourths |
0.1382 |
| Vertical Perfect Fifths |
0.197 |
| Vertical Sixths |
0.1229 |
| Vertical Sevenths |
0.01554 |
| Vertical Octaves |
0.174 |
| Perfect Vertical Intervals |
0.5238 |
| Vertical Dissonance Ratio |
0.02919 |
| Vertical Minor Third Prevalence |
0.6489 |
| Vertical Major Third Prevalence |
0.6508 |
| Chord Duration |
2.403 |
| Partial Chords |
0.08779 |
| Standard Triads |
0.791 |
| Diminished and Augmented Triads |
0.001908 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01145 |
| Non-Standard Chords |
0.1097 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.64 |
| Average Number of Simultaneous Pitch Classes |
2.947 |
| Variability of Number of Simultaneous Pitch Classes |
0.3454 |
| Average Number of Simultaneous Pitches |
3.895 |
| Variability of Number of Simultaneous Pitches |
0.3305 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.842 |
| Variation of Dynamics In Each Voice |
1.845 |
| Average Note to Note Change in Dynamics |
2.157 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1406 |
| Stepwise Motion |
0.4942 |
| Melodic Thirds |
0.1097 |
| Melodic Perfect Fourths |
0.06194 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04258 |
| Melodic Sixths |
0.003871 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006452 |
| Melodic Large Intervals |
0.00129 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.696 |
| Melodic Embellishments |
0.001284 |
| Direction of Melodic Motion |
0.4875 |
| Average Length of Melodic Arcs |
1.771 |
| Average Interval Spanned by Melodic Arcs |
4.746 |
| Melodic Pitch Variety |
4.169 |
| Mean Melodic Interval |
1.946 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3535 |
| Relative Prevalence of Most Common Melodic Intervals |
0.792 |
| Amount of Arpeggiation |
0.44 |
| Repeated Notes |
0.28 |
| Importance of Middle Register |
0.8408 |
| Importance of High Register |
0.006418 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.08 |
| Mean Pitch Class |
5.756 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1438 |
| Prevalence of Most Common Pitch Class |
0.2144 |
| Relative Prevalence of Top Pitches |
0.7589 |
| Relative Prevalence of Top Pitch Classes |
0.9341 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.329 |
| Pitch Class Variability |
3.506 |
| Pitch Class Variability After Folding |
2.567 |
| Pitch Skewness |
0.3189 |
| Pitch Class Skewness |
-1.064 |
| Pitch Class Skewness After Folding |
0.1425 |
| Pitch Kurtosis |
5.653 |
| Pitch Class Kurtosis |
4.917 |
| Pitch Class Kurtosis After Folding |
8.846 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1528 |
| Note Density per Quarter Note |
1.432 |
| Note Density per Quarter Note per Voice |
0.358 |
| Note Density per Quarter Note Variability |
0.5864 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002567 |
| Prevalence of Medium Rhythmic Values |
0.7343 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9089 |
| Prevalence of Very Long Rhythmic Values |
0.06162 |
| Prevalence of Dotted Notes |
0.04108 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.657 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6431 |
| Relative Prevalence of Most Common Rhythmic Values |
0.2814 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.644 |
| Rhythmic Value Skewness |
1.199 |
| Rhythmic Value Kurtosis |
13.74 |
| Mean Rhythmic Value Run Length |
2.442 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.332 |
| Mean Rhythmic Value Offset |
0.02054 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2861 |
| Complete Rests Fraction |
0.03677 |
| Partial Rests Fraction |
0.0478 |
| Average Rest Fraction Across Voices |
0.04136 |
| Longest Complete Rest |
6.0 |
| Longest Partial Rest |
6.0 |
| Mean Complete Rest Duration |
2.5 |
| Mean Partial Rest Duration |
2.432 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.414 |
| Variability of Partial Rest Durations |
1.259 |
| Variability Across Voices of Combined Rests |
1.915 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7746 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1193 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.493 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8939 |
| Rhythmic Variability - Tempo Standardized |
0.0622 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
779.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3182 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5021 |
| Variability of Note Durations |
0.3338 |
| Amount of Staccato |
0.002567 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2314 |
| Strength of Second Strongest Rhythmic Pulse |
0.2283 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.013 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4597 |
| Rhythmic Variability |
0.03535 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
102.0 |
| Note Density |
7.637 |
| Note Density Variability |
2.057 |
| Average Time Between Attacks |
0.3835 |
| Average Time Between Attacks for Each Voice |
0.5124 |
| Variability of Time Between Attacks |
0.2659 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.2316 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.344 |
| Relative Note Durations of Lowest Line |
1.073 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8832 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.06627 |
| Average Number of Independent Voices |
3.981 |
| Similar Motion |
0.2241 |
| Contrary Motion |
0.2542 |
| Oblique Motion |
0.4554 |
| Parallel Fifths |
0.006024 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.1844 |
| Voice Equality - Number of Notes |
12.66 |
| Voice Equality - Note Duration |
0.359 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
0.0 |