| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2007 |
| Prevalence of Second Most Common Vertical Interval |
0.1964 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9785 |
| Vertical Unisons |
0.006698 |
| Vertical Minor Seconds |
0.007757 |
| Vertical Thirds |
0.2939 |
| Vertical Tritones |
0.016 |
| Vertical Perfect Fourths |
0.09816 |
| Vertical Perfect Fifths |
0.191 |
| Vertical Sixths |
0.1514 |
| Vertical Sevenths |
0.03128 |
| Vertical Octaves |
0.1897 |
| Perfect Vertical Intervals |
0.4855 |
| Vertical Dissonance Ratio |
0.07432 |
| Vertical Minor Third Prevalence |
0.5146 |
| Vertical Major Third Prevalence |
0.2996 |
| Chord Duration |
2.746 |
| Partial Chords |
0.3602 |
| Standard Triads |
0.4236 |
| Diminished and Augmented Triads |
0.0604 |
| Dominant Seventh Chords |
0.006711 |
| Seventh Chords |
0.02535 |
| Non-Standard Chords |
0.1909 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.168 |
| Average Number of Simultaneous Pitch Classes |
2.503 |
| Variability of Number of Simultaneous Pitch Classes |
0.7568 |
| Average Number of Simultaneous Pitches |
3.194 |
| Variability of Number of Simultaneous Pitches |
0.9625 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.789 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
27.53 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.25 |
| Stepwise Motion |
0.7011 |
| Melodic Thirds |
0.1839 |
| Melodic Perfect Fourths |
0.04885 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02299 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008621 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.765 |
| Melodic Embellishments |
0.02557 |
| Direction of Melodic Motion |
0.4405 |
| Average Length of Melodic Arcs |
2.074 |
| Average Interval Spanned by Melodic Arcs |
4.784 |
| Melodic Pitch Variety |
5.351 |
| Mean Melodic Interval |
2.261 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4511 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5541 |
| Amount of Arpeggiation |
0.25 |
| Repeated Notes |
0.03448 |
| Importance of Middle Register |
0.733 |
| Importance of High Register |
0.01136 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.48 |
| Mean Pitch Class |
5.591 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.09375 |
| Prevalence of Most Common Pitch Class |
0.2188 |
| Relative Prevalence of Top Pitches |
0.9091 |
| Relative Prevalence of Top Pitch Classes |
0.7922 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.838 |
| Pitch Class Variability |
3.763 |
| Pitch Class Variability After Folding |
3.018 |
| Pitch Skewness |
0.0 |
| Pitch Class Skewness |
0.4711 |
| Pitch Class Skewness After Folding |
0.4744 |
| Pitch Kurtosis |
5.078 |
| Pitch Class Kurtosis |
4.724 |
| Pitch Class Kurtosis After Folding |
7.044 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2557 |
| Note Density per Quarter Note |
0.697 |
| Note Density per Quarter Note per Voice |
0.1743 |
| Note Density per Quarter Note Variability |
0.3773 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3097 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8523 |
| Prevalence of Very Long Rhythmic Values |
0.3068 |
| Prevalence of Dotted Notes |
0.196 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.422 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3239 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5526 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.821 |
| Rhythmic Value Skewness |
0.4486 |
| Rhythmic Value Kurtosis |
6.331 |
| Mean Rhythmic Value Run Length |
1.571 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.134 |
| Mean Rhythmic Value Offset |
0.2173 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.3 |
| Complete Rests Fraction |
0.001964 |
| Partial Rests Fraction |
0.4614 |
| Average Rest Fraction Across Voices |
0.196 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
80.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
20.84 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.51 |
| Variability Across Voices of Combined Rests |
49.67 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5193 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2219 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.34 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7412 |
| Rhythmic Variability - Tempo Standardized |
0.0467 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
352.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.453 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.9612 |
| Variability of Note Durations |
0.745 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3715 |
| Strength of Second Strongest Rhythmic Pulse |
0.2179 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.705 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5894 |
| Rhythmic Variability |
0.03723 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003895 |
| Duration in Seconds |
105.2 |
| Note Density |
3.346 |
| Note Density Variability |
1.488 |
| Average Time Between Attacks |
0.5421 |
| Average Time Between Attacks for Each Voice |
1.158 |
| Variability of Time Between Attacks |
0.3361 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.6129 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.7727 |
| Relative Note Durations of Lowest Line |
1.058 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.679 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.05361 |
| Average Number of Independent Voices |
3.222 |
| Similar Motion |
0.1134 |
| Contrary Motion |
0.2082 |
| Oblique Motion |
0.6247 |
| Parallel Fifths |
0.004124 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9668 |
| Voice Equality - Number of Notes |
27.53 |
| Voice Equality - Note Duration |
10.35 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
10.0 |