| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1981 |
| Prevalence of Second Most Common Vertical Interval |
0.1841 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9296 |
| Vertical Unisons |
0.02916 |
| Vertical Minor Seconds |
0.001528 |
| Vertical Thirds |
0.314 |
| Vertical Tritones |
0.01582 |
| Vertical Perfect Fourths |
0.09392 |
| Vertical Perfect Fifths |
0.1841 |
| Vertical Sixths |
0.1518 |
| Vertical Sevenths |
0.02098 |
| Vertical Octaves |
0.1689 |
| Perfect Vertical Intervals |
0.4761 |
| Vertical Dissonance Ratio |
0.06174 |
| Vertical Minor Third Prevalence |
0.5084 |
| Vertical Major Third Prevalence |
0.4645 |
| Chord Duration |
4.008 |
| Partial Chords |
0.3468 |
| Standard Triads |
0.4641 |
| Diminished and Augmented Triads |
0.03678 |
| Dominant Seventh Chords |
0.007005 |
| Seventh Chords |
0.02627 |
| Non-Standard Chords |
0.1629 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.598 |
| Average Number of Simultaneous Pitch Classes |
2.652 |
| Variability of Number of Simultaneous Pitch Classes |
0.6424 |
| Average Number of Simultaneous Pitches |
3.338 |
| Variability of Number of Simultaneous Pitches |
0.7448 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.802 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
22.46 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2336 |
| Stepwise Motion |
0.6706 |
| Melodic Thirds |
0.1168 |
| Melodic Perfect Fourths |
0.07944 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04206 |
| Melodic Sixths |
0.004673 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007009 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.632 |
| Melodic Embellishments |
0.03704 |
| Direction of Melodic Motion |
0.4695 |
| Average Length of Melodic Arcs |
1.841 |
| Average Interval Spanned by Melodic Arcs |
4.565 |
| Melodic Pitch Variety |
5.217 |
| Mean Melodic Interval |
2.315 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4369 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5348 |
| Amount of Arpeggiation |
0.2453 |
| Repeated Notes |
0.07944 |
| Importance of Middle Register |
0.8032 |
| Importance of High Register |
0.01157 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.24 |
| Mean Pitch Class |
5.697 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1319 |
| Prevalence of Most Common Pitch Class |
0.213 |
| Relative Prevalence of Top Pitches |
0.807 |
| Relative Prevalence of Top Pitch Classes |
0.8913 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.025 |
| Pitch Class Variability |
3.299 |
| Pitch Class Variability After Folding |
3.959 |
| Pitch Skewness |
-0.07019 |
| Pitch Class Skewness |
-1.185 |
| Pitch Class Skewness After Folding |
0.9174 |
| Pitch Kurtosis |
5.601 |
| Pitch Class Kurtosis |
4.803 |
| Pitch Class Kurtosis After Folding |
4.995 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1852 |
| Note Density per Quarter Note |
0.7285 |
| Note Density per Quarter Note per Voice |
0.1821 |
| Note Density per Quarter Note Variability |
0.3747 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1782 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9491 |
| Prevalence of Very Long Rhythmic Values |
0.3009 |
| Prevalence of Dotted Notes |
0.09491 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.75 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5023 |
| Relative Prevalence of Most Common Rhythmic Values |
0.447 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.363 |
| Rhythmic Value Skewness |
0.9521 |
| Rhythmic Value Kurtosis |
6.294 |
| Mean Rhythmic Value Run Length |
1.624 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.192 |
| Mean Rhythmic Value Offset |
0.009259 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1925 |
| Complete Rests Fraction |
0.00134 |
| Partial Rests Fraction |
0.4252 |
| Average Rest Fraction Across Voices |
0.1401 |
| Longest Complete Rest |
0.7949 |
| Longest Partial Rest |
58.65 |
| Mean Complete Rest Duration |
0.7949 |
| Mean Partial Rest Duration |
13.84 |
| Median Complete Rest Duration |
0.7949 |
| Median Partial Rest Duration |
4.887 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.87 |
| Variability Across Voices of Combined Rests |
74.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7178 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1571 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.57 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8748 |
| Rhythmic Variability - Tempo Standardized |
0.05859 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
432.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7834 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.8051 |
| Variability of Note Durations |
0.4127 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
367.7 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
88.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3663 |
| Strength of Second Strongest Rhythmic Pulse |
0.3326 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.101 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6989 |
| Rhythmic Variability |
0.04073 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
75.38 |
| Duration in Seconds |
101.1 |
| Note Density |
4.273 |
| Note Density Variability |
1.039 |
| Average Time Between Attacks |
0.5106 |
| Average Time Between Attacks for Each Voice |
0.9225 |
| Variability of Time Between Attacks |
0.2357 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.4833 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.6204 |
| Relative Note Durations of Lowest Line |
1.072 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.7315 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.03441 |
| Average Number of Independent Voices |
3.473 |
| Similar Motion |
0.1656 |
| Contrary Motion |
0.271 |
| Oblique Motion |
0.529 |
| Parallel Fifths |
0.004301 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7208 |
| Voice Equality - Number of Notes |
22.46 |
| Voice Equality - Note Duration |
12.62 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
3.367 |
| Importance of Loudest Voice |
11.67 |