| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2634 |
| Prevalence of Second Most Common Vertical Interval |
0.2533 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9616 |
| Vertical Unisons |
0.0 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.2023 |
| Vertical Tritones |
0.03576 |
| Vertical Perfect Fourths |
0.2533 |
| Vertical Perfect Fifths |
0.03702 |
| Vertical Sixths |
0.3836 |
| Vertical Sevenths |
0.01828 |
| Vertical Octaves |
0.0694 |
| Perfect Vertical Intervals |
0.3597 |
| Vertical Dissonance Ratio |
0.05752 |
| Vertical Minor Third Prevalence |
0.3877 |
| Vertical Major Third Prevalence |
0.06646 |
| Chord Duration |
4.691 |
| Partial Chords |
0.489 |
| Standard Triads |
0.4103 |
| Diminished and Augmented Triads |
0.0753 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1007 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2095 |
| Average Number of Simultaneous Pitch Classes |
2.413 |
| Variability of Number of Simultaneous Pitch Classes |
0.6101 |
| Average Number of Simultaneous Pitches |
2.56 |
| Variability of Number of Simultaneous Pitches |
0.4964 |
| Most Common Vertical Interval |
8.0 |
| Second Most Common Vertical Interval |
5.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.854 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
108.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1668 |
| Stepwise Motion |
0.4789 |
| Melodic Thirds |
0.03561 |
| Melodic Perfect Fourths |
0.02437 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0 |
| Melodic Sixths |
0.01125 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
0.4074 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.3884 |
| Average Length of Melodic Arcs |
1.931 |
| Average Interval Spanned by Melodic Arcs |
3.993 |
| Melodic Pitch Variety |
2.784 |
| Mean Melodic Interval |
1.146 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4499 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6938 |
| Amount of Arpeggiation |
0.4855 |
| Repeated Notes |
0.4499 |
| Importance of Middle Register |
0.9897 |
| Importance of High Register |
0.01028 |
| Dominant Spread |
2.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.78 |
| Mean Pitch Class |
4.095 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.2402 |
| Prevalence of Most Common Pitch Class |
0.3009 |
| Relative Prevalence of Top Pitches |
0.9844 |
| Relative Prevalence of Top Pitch Classes |
0.7981 |
| Interval Between Most Prevalent Pitches |
8.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
4.438 |
| Pitch Class Variability |
3.494 |
| Pitch Class Variability After Folding |
2.492 |
| Pitch Skewness |
-0.4093 |
| Pitch Class Skewness |
0.08186 |
| Pitch Class Skewness After Folding |
0.4703 |
| Pitch Kurtosis |
5.305 |
| Pitch Class Kurtosis |
5.106 |
| Pitch Class Kurtosis After Folding |
8.728 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
59.0 |
| Last Pitch Class |
11.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
13.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.0 |
| Note Density per Quarter Note |
0.81 |
| Note Density per Quarter Note per Voice |
0.27 |
| Note Density per Quarter Note Variability |
0.3543 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5112 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9402 |
| Prevalence of Very Long Rhythmic Values |
0.03738 |
| Prevalence of Dotted Notes |
0.0271 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.024 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4514 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9752 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.346 |
| Rhythmic Value Skewness |
2.283 |
| Rhythmic Value Kurtosis |
8.01 |
| Mean Rhythmic Value Run Length |
1.774 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
1.001 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.04314 |
| Partial Rests Fraction |
0.464 |
| Average Rest Fraction Across Voices |
0.1834 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
112.0 |
| Mean Complete Rest Duration |
3.799 |
| Mean Partial Rest Duration |
16.16 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.7767 |
| Variability of Partial Rest Durations |
29.75 |
| Variability Across Voices of Combined Rests |
321.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8205 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1021 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
8.035 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9226 |
| Rhythmic Variability - Tempo Standardized |
0.06535 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1070.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.583 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.7821 |
| Variability of Note Durations |
0.3482 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.5364 |
| Strength of Second Strongest Rhythmic Pulse |
0.4018 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.335 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9382 |
| Rhythmic Variability |
0.05273 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000005909 |
| Duration in Seconds |
341.6 |
| Note Density |
3.132 |
| Note Density Variability |
0.929 |
| Average Time Between Attacks |
0.7621 |
| Average Time Between Attacks for Each Voice |
1.029 |
| Variability of Time Between Attacks |
0.4048 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5263 |
| Relative Range Isolation of Loudest Voice |
0.7661 |
| Relative Range of Highest Line |
0.5263 |
| Relative Note Density of Highest Line |
0.1963 |
| Relative Note Durations of Lowest Line |
0.997 |
| Relative Size of Melodic Intervals in Lowest Line |
0.0 |
| Voice Overlap |
0.6692 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.2164 |
| Average Number of Independent Voices |
2.56 |
| Similar Motion |
0.46 |
| Contrary Motion |
0.09942 |
| Oblique Motion |
0.2242 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4964 |
| Voice Equality - Number of Notes |
108.0 |
| Voice Equality - Note Duration |
83.02 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
15.0 |